Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice ... See full summary »
An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel. An English language lesson turns into a killing of a ... See full summary »
A teacher (Saverio) and a schoolkeeper (Mario) get lost in the Italian countryside. They find themselves in the late 15th century, they met Leonardo da Vinci and try to teach him how to ... See full summary »
A three-way love affair in the Rome of the early seventies. Construction worker Oreste and young fiancee Adelaide meet Nello, cook in a pizzeria. This love triangle often go to communist ... See full summary »
Rome, 1825. Bishop Rivarola (Tognazzi) and colonel Nardoni (Salerno) are in charge to suppress liberal revolution. Shoemaker Cornacchia (Manfredi) got the information that the liberal ... See full summary »
Enrico Maria Salerno,
Discovering her boyfriend is married, a young lady attempts to take her life, pausing only to phone a Help Line. Finding herself very much alive in hospital she meets the priest who took ... See full summary »
Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta. But ... See full summary »
40 year old Sandro (Marcello Mastroianni) is married to Claude (Virna Lisi). Sandro has one strange obsession: he is a self confessed voyeur. He films his wife in all walks of life on his ... See full summary »
Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice. Communication is fragile. A woman leads an Allied patrol through a mine field; she dies ... See full summary »
Such a courageous film, so full of history and culture but filtered through the irony of the centuries. The eternal ugly side of politics reflects itself on the mirror of the past, with the bitterness of Scipio, the cynicism of his brother Lucio, the moral (and physical) beauty of his wife Emilia (Silvana Mangano), the stern but utilitarian morality of Cato, the indifference of the Gods, while the roman ruins of the scenery, and the modern language (roman dialect in the original) of the characters (splendid all the actors),demonstrate that past is present. Forty years old, this movie keeps being a perfect metaphor not only of the actual Italian situation but of the human factors, tragedy and comedy together. For refined palates.
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