A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to ... See full summary »
Three elderly distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of count Dracula's servants. In a nightly ceremony they ... See full summary »
After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one ... See full summary »
In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the ... See full summary »
In the 1890s a team of British archaeologists discover the untouched tomb of Princess Ananka but accidentally bring the mummified body of her High Priest back to life. Three years later ... See full summary »
In the countryside of England, the Duc de Richleau a.k.a Nicholas welcomes his old friend Rex Van Ryn that has flown to meet him and Simon Aron, who is the son of an old friend of them that... See full summary »
In medieval Europe aging Countess Elisabeth rules harshly with the help of lover Captain Dobi. Finding that washing in the blood of young girls makes her young again she gets Dobi to start ... See full summary »
A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to the small town where all the traces end to look for him. Written by
Neither Warner Brothers or any of the other American majors wanted to deal with Carreras anymore, so the budgets were cut to $200,000 as the decline in Hammer films had begun with the loss of large-scale American distribution. See more »
Paul enters the castle in Dracula's coach. When he gets out of the coach and walks around a bit, the coach with the horses has suddenly disappeared. See more »
Stop! Stop! Let me go! Let me go!
Have I pleased you, Master? Am I forgiven?
You have done well.
See more »
The cruelest, most gruesome Dracula-sequel! ...And one of the best, too.
Vintage Hammer production that has Christopher Lee wearing his beloved black & red cloak and plastic teeth for the fifth (or is it sixth?) time already, only this time he gets to be really nasty and vicious! During the first ten minutes already, "Scars of Dracula" contains more gore and bloody make-up effects than all the previous sequels together and the set pieces are truly dark and grim, so bravo Mr. Roy Ward Baker, you certainly pleased me! The script, on the other hand, isn't very impressive. There's no real story, there aren't any elements that connect this film with any of the foregoing Dracula-films and the pitiful budget limitations even seem to affect the continuity at times. It appears to be easier every time to resurrect Dracula from the dead, as he rises again when a ridiculously fake bat on strings pukes blood on the rotting leftovers of his corpse. The devilish count goes on terrorizing the petrified inhabitants of a nearby village (that set his home on fire) as well as a trio of youngsters that pass by the castle accidentally. There are two marvelous aspects that typify this particular sequel: minor scenes that indicate an obvious return to Bram Stoker's basic writings (Dracula clambering on walls and dominating animals with his mind power) and especially the genuinely sadistic nature of his character! Whereas Dracula too often was a neutral monster in the other films, he's now a truly sick puppy, who unscrupulously butchers young women and molests his servants with a whip. Due to this energy-boost in the series, veteran actor Christopher Lee seems to enjoy his repetitive role some more again, and his great performance contributes in making "Scars of Dracula" a sleazy and violent Hammer highlight. Let's all get scarred by Dracula!
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