A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to ...
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Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »
In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the ... See full summary »
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to the small town where all the traces end to look for him. Written by
Neither Warner Brothers nor any of the other American majors wanted to deal with Carreras anymore, so the budgets were cut to $200,000 as the decline in Hammer films had begun with the loss of large-scale American distribution. See more »
Paul enters the castle in Dracula's coach. When he gets out of the coach and walks around a bit, the coach with the horses has suddenly disappeared. See more »
Stop! Stop! Let me go! Let me go!
Have I pleased you, Master? Am I forgiven?
You have done well.
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None too original but action filled Dracula film , the most underrated of the series
Scars Of Dracula is generally regarded very poorly among Hammer fans, which is a shame. Yes, the decreased budget results in less impressive sets, and there is a bit more blood and violence than usual, but the film has an energy which was somewhat lacking in Dracula Has Risen From The Grave and Taste The Blood Of Dracula.
The script is little more than a rehash of Dracula and Dracula Prince Of Darkness, but there is more action than any others in the series, and several memorable sequences, including the discovery of bodies horribly gored by bats in a church [replete with Lucio Fulci style zooms into the nasty bits], Dracula climbing up a wall a la Bram Stoker, and a vampire seduction ending with Dracula stabbing the woman to death. Atmosphere is a little lacking ,and it's odd that no continuity has been attempted to link it with the previous entry. Christopher Lee has more screen time than usual, although his makeup here is over done. James Bernard's music, though, is as vibrant as ever.
With a much stronger supernatural element than the other Draculas, this is still an enjoyable entry, probably the third best in the series.
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