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IMDb > Say Hello to Yesterday (1971)

Say Hello to Yesterday (1971) More at IMDbPro »


Overview

User Rating:
5.4/10   38 votes
MOVIEmeter: ?
Up 10% in popularity this week. See why on IMDbPro.
Director:
Writers:
Peter King (writer)
Alvin Rakoff (writer)
Contact:
View company contact information for Say Hello to Yesterday on IMDbPro.
Release Date:
26 November 1971 (Finland) more
Genre:
Tagline:
She was yesterday. He was today. There are moments when everyone is the same age.
Plot Keywords:
User Reviews:
"Pick your flowers carefully, my dear..." more (1 total)

Cast

  (Credited cast)

Jean Simmons ... Woman
Leonard Whiting ... Boy
Evelyn Laye ... Woman's mother
John Lee ... Woman's husband
Jack Woolgar ... Boy's father
Constance Chapman ... Boy's mother
Richard Pescud ... Labor Exchange official
Gwen Nelson ... Char
Laraine Humphrys ... Teenager
Nora Nicholson ... Aged lady
Jimmy Gardner ... Balloon seller
rest of cast listed alphabetically:
Geoffrey Bayldon ... Estate Agent
Carla Challoner ... Au Pair girl
James Cossins ... Policeman
Roy Evans ... Father's Friend
Harry Fielder ... Bus Conductor
Derek Francis ... Park Keeper
Ronald Lacey ... Car Park Attendant
Susan Penhaligon
Peter Stephens ... Businessman
more
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Additional Details

Runtime:
96 min
Country:
Language:
Color:
Color (Eastmancolor)
Sound Mix:
Certification:

Fun Stuff

Soundtrack:
Say Hello To Yesterday more

FAQ

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1 out of 1 people found the following review useful.
"Pick your flowers carefully, my dear...", 22 July 2009
5/10
Author: moonspinner55 from redlands, ca

May-September romance, this time with the woman in her autumnal years. "Prim and proper" housewife Jean Simmons, apparently stuck in a stale marriage to a stocks analyst near London, is chased madly all over town by gregarious younger man Leonard Whiting, who fancies her. Once she relents and they get to the bedroom, Whiting tells her, "You're Mata Hari, Candy, and Barbarella all rolled into one", and yet we never sense that. Director Alvin Rakoff, who also co-authored the script with Peter King, hands us characters on a meet-cute platter with hardly any exposition. Usually that's fine with me--the less talky introductory material, the better--however, in this case it backfires. We don't see the attraction between these two people, and when Simmons suddenly starts defending her husband and his prowess in bed, it feels like a cheat. Whiting, then a hot commodity following Zeffirelli's "Romeo and Juliet", is convincing as a carefree youth longing for non-conformist kicks, but when the scenario grows solemn--as with a confusingly presented trip to the hospital--Whiting laughably stiffens, becoming melodramatically misty. Rakoff also does the handsome Whiting a disservice in the final act, staging a serious discussion between the lovers while keeping Whiting ridiculously wrapped in a tangerine-colored bed sheet! Simmons does what she can with a sketchy character, but there are few surprises from the actress (who had played this type of role too often before). The age difference is brought up but not examined; Rakoff seems more intrigued by Simmons' distaste in the young man's unemployment status--definitely not a reaction the audience can warm up to. Riz Ortolani's pretty music and Geoffrey Unsworth's cinematography help keep the film interesting and tolerable, but by the end it has become laborious. ** from ****

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