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Overview
User Rating:
Director:
Writers:
Roberto Gianviti (screenplay)
Paul Hengge (credited on German prints)
more
Release Date:
24 February 1972 (Italy) more
User Comments:
should you be looking for a more involving or stylish presentation you may find yourself dropping off more (25 total)
Cast
(Cast overview, first billed only) | Antonio Sabato | ... | Mario |
| Uschi Glas | ... | Giulia (as Uschi Glass) |
| Pier Paolo Capponi | ... | Inspector Vismara |
| Rossella Falk | ... | Elena Marchi |
| Marina Malfatti | ... | Kathy Adams |
 | Renato Romano | ... | The Priest |
| Claudio Gora | ... | Raffaele Ferri |
| Gabriella Giorgelli | ... | Inez Tamborini |
| Aldo Barberito | ... | Lt. Palumbo |
| Bruno Corazzari | ... | Barrett |
| Franco Fantasia | ... | Lt. Renzi |
| Petra Schürmann | ... | Concetta di Rosa |
| Ivano Davoli | ||
| Linda Sini | ... | Juanda |
| Nello Pazzafini | ... | Raoul |
Additional Details
Also Known As:
Seven Blood-Stained Orchids (International: English title) (dubbed version) (USA) (DVD title)
Das Rätsel des silbernen Halbmonds (West Germany)
Edgar Wallace - Das Rätsel des silbernen Halbmonds (West Germany) (series title)
Puzzle of the Silver Half Moons
Sette volti per l'assassino (Italy)
Sieben Gesichter für die Mörderin (West Germany)
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Parents Guide:
Runtime:
Finland:88 min | Germany:85 min | Greece:88 min
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Italy:VM14 (new rating) | Italy:VM18 (original rating) | West Germany:16
Filming Locations:
Company:
Fun Stuff
Movie Connections:
Referenced in "Pastewka: Die Strategie der Schnecke (#2.2)" (2006) more
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| La coda dello scorpione | Il gatto a nove code | L'uccello dalle piume di cristallo | La tarantola dal ventre nero | Giornata nera per l'ariete |
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Related Links
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Watching this again after several years I was surprised to remember little other than that I had thought more of it before. I suspect that it was an early giallo for me and that I have seen better since but judging by the varied comments on this film I'm not so sure. Maybe it depends upon what mood you are in as to whether you get into this one. It starts well enough and there are some vigorous kills and decent Ortolani music, but then it seems to drift. The leads are not particularly impressive and although we do not get half an hour of plodding police investigation we do get a shot or two too many of them motoring from one crime scene to another. There is an inconsistency too, some of the kills are very striking and some barely on camera. The main problem seems to lie at the door of Mr Lenzi who just puts the bits and pieces together without any real sense of pleasure or passion. Things just seem to happen and maybe if you are in the right frame of mind this will be OK but should you be looking for a more involving or stylish presentation you may find yourself dropping off.