A trio of atmospheric horror tales about: A woman terrorized in her apartment by phone calls from an escaped prisoner from her past; a Russian count in the early 1800s who stumbles upon a ... See full summary »
A lesbian vampire couple waylay and abduct various passer-byes, both male and female, to hold them captive at their rural manor in the English countryside in order to kill and feed on them to satisfy their insatiable thirst for blood.
José Ramón Larraz
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Dr. Markway, doing research to prove the existence of ghosts, investigates Hill House, a large, eerie mansion with a lurid history of violent death and insanity. With him are the skeptical ... See full summary »
In New York, Dr. Norman Boyle assumes the research about Dr. Freudstein of his colleague Dr. Petersen, who committed suicide after killing his mistress. Norman heads to Boston with his wife... See full summary »
A chic, good-looking and suitably 70's couple arrive at an extravagant and deserted seaside hotel after eloping. Stefan is wealthy and happily English, with a hidden streak of sadism, while Valarie is intelligent but of inferior (Swedish) blood. To keep her with him at the eerie hotel he lies consistantly about his relationship with his mother and his plans to tell her of their marriage. Meanwhile he has mysterious phone conversations with an older, dominant and pampered sissy. Two fresh guests arrive; the Hungarian countess, Elizabeth Bathory and her voluptuous protege, Ilona. Virgin corpses begin showing up about the city drained of their blood. A wary detective lurks around the hotel taunting his only suspect, the Countess. Written by
In 2007, Harry Kümel revealed in an Interview that initially, Delphine Seyrig, already being a well-renowned icon of sophisticated European cinema, wasn't too eager to take the part of the Countess Bathory when he sent her the script. Seyrig's Boyfriend, famous French Director Alain Resnais, was a big fan of graphic novels and when he imagined Kümel's material and idea of the film to be something of a graphic novel, he enthusiastically convinced Seyrig to take the offer. Kümel also said that, at that time, he and his co-writers thought Seyrig's consent was "too good to be true". See more »
I first saw this movie when I was 12 and it had a huge impact on my early artistic endeavors as a young man. I've seen it periodically over the years and can see what intrigued me about it so much. It's part Ingmar Bergman film and part bad vampire movie. There are some beautifully filmed scenes along with some awful dialogue. The brilliant Delphine Seyrig is superbly creepy. The other performances are only mediocre. The music is appropriately over the top; sometimes sinister, sometimes goofy- seventies movie. The new director's cut contains more sex and nudity, probably to avoid getting an x-rating at the time of release. It's definitely worth checking out if you've never seen it.
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