Reazione a catena (1971)

Director:

Mario Bava

Writers:

Franco Barberi (story)
Mario Bava (screenplay)
(more)

Release Date:

3 May 1972 (USA)

Genre:

Horror | Mystery | Thriller

Tagline:

The second movie rated "V" for violence.

Plot:

An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out...

Plot Keywords:

Friend | Murder | Inheritance | Fondling | Bathing

Awards:

1 win

Cast

Claudine Auger	...	Renata
Luigi Pistilli	...	Albert
Claudio Camaso	...	Simon (as Claudio Volonté)
Anna Maria Rosati	...	Laura
Chris Avram	...	Frank Ventura
Leopoldo Trieste	...	Paolo Fossati
Laura Betti	...	Anna Fossati
Brigitte Skay	...	Brunhilda
Isa Miranda	...	Countess Federica Donati
Paola Montenero	...	Denise (as Paola Rubens)
Guido Boccaccini	...	Duke
Roberto Bonanni	...	Robert
Giovanni Nuvoletti	...	Count Filippo Donati
rest of cast listed alphabetically:
Renato Cestiè	...	Renata and Albert's Son (uncredited)
Nicoletta Elmi	...	Renata and Albert's Daughter (uncredited)

Directed by
Mario Bava

Writing credits (in alphabetical order)
Franco Barberi		story
Mario Bava		screenplay
Filippo Ottoni		screenplay
Dardano Sacchetti		story
Giuseppe Zaccariello		(screenplay) (as Joseph McLee)

Produced by
Giuseppe Zaccariello	....	producer

Original Music by
Stelvio Cipriani

Cinematography by
Mario Bava

Film Editing by
Carlo Reali

Production Design by
Sergio Canevari

Art Direction by
Sergio Canevari

Costume Design by
Enrico Sabbatini

Makeup Department
Adalgisa Favella	....	hair stylist
Franco Freda	....	makeup artist

Production Management
Roberto Cicutto	....	production supervisor
Fernando Franchi	....	production manager

Second Unit Director or Assistant Director
Lamberto Bava	....	assistant director

Sound Department
Carlo Diotallevi	....	sound recordist
Gene Luotto	....	post-synchronization
Carlo Tarchi	....	sound

Special Effects by
Carlo Rambaldi	....	special effects (as Rambaldi)

Camera and Electrical Department
Gianlorenzo Battaglia	....	assistant camera (as Lorenzo Battaglia)
Emilio Varriano	....	camera operator
Franco Vitale	....	still photographer

Other crew
Patrizia Zulini	....	continuity
Pino Locchi	....	voice dubbing: Claudio Camaso (uncredited)

Production Companies

• Nuova Linea Cinematografica

Distributors

• Hallmark Releasing Corp. (1972) (USA) (theatrical) (dubbed)
• Ambassador Film Distributors (1982) (Canada) (theatrical) (dubbed)
• Alberto Bitelli Intl. Films (1972) (Brazil) (theatrical)
• Internacional Films Distribución (????) (Spain) (theatrical)
• Astro Distribution (2001) (Belgium) (DVD)
• DMEG (2004) (Sweden) (video)
• Gorgon Video (198?) (USA) (VHS)
• Hokushin Audio Visual (1981) (UK) (video)
• Image Entertainment (2001) (USA) (DVD)
• M.I.B. (Germany) (DVD)
• Paradiso Home Entertainment (2006) (Netherlands) (DVD)
• Raro Video/Nocturno (2005) (Italy) (DVD)
• Simitar Video (USA) (DVD)
• Starz Home Entertainment (2007) (USA) (DVD)
• Stomp Visual (2005) (Australia) (DVD)

Other Companies

• Digitmovies Alternative Entertainment  soundtrack

Also Known As:

A Bay of Blood (International: English title) (uncensored intended title) (USA)
Antefatto - Ecologia del delitto (Italy) (new title)
Bloodbath (UK)
Bloodbath Bay of Death (UK) (unauthorized video title)
Carnage
Chain Reaction (Italy) (literal English title)
E così imparano a fare i cattivi (Italy) (working title)
Ecology of a Crime (International: English title) (informal literal title)
The Antecedent (USA) (informal title)
The Last House on the Left, Part II (USA) (reissue title)
Twitch of the Death Nerve (USA) (new title)

Runtime:

84 min | 76 min (cut)

Country:

Italy

Language:

English | Italian

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Canada:13+ (Quebec) | Canada:R (Ontario) | Australia:R | UK:18 (re-rating: 1994) (cut) | UK:(Banned) (1984-1994) | UK:R (original rating: 1972) | France:-16 | Netherlands:16 | UK:18 (uncut version, re-rating) | Norway:18 (DVD rating) (2009) (uncut) | Italy:VM14 | Italy:VM18 (DVD rating) | New Zealand:R16 | Spain:18 | USA:R | West Germany:(Banned) | Argentina:16 | Germany:BPjM Restricted

Filming Locations:

Sabaudia, Latina, Lazio, Italy

Company:

Nuova Linea Cinematografica

Trivia:

One promotional gimmick was that every ticket holder was required to pass through The Final Warning Station, where a theater worker warned you face to face that this may be the last 'shock' film you will ever want to see.

Movie Connections:

Featured in Going to Pieces: The Rise and Fall of the Slasher Film (2006)

Brilliant!

BAY OF BLOOD (or TWITCH OF THE DEATH NEVER) is a brilliant film. The idea behind it is original and it's still a one-of-a-kind flick, even if the movie itself inspired a gazillion slashers. Regarded as the granddaddy of slashers, BAY OF BLOOD has a unique concept behind it that none of its duplicators have successfully copied: the concept of people being murdered one by one, not by just one killer but by several killers, in very gruesome ways, all in the name of super dry, jet black comedy.

There's something surprisingly stealthy about Mario Bava's approach to the deliberately confusing story. Throughout the labirynth like story-line, we bounce from one character to the next, never having enough time to get to know the people in the movie to care enough for them and when they are killed, their deaths suddenly take a surprisingly modern twist. Unlike most slashers out there, like FRIDAY THE 13TH or even HALLOWEEN and their endless sequels, many critics have said that in order for the horror element in those movies to work, you have to care about the people getting killed. Many critics have dismissed the whole slasher genre just on that basis: the films are not horrifying because the people getting killed either deserve it because they're annoying or the acting was really bad, or just because the writing was terrible and the characters were just token characters and it's not scary to see token, cardboard characters getting killed. Well, in BAY OF BLOOD, the ingeniously scripted story transcends this. The characters in BOB are not really deep or even memorable but their introduction to us, the viewer, is so quick and their deaths are so gruesome and so sudden and unexpected that the fact we know little about them hardly matters. It hardly matters because the killings aren't being made by a single killer with a singular reason but by several killers, whom all have a confusing number of reasons (which can all be traced to greed), with few of the killers knowing that others are also killing other people at the same time and as the film progresses, the killers, in turn, also become victims themselves. This is the brilliant aspect of BOB. People just kill each other left and right in a neverending succession of blood and violence, each people completely indifferent to each other. Watching this made me giggle and wince. The story cannibalises itself repeatedly, every ten minutes or so, snowballing into an all-out blood bath. The effect this creates is like being trapped inside a time-loop, in which the same thing happens over and over AND over again. Combine this with the fact that the story's actions happens mostly within a brief time-line (except for the beginning, everything happens on the same day) BUT that it also goes back and forth in time, with flashbacks and such, and BOB, oddly enough never feels grounded to one specific time. The killings in BOB feel different than anything I've ever seen in a horror film. Each killing is seemingly detached from the story itself and the film takes an all new unique approach, as the deaths come to the fore while the rest fades in the background. It almost feels like we're watching the killings happen "live". There isn't a single lone female survivor, or a surprise ending like most horror films (there is a surprise ending in BAY OF BLOOD but it's not a killer coming back to life).

The acting is good but the cast is mostly anonymous (deliberate?). Except for Claudine Auger, the rest of the cast seemingly all meld together. The location and sets were also good. Only the music was inappropriate at times and the cinematography was sometimes annoying, with Bava's constant use of out-of-focus shots, which I don't like at all. My favorite scene in BOB is the one when Claudine Auger goes to the bathroom. Arf!!!

Though I consider BAY OF BLOOD to be brilliant, the film is dated and there's a certain aloofness to it that even if it serves the story to a certain extent, this aloofness is carried to an unfortunate extreme which makes the film feel not as "passionate" as it could have been or should have been. I guess aloofness is a Bava trademark, which is one of the reasons why I'm not a big Bava fan. Except for HATCHET FOR THE HONEYMOON, I've haven't been impressed by most of his films. Well, BAY OF BLOOD has impressed me a lot and I have to say that it's probably my favorite Mario Bava film, along with HATCHET. All in all, I think BAY OF BLOOD is a unique, one-of-a-kind gruesome movie. Anyone who didn't like it just didn't get it.