An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing ... See full summary »
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate. Written by
Ed Sutton <firstname.lastname@example.org>
Due to the film's low budget, most of the locations in the film belonged to director Mario Bava or members of the crew. The interiors of Countess Federica's home was shot at a favorite villa of Bava's and the interiors of Frank Ventura's country house were shot at a summer home owned by the producer. See more »
The Count is stabbed repeatedly in his back and then he falls on his back and dies. When the killer is dragging him away, there should be a blood trail leading from The Countess to the door. See more »
Greed twitches several death nerves in Mario Bava's brutal pioneering slasher flick!
Many films on the Video Nasty list are horror cinema's answer to well-respected classics; The Last House on the Left offers a new spin on Ingmar Bergman's The Virgin Spring, Island of Death is a more brutal telling of the story of Bonnie and Clyde and, indeed, this Mario Bava film owes its plot to the French classic, La Ronde. Bay of Blood is often noted as being an obvious inspiration on the Friday the 13th series, and when taking things such as the setting and a certain murder sequence into account, that is certainly true; but let's not forget that this is also a fantastic movie in its own right. The film starts off with a glorious sequence that opens inside a beautiful manor house. We watch as a wheelchair-bound baroness is brutally strangled, only for the rug to be torn from under us moments later when her assailant is the next one to bite the bullet! It has to be said that the film never tops its opening sequence, but Mario Bava's gore-fest manages to remain fascinating all the way through, as it turns out that the first murder scene sets off a violent chain of events that results in a very high body count.
This film would be properly categorised as a slasher, but its Italian roots ensure that it's often labelled a Giallo, and indeed Mario Bava does include Giallo elements; from black gloved killers and an array of odd characters, all the way to an amazingly convoluted plot. Indeed, the storyline here gets so complicated at times that it's liable to give the viewer an extreme headache, but Bava is always on hand with another glorious murder scene, and as the film features thirteen deaths in it's eighty one minute running time - there's certainly no lack of the red stuff. Bava ensures that the murders are suitably varied, and we get treated from an array of methods of dispatch, including axes, a spear through a lovemaking couple and an excellent scene that sees someone skewered to a wall. Mario Bava's eye for detail doesn't wane with this film, as despite being a grisly slasher; there's still more than enough time for beautiful scene setting. The bay itself looks great and excellently lends itself as a location for savagery, while the decors of the character's homes are elaborately Gothic. With the pitch-black ending, the director shows us that the film isn't meant to be taken seriously, and overall, Bay of Blood is both influential and a great time - and therefore shouldn't be missed by horror fans.
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