IMDb > The Canterbury Tales (1972)
I racconti di Canterbury
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The Canterbury Tales (1972) More at IMDbPro »I racconti di Canterbury (original title)

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Overview

User Rating:
6.4/10   3,499 votes »
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Writers:
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View company contact information for The Canterbury Tales on IMDbPro.
Release Date:
30 May 1980 (USA) See more »
Genre:
Plot:
Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales. | Add synopsis »
Awards:
1 win See more »
User Reviews:
Best Italian film ever See more (25 total) »

Cast

  (in credits order) (verified as complete)

Hugh Griffith ... Sir January
Laura Betti ... The Wife from Bath

Ninetto Davoli ... Perkin

Franco Citti ... The Devil
Josephine Chaplin ... May
Alan Webb ... Old Man

Pier Paolo Pasolini ... Geoffrey Chaucer
J.P. Van Dyne ... The Cook

Vernon Dobtcheff ... The Franklin
Adrian Street ... Fighter
O.T. ... Chief Witch-Hunter (as OT)
Derek Deadman ... The Pardoner (as Derek Deadmin)
Nicholas Smith ... Friar
George Bethell Datch ... Host of the Tabard (as George B. Datch)
Dan Thomas ... Nicholas
Michael Balfour ... John the carpenter
Jenny Runacre ... Alison
Peter Cain ... Absalom
Daniele Buckler ... Witch Hunter (as Daniel Buckler)
John Francis Lane ... Greedy friar
Settimo Castagna ... Angel (as Settimio Castagna)
Athol Coats ... Rich homosexual
Judy Stewart-Murray ... Alice

Tom Baker ... Jenkin
Oscar Fochetti ... Damian
Willoughby Goddard ... Placebo
Peter Stephens ... Justinus
Giuseppe Arrigio ... Pluto (as Giuseppe Arrigo)
Elisabetta Genovese ... Prosperine
Gordon King ... Chancellor
Patrick Duffett ... Alan
Eamann Howell ... John
Tiziano Longo ... Simkin the miller (as Albert King)
Eileen King ... Simkin's wife
Heather Johnson ... Molly

Robin Askwith ... Rufus (as Robin Asquith)
Martin Whelar ... Jack the Justice
John McLaren ... Johnny the Grace
Edward Monteith ... Dick the Sparrow
Kervin Breen
Franca Sciutto
Vittorio Fanfoni
rest of cast listed alphabetically:
Leonard S. Brooks ... Businessman (uncredited)
Stephen Calcutt ... The Groom (uncredited)

Philip Davis ... 2nd homosexual lover (uncredited)
Charles De la Tour ... Inn-keeper (uncredited)
Francis De Wolff ... The Bride's father (uncredited)
Michael Derrek ... Robin (uncredited)
Andrew Dymock ... Bill (uncredited)
V. Edwards ... The Old Woman (uncredited)
Dorothy Everall ... Perkin's mother (uncredited)
Diana Fisher ... The Bride (uncredited)
Chris Greener ... Sir Elephant (uncredited)
David Hatton ... Poor homosexual (uncredited)
Judo Al Hayes ... Fighter (uncredited)
Terry Hooper ... L'allodoliere (uncredited)
Robert Brook Howard ... Vicar of the Monestary (uncredited)
Karl Howman ... 1st homosexual lover (uncredited)
Richard Hughes ... Administrator (uncredited)
Laurie Inch ... Mary (uncredited)
Charlotte Kell ... The Prioress (uncredited)
Pinky Martin ... The Nun (uncredited)
Alan McConnell ... Master Gervaso (uncredited)
Norman McGlen ... Perkin's father (uncredited)
Peter McGregor ... The Merchant (uncredited)
Hugh McKenzie-Bailey ... Thomas (uncredited)
Roderick McLeod ... Knight's Attendant (uncredited)
Anthony Moore ... The Spy (uncredited)
Ken Muggleston ... Doctor (uncredited)
Patrick Newell ... Prior (uncredited)
Ray Parks ... Sergeant (uncredited)
Martin Philips ... Martin (uncredited)
Selwyn Roberts ... The Knight (uncredited)
Anita Sanders ... Thomas' wife (uncredited)
Mary Stuart ... Priest (uncredited)
Reg Stuart ... 4th Husband (uncredited)
Steve Whitton ... Youth Without Name (uncredited)
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Directed by
Pier Paolo Pasolini 
 
Writing credits
Pier Paolo Pasolini (screenplay)

Geoffrey Chaucer (book of short stories: The Canterbury Tales) (as G. Chaucer)

Produced by
Alberto Grimaldi .... producer
 
Original Music by
Ennio Morricone  (as Mº Ennio Morricone)
 
Cinematography by
Tonino Delli Colli 
 
Film Editing by
Nino Baragli 
 
Production Design by
Dante Ferretti 
 
Set Decoration by
Ken Muggleston 
 
Costume Design by
Danilo Donati 
 
Makeup Department
Giancarlo De Leonardis .... key hair stylist
Giancarlo De Leonardis .... wig maker
Otello Sisi .... makeup artist
 
Production Management
Ennio Onorati .... production manager
Alessandro von Norman .... production manager
 
Second Unit Director or Assistant Director
Umberto Angelucci .... assistant director
Sergio Citti .... assistant director
Peter Shepherd .... assistant director
 
Art Department
Carlo Agati .... assistant designer
 
Sound Department
Massimo Anzellotti .... sound effects editor
Gianni D'Amico .... sound mixer
Luciano Muratori .... boom operator
Primiano Muratori .... sound engineer
Primimiano Muratori .... sound engineer
 
Special Effects by
Luciano Anzellotti .... special effects
 
Camera and Electrical Department
Mimmo Cattarinich .... still photographer
Maurizio Lucchini .... assistant camera
Claudio Sabatini .... assistant camera
Carlo Tafani .... camera operator
 
Costume and Wardrobe Department
Vanni Castellani .... assistant costume designer
 
Editorial Department
Stephen Bearman .... colorist
Anita Cacciolati .... assistant editor
Ugo De Rossi .... assistant editor
 
Music Department
Ennio Morricone .... music advisor (as Mº Ennio Morricone)
Pier Paolo Pasolini .... music supervisor (as P.P. Pasolini)
 
Other crew
Beatrice Banfi .... secretary
Adriano Magistretti .... English production coordinator
Anthony Moore .... production coordinator: UK
Ken Muggleston .... interior designer
Peter Shepherd .... assistant to director
Franca Tasso .... production secretary
Marco Bellocchio .... voice dubbing: John Francis Lane (uncredited)
Eduardo De Filippo .... voice dubbing: Alan Webb (uncredited)
Francesco Leonetti .... voice dubbing: George Bethell Datch (uncredited)
 

Production CompaniesDistributors
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Additional Details

Also Known As:
"I racconti di Canterbury" - Italy (original title)
See more »
Runtime:
Argentina:112 min | USA:109 min (cut) | Italy:112 min | West Germany:140 min (Berlin Film Festival) (premiere) | France:118 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.75 : 1 See more »
Sound Mix:
Certification:
Argentina:18 | Australia:R | Canada:16+ (Quebec) | Finland:K-18 (DVD rating) (2004) | Finland:K-15 (cinema release) (1973) | France:18 | Ireland:18 | Italy:VM18 (original rating) | Italy:VM14 (re-rating) (1988) | Netherlands:18 (orginal rating) | New Zealand:R18 | New Zealand:R16 (re-rating) (2002) | Norway:18 | Portugal:M/16 | Spain:18 | Sweden:15 | UK:X (original rating) (cut) | UK:15 (video rating) (uncut) (2001) | USA:X (original rating) | USA:NC-17 (re-rating) (1991) | West Germany:16

Did You Know?

Trivia:
Due to the explicit nature of much of the film's content, it was banned in many countries for many years.See more »
Quotes:
Perkin's mother:[singing] Oh, there was a little beggar man that goes from town to town, and wherever he get a job and work he's willing to sit down.See more »
Movie Connections:
Featured in Bad Girl (2012)See more »

FAQ

This FAQ is empty. Add the first question.
18 out of 30 people found the following review useful.
Best Italian film ever, 28 September 1999
Author: russel from Los Angeles

When I was going to see "Canterbury Tales", I knew Pasolini was infamous director who made crazy films, that weren't for everyone's taste.When I saw it. It was one of those movie experiences that change the way you see films. It's not that I loved this film, I don't see how I can use word "love" here. It's just that from the beginning to the end I couldn't believe my eyes. Sequence after sequence, the movie became one of the most original films I ever seen in my life. Wife having sex standing on her husband's shoulders, woman farting in the face of the young boy who loves her, drunken man, p***ing on dining people, giant ass, that defecates with demons, it's shocking, yes, but it's not the point. The point is,we believe every single thing we see on the screen. Of course, it's because Pasolini uses natural lightning, unprofessional actors, and partly because when there is fucking on the screen, it's not simulation, it's real f**king (what other film can be classified as "porn", and also have Oscar-winning costume designer in its credits?). But it's not the reason. I always admired Pasolini, because he was one of those people, who make others respect them, who have remained hip even twenty years after they are dead. And being this incredibly fascinating person, he could put part of the magic that made him the person he was into his movies.

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