6.5/10
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The Canterbury Tales (1972)

I racconti di Canterbury (original title)
NC-17 | | Comedy, Drama, History | 30 May 1980 (USA)
Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.

Writers:

(screenplay), (book) (as G. Chaucer)
Reviews
1 win. See more awards »
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Cast

Cast overview, first billed only:
...
Sir January
...
...
Perkin
...
...
May
Alan Webb ...
Old Man
...
J.P. Van Dyne ...
The Cook
...
The Franklin
Adrian Street ...
Fighter
O.T. ...
Chief Witch-Hunter (as OT)
Derek Deadman ...
The Pardoner (as Derek Deadmin)
...
Friar
George Bethell Datch ...
Host of the Tabard (as George B. Datch)
Dan Thomas ...
Nicholas
Edit

Storyline

Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | History

Certificate:

NC-17 | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

30 May 1980 (USA)  »

Also Known As:

The Canterbury Tales  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(cut) | (premiere)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.75 : 1
See  »
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Did You Know?

Trivia

Remarkably, this is the only major cinematic take on Geoffrey Chaucer's classic tales. See more »

Goofs

Some of the women have tan-lines from bikinis. See more »

Quotes

Perkin's mother: [singing] Oh, there was a little beggar man that goes from town to town, and wherever he get a job and work he's willing to sit down.
See more »

Connections

Referenced in Adjust Your Tracking (2013) See more »

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User Reviews

Ever-fresh Pasolini comedy of ethics
14 October 2004 | by See all my reviews

This, even though it lacks a bit the wit and spirit of IL DECAMERON, which was funnier, it still manages to satisfy as you reach the end. Pasolini's perverted humor as well as some of his usual actors are here. There's full nudity, both male and female. Maybe here the erotic element is more intense so its less humorous, I am not sure. I suppose it will satisfy those who like Pasolini's humour like, say, IL DECAMERON.

The copy I saw had awful dubbing - Italian language- maybe it's bad sychronisation, or something else...

As far as I am concerned it is worth it alone for this special, absurd, perverted, surrealistic last scene, taking place in hell. It rulez! Some others scenes are awesome too! And of course there'e Pasolini evident dislike of church/religious dogmas.

If you're not easily offended and like old films, specially European ones, give it a try, IL DECAMERON as well.


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