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The Canterbury Tales (1972)
"I racconti di Canterbury" (original title)

 -  Comedy | Drama  -  30 May 1980 (USA)
6.4
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 6.4/10 from 3,553 users  
Reviews: 25 user | 41 critic

Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.

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(screenplay), (book)
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Cast

Cast overview, first billed only:
...
Sir January
Laura Betti ...
...
Perkin
...
Josephine Chaplin ...
May
Alan Webb ...
Old Man
...
J.P. Van Dyne ...
The Cook
...
The Franklin
Adrian Street ...
Fighter
O.T. ...
Chief Witch-Hunter (as OT)
Derek Deadman ...
The Pardoner (as Derek Deadmin)
Nicholas Smith ...
Friar
George Bethell Datch ...
Host of the Tabard (as George B. Datch)
Dan Thomas ...
Nicholas
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Storyline

Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

30 May 1980 (USA)  »

Also Known As:

The Canterbury Tales  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(cut) | (premiere)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.75 : 1
See  »
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Did You Know?

Trivia

The second film in director Pier Paolo Pasolini's "Trilogy of Life", following The Decameron (1971) and concluding with Arabian Nights (1974). See more »

Quotes

Angel: Hey Satan! Lift up your tail and show us where you keep the friars in hell!
See more »

Connections

Follows The Decameron (1971) See more »

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User Reviews

Superb Film
22 October 2007 | by (Finland) – See all my reviews

I'm rather bemused by some of the negative comments above. This film - in my humble opinion - is one of the greatest ever made, and my personal favourite of all P.P. Pasolini's. Pasolini brings life to Chaucer in a way my poor teachers at school could never have dared. In the film, Pasolini casts himself as Chaucer; daydreaming, laughing at his own tales, being berated by his wife. And therein lies the clue to this film. It's not just an interpretation of the Canterbury Tales, it's a portrayal of its author. For all claims of "smut" (see above), I can honestly say that your imagination must be pretty dull not to laugh at certain earthy, dream-like scenes. Absolutely non of the scenes in this movie can be branded as bad-taste. They're absolutely accurate. Pasolini showed deep understanding of the English psyche throughout; the examples are too numerous to mention. If you're looking for an explanation of The Canterbury Tales, you won't find it in this film. But if you're looking for how to go about interpreting it for yourself, you'll find no better. This movie is one that I will keep, and you can bet my kids are going to see it when they get a little older too.


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