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The Canterbury Tales (1972)
"I racconti di Canterbury" (original title)

 -  Comedy | Drama  -  30 May 1980 (USA)
6.2
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Ratings: 6.2/10 from 2,899 users  
Reviews: 24 user | 38 critic

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(screenplay), (book)
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Title: The Canterbury Tales (1972)

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Cast

Cast overview, first billed only:
...
Sir January
Laura Betti ...
Ninetto Davoli ...
Perkin
...
Josephine Chaplin ...
May
Alan Webb ...
Old Man
...
J.P. Van Dyne ...
The Cook
...
The Franklin
Adrian Street ...
Fighter
O.T. ...
Chief Witch-Hunter (as OT)
Derek Deadman ...
The Pardoner (as Derek Deadmin)
Nicholas Smith ...
Friar
George Bethell Datch ...
Host of the Tabard (as George B. Datch)
Dan Thomas ...
Nicholas
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Storyline

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Genres:

Comedy | Drama

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

30 May 1980 (USA)  »

Also Known As:

The Canterbury Tales  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut) | (premiere)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.75 : 1
See  »
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Did You Know?

Trivia

As with Pasolini's subsequent film in the trilogy, The Arabian Nights, United Artists released the film domestically through its rarely tapped Aidart subsidiary, in order to distance the company from any controversy. See more »

Quotes

The Cook: Between a jest and a joke, many a truth can be told.
See more »

Connections

Version of Canterbury Tales (2003) See more »

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User Reviews

Ever-fresh Pasolini comedy of ethics
14 October 2004 | by See all my reviews

This, even though it lacks a bit the wit and spirit of IL DECAMERON, which was funnier, it still manages to satisfy as you reach the end. Pasolini's perverted humor as well as some of his usual actors are here. There's full nudity, both male and female. Maybe here the erotic element is more intense so its less humorous, I am not sure. I suppose it will satisfy those who like Pasolini's humour like, say, IL DECAMERON.

The copy I saw had awful dubbing - Italian language- maybe it's bad sychronisation, or something else...

As far as I am concerned it is worth it alone for this special, absurd, perverted, surrealistic last scene, taking place in hell. It rulez! Some others scenes are awesome too! And of course there'e Pasolini evident dislike of church/religious dogmas.

If you're not easily offended and like old films, specially European ones, give it a try, IL DECAMERON as well.


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