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The Canterbury Tales (1972)
"I racconti di Canterbury" (original title)

X  |   |  Comedy, Drama, History  |  30 May 1980 (USA)
6.4
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Ratings: 6.4/10 from 3,893 users  
Reviews: 25 user | 42 critic

Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.

Writers:

(screenplay), (book) (as G. Chaucer)
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Cast

Cast overview, first billed only:
...
Sir January
Laura Betti ...
...
Perkin
...
Josephine Chaplin ...
May
Alan Webb ...
Old Man
...
J.P. Van Dyne ...
The Cook
...
The Franklin
Adrian Street ...
Fighter
O.T. ...
Chief Witch-Hunter (as OT)
Derek Deadman ...
The Pardoner (as Derek Deadmin)
Nicholas Smith ...
Friar
George Bethell Datch ...
Host of the Tabard (as George B. Datch)
Dan Thomas ...
Nicholas
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Storyline

Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | History

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

30 May 1980 (USA)  »

Also Known As:

The Canterbury Tales  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(cut) | (premiere)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.75 : 1
See  »
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Did You Know?

Trivia

Remarkably, this is the only major cinematic take on Geoffrey Chaucer's classic tales. See more »

Quotes

The Cook: Between a jest and a joke, many a truth can be told.
See more »

Connections

Featured in Playboy: The Story of X (1998) See more »

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User Reviews

 
Hilarious, shrewd, very funny
15 July 2003 | by (Tel-Aviv, Israel) – See all my reviews

This is a remarkable film. One usually remembers Chaucer's Canterbury Tales as difficult, religious old English burden of school, but Pasolini was smart enough to concentrate on the humor, which travels from rude slapstick (hot iron poker shoved up the villain's behind) to merciless show of greed and it's consequences. Only after the film did I take a fresh look at Canterbury Tales and lo! it was there all along... but it required Pasolini to lay it \bare, for everyone to see.


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