6.5/10
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The Canterbury Tales (1972)

I racconti di Canterbury (original title)
NC-17 | | Comedy, Drama, History | 30 May 1980 (USA)
Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.

Writers:

(screenplay), (book) (as G. Chaucer)
Reviews
1 win. See more awards »
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Cast

Cast overview, first billed only:
...
Sir January
...
...
Perkin
...
...
May
Alan Webb ...
Old Man
...
J.P. Van Dyne ...
The Cook
...
The Franklin
Adrian Street ...
Fighter
O.T. ...
Chief Witch-Hunter (as OT)
Derek Deadman ...
The Pardoner (as Derek Deadmin)
...
Friar
George Bethell Datch ...
Host of the Tabard (as George B. Datch)
Dan Thomas ...
Nicholas
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Storyline

Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | History

Certificate:

NC-17 | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

30 May 1980 (USA)  »

Also Known As:

The Canterbury Tales  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(cut) | (premiere)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.75 : 1
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Did You Know?

Trivia

The second film in director Pier Paolo Pasolini's "Trilogy of Life", following The Decameron (1971) and concluding with Arabian Nights (1974). See more »

Goofs

Some of the women have tan-lines from bikinis. See more »

Quotes

Angel: Hey Satan! Lift up your tail and show us where you keep the friars in hell!
See more »

Connections

Followed by Arabian Nights (1974) See more »

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User Reviews

 
Pasolini dared to show the medieval era as extremely dirty, indecent, vulgar…
7 September 2008 | by (Mexico) – See all my reviews

This is the second in Pasolini's series of setting classic bawdy tales to film… In this case, he selected eight of Chaucer's Canterbury Tales, including the infamous miller's tale and the incident with the red hot poker kiss…

The tales revolve around a group of pilgrims who are journeying to the shrine of Saint Thomas a Becket of Canterbury… The trip is so boring that they begin telling each other stories that soon get obscene, gory and very sexy… Pasolini adds another motif to his visualization by placing Chaucer himself into the movie, periodically cutting to him writing at his desk...

Pasolini inserts pleasure and amusement at social customs, especially marriage… Some of the stories are funny, others are deadly serious… The scene where a young man is burned for making love to another of his own sex, for example, is chilling...

In fact, Pasolini's using non professional actors, is more in keeping with the tone of the original than the usual romanticized versions...


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