The Oxford professor of philosophy Stephen has two favorite pupils, the athletic aristocrat William and the Austrian Anna von Graz. Stephen is a frustrated man, with a negligent wife, ... See full summary »
The Comte de Gonzague schemes against his cousin, the Duc de Nevers, even though he is the Duke's heir and will inherit his estates. The Count has kept secret the existence of the Duke's ... See full summary »
Philippe de Broca
In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, ... See full summary »
Adventures of Sheherazade through the legends of the 1001 nights. She meets all the great heroes and kings, and is helped on her journey by a Genie who's living in 1990 London and uses his ... See full summary »
Edouard Berlon (Jean-Pierre Cassel) is a happy-go-lucky rogue who takes nothing seriously and flits irresponisbly from one affair to another. When he meets Helene Larouch (Anouk Aimee), he ... See full summary »
What a curious conflict ! This french film, realized by Philippe De Broca, the subtle and jovial director of "L'homme de Rio", "Les tribulations d'un Chinois en Chine", "Le diable par la queue", "Les caprices de Marie", "Le magnifique", "Tendre poulet" and "Louisiane", describes a very delicate adventure, during the Second World War, in North Africa. The wife of an ambassador is hesitating between two men - the first one clever, generous and courageous, the second one, young, sincere and sensible - and becomes the female instinct of a three-hands escape. The approach of this complex friendship is characterized by grace : that is the reason why the shadow of a windy tenderness flies on this desert of affective uncertainties.
Touching atmosphere is created too by talented comedians, Marlene Jobert (1971 was an important year for her, as the delightful comedy "Catch me a spy" and the truly inspired "Six days wonder" prove it), Michel Piccoli - originally, his part was written for Jean-Paul Belmondo - and Michael York, who display a remarkable intensity to suggest the confusion of their vulnerable feelings. Otherwise, the main theme, composed by Michel Legrand, represents the perfect musical allegory of melancholy. At last, we must celebrate epilogue, which reflects an ideal sorrow : full of tears but outwardly smiling. Follow this initiating way, which offers us the fertile ambiguity of an utopian fantasy.
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