Jean has been married to Francoise for years, but his relationship with his wife has been all but over for a long time. She's hardly ever around, always traveling to Russia for work, and ... See full summary »
Max is a Paris detective, aloof, independently wealthy, and frustrated by gangs of robbers whom he cannot catch. To re-establish his stature and save face, he decides to inveigle a group of... See full summary »
The Comte de Gonzague schemes against his cousin, the Duc de Nevers, even though he is the Duke's heir and will inherit his estates. The Count has kept secret the existence of the Duke's ... See full summary »
Philippe de Broca
During Madeleine's fashion show Claire meets Antoine and becomes his mistress. Due to the fact that she's married (to a wealthy man) she only spends a few days a week with him. Antoine is ... See full summary »
Philippe de Broca
What a curious conflict ! This french film, realized by Philippe De Broca, the subtle and jovial director of "L'homme de Rio", "Les tribulations d'un Chinois en Chine", "Le diable par la queue", "Les caprices de Marie", "Le magnifique", "Tendre poulet" and "Louisiane", describes a very delicate adventure, during the Second World War, in North Africa. The wife of an ambassador is hesitating between two men - the first one clever, generous and courageous, the second one, young, sincere and sensible - and becomes the female instinct of a three-hands escape. The approach of this complex friendship is characterized by grace : that is the reason why the shadow of a windy tenderness flies on this desert of affective uncertainties.
Touching atmosphere is created too by talented comedians, Marlene Jobert (1971 was an important year for her, as the delightful comedy "Catch me a spy" and the truly inspired "Six days wonder" prove it), Michel Piccoli - originally, his part was written for Jean-Paul Belmondo - and Michael York, who display a remarkable intensity to suggest the confusion of their vulnerable feelings. Otherwise, the main theme, composed by Michel Legrand, represents the perfect musical allegory of melancholy. At last, we must celebrate epilogue, which reflects an ideal sorrow : full of tears but outwardly smiling. Follow this initiating way, which offers us the fertile ambiguity of an utopian fantasy.
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