| Peter Carpenter | ... | Tony Trelos | |
| Dyanne Thorne | ... | Andrea Hilliard | |
| Lory Hansen | ... | Helayne Hilliard | |
| Leslie Simms | ... | Fran | |
| Joel Marston | ... | Martin Hilliard | |
| Paula Mitchell | ... | Sally | |
| Dana Diamond | ... | Barmaid | |
| Al Dunlap | ... | Bartender | |
| Ernest A. Charles | ... | Detective (as Ernest Charles) | |
| Roberta Robson | ... | 1st Wife | |
| Tony Kent | ... | Priest | |
| rest of cast listed alphabetically: | |||
| Hope Lugosi | ... | Bar Extra (uncredited) | |
Directed by | |||
| Alex Nicol | |||
Writing credits(in alphabetical order) | ||
| Peter Carpenter | story | |
| Ernest A. Charles | screenplay | |
| Tony Crechales | screenplay | |
| Chris Marconi | story | |
Produced by | |||
| Peter Carpenter | .... | producer | |
| Chris Marconi | .... | producer | |
| Marilyn Jacobs Tenser | .... | associate producer (as Marilyn J. Tenser) | |
Cinematography by | |||
| Robert Maxwell | (as Bob Maxwell) | ||
Film Editing by | |||
| R.A. Radecki | |||
Makeup Department | |||
| Jimie | .... | hair stylist | |
| Nora Maxwell | .... | makeup artist | |
Sound Department | |||
| Clark Will | .... | sound mixer | |
Camera and Electrical Department | |||
| John Caper Sr. | .... | still photographer | |
| Ken Gibb | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Marion Kops | .... | fashion design | |
Editorial Department | |||
| Verna Fields | .... | supervising editor | |
| Ruth Shea | .... | negative cutter | |
Music Department | |||
| John Caper Jr. | .... | music supervisor | |
| Don Vincent | .... | orchestrator | |
Other crew | |||
| Tony Crechales | .... | assistant to producers | |
| Deborah Maxwell | .... | script supervisor (as Debbie Maxwell) | |
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| Exotica | The Weight of Water | My Own Private Idaho | Cousin Bette | Sunshine |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Get a group together to witness POINT OF TERROR which, as others will have noted, is not a horror movie (but *is* pretty horrible!). The film is, rather, a sexploitation melodrama about a ruthless, ladder-climbing lounge singer, Tony Trelos (Peter Carpenter) who gets involved both intimately and professionally with Andrea (Dyanne Thorne), the sex-starved, alcoholic wife of a wheelchair-bound music industry mogul. Everything about this film is a howler: script, acting, production values (tin-foil sets), and the music...the music...oh, those songs! On top of everything else we have a protagonist who likes to "drop trou" and show off his humpy bod (and there ain't nuthin' wrong with that!). Peter Carpenter must have an ego the size of Mount Rushmore to flash us a lingering butt-shot when he emerges from a shower as well as a fully nude side-angle shot where his leg just barely hides the family jewels from view. WOOF!!! Did he ever do a Playgirl spread? It certainly would have been up his alley... Tempestuous blonde bombshell co-star Dyanne Thorne is a force to be reckoned with (and how!) with a rack that won't quit, and her buoyant topless scene in a swimming pool is one of the film's highlights (along with her many excursions into overacting). Watch for scenes with Joel Marston as the wheelchair-bound husband who can't seem to sit still (although he's supposed to be utterly incapacitated from the waist down), and in one poolside scene catches himself just before crossing his legs! Leslie Simms in a supporting role as one of Andrea's lush friends is a scene stealer, while Paula Mitchell as Sally turns in a tragically robotic performance. It just keeps getting better and better...! The film's cinematography is often laughably blurry when "focusing" on Carpenter during his lounge act at The Lobster House (yes, The Lobster House, I kid you not), or else it's bizarrely "creative" (as happens during a moonlit, beach-side sex scene involving select points of view shown in split-screen). Oh, and the wardrobe...and hair!!! Look, if you're not a fan of "bad cinema", don't bother with this title since you won't even be able to appreciate the astonishing epic quality of this carefully crafted bomb. But if you're like me, and get sick chuckles out of films that tried really hard but totally missed the mark, then rent this one immediately or buy it (Rhino DVD released POINT OF TERROR as part of a multi-film set titled HORRIBLE HORRORS in October of 2004). This one gets a whopping 8 out of 10 just because its so terribly awful that it's engagingly entertaining in repeat viewings (and how cool is that!?!) -- how often does a "bad" film come along that still yields new stuff to ridicule on repeat viewings? POINT OF TERROR is a winner! And speaking of winners, what EVER happened to a talent like Peter Carpenter??? Enquiring Minds Want To Know!!!