The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent ... See full summary »
Elegant and educated bachelor, Charles Swann, moves in the most powerful and fashionable circles of Paris in the 1890's. When he falls in love with Odette de Crecy, a courtesan, his friends... See full summary »
Ruth Halbfass has been married to the industrialist Erich Halbfass for sixteen years in a loveless marriage and they have a fourteen year-old teenage daughter, Aglaia. Ruth has a love ... See full summary »
A divorced woman in her thirties fights a losing battle in Munich to attain belated self-fulfillment. The die is cast in a briskly impersonal society geared to male dominance and early training for career women.
At a boarding school in the pre-war Austro-Hungarian Empire, a pair of students torture one of their fellow classmates, Basini, who has been caught stealing money from one of the two. The ... See full summary »
Laschen, a German journalist, travels to the city of Beirut during the fights between Christians and Palestinians to produce an essay about the situation. Together with his photographer, he... See full summary »
A satire of the German "Homeland" film, and an allegory of false freedom that recalls Gogol
An early work from the filmmaker behind THE TIN DRUM with an intriguing Hans Christian Anderson-style fairy tale aesthetic and voice over narration. SUDDEN WEALTH is a despairing chronicle of a group of starving peasants who finally seize governmental wealth like a dysfunctional group of Robin Hood's Merry Men, only to be betrayed by their inescapable selves and systematically dehumanized (think bucolic Orwell) and reprogrammed by what we'll put under the rubric of God and Country. Extremely striking compositions at times. Only one man (who bears a passing resemblance to a young John Cleese, incidentally) refuses to go gentle into that good night. The last scene is reminiscent of the endings in both Kubrick's PATHS OF GLORY and THE CRUCIBLE with Day-Lewis, yet all even more chilling with its alienating suddenly reappearing voice-over. SUDDEN WEALTH benefits from an especially strong second half with fuller characterization that makes it come alive as a whole for Schlondorff, whose film's evinces extremely striking compositions at times with stationary camera. Especially recommended for those interested in the New German Cinema.
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