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Pink Narcissus (1971)

 -  Drama  -  13 March 1993 (Japan)
6.6
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Ratings: 6.6/10 from 671 users  
Reviews: 16 user | 7 critic

An erotic poem set in the fantasies of a young male prostitute.

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(as Anonymous)

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Title: Pink Narcissus (1971)

Pink Narcissus (1971) on IMDb 6.6/10

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Cast

Credited cast:
Don Brooks ...
Angel
Bobby Kendall ...
Pan
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Storyline

An erotic poem set in the fantasies of a young male prostitute.

Plot Summary | Add Synopsis

Taglines:

A unique experience in visual fantasy!

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

13 March 1993 (Japan)  »

Box Office

Budget:

$27,000 (estimated)

Opening Weekend:

$1,724 (USA) (24 December 1999)

Gross:

$8,231 (USA) (21 January 2000)
 »

Company Credits

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Technical Specs

Runtime:

| (video) | (Strand dvd)

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film has a distinct personal touch, and it is generally accepted that Anonymous in the credits stands for just one person. Some said it was Andy Warhol, who lost his nerve to sign the film when completed, or Kenneth Anger. However, it was later revealed to have been James Bidgood who refused to sign the film as edited by the producers, before he had time to film more material. See more »

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User Reviews

Classic Homoerotic Masterpiece
14 July 2003 | by (Palm Springs, CA) – See all my reviews

Before Pierre et Gilles, before David LaChapelle, before Jeff Koons, before the neo-Pop movement there was James Bidgood and Pink Narcissus. This art film will not please everyone -- not for the shoot 'em up, blow it up, special effects craving crowd with a short attention spans.

This film is art, not just entertainment. It moves slowly at it's own dream-like pace. It's iconic campy fantasy is unique and the precursor of the artists mentioned above. The Pink refers to the gay sensibility, the camp stance and the prettier than life advertising imagery. The Narcissus of the title refers to Kendall's obvious self-love and the obsessive quality of his fantasies: himself as a sexy matador, himself as a sexy Greek slave, himself as Beauty and a voyeur's delight. The searingly bright color adds to the dreamy feeling. This is eye candy for those who appreciate art and beauty-- confection for the mind. Rarely do high style and content meld as beautifully as in this film. There is no dialogue. It would probably ruin the dream. This film is a "must see" for anyone interested in contemporary art, the pre-Stonewall sensibility or the history of underground film.


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