The Panic in Needle Park (1971)

Director:

Jerry Schatzberg

Writers:

James Mills (book)
Joan Didion (screenplay) ...

Release Date:

1 October 1971 (Hong Kong)

Genre:

Crime | Drama | Romance

Tagline:

In the dark corner of the city, they found light

Plot:

This movie is a stark portrayal of life among a group of heroin addicts who hang out in "Needle Park" in New York City...

Plot Keywords:

New York City | Addiction | City | Heroin Addict | Heroin

Awards:

1 win & 1 nomination

Cast

Al Pacino	...	Bobby
Kitty Winn	...	Helen
Alan Vint	...	Hotch
Richard Bright	...	Hank
Kiel Martin	...	Chico
Michael McClanathan	...	Sonny
Warren Finnerty	...	Sammy
Marcia Jean Kurtz	...	Marcie
Raul Julia	...	Marco
Angie Ortega	...	Irene
Larry Marshall	...	Mickey
Paul Mace	...	Whitey
Nancy MacKay	...	Penny
Gil Rogers	...	Robins
Joe Santos	...	DiBono

Runtime:

110 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Australia:MA (cable rating) | Canada:PG (video rating) | Australia:R | Finland:K-16 | Norway:15 | Norway:16 (1971) | Sweden:15 | UK:18 | USA:PG | USA:R (original rating)

Filming Locations:

New York City, New York, USA

Company:

Gadd Productions Corp.

Trivia:

Francis Ford Coppola showed a screening of this film to Paramount executives in order to convince them that Al Pacino was suitable for the role of Michael Corleone in The Godfather (1972).

Goofs:

Boom mic visible: Boom mic extends into the upper right hand corner during stick ball game.

Quotes:

Hank: What are you gonna do?
Helen: Well, I'm not gonna do it with you.

Movie Connections:

Referenced in Dominick Dunne - Les crimes de la jet set (2007) (TV)

Blistering tale of love and pain

This afternoon, the Fox Movie Channel ran the trailer for The Panic in Needle Park. I was intrigued, and when the movie followed (uncut--accept nothing else) I watched. I am still stunned. This livid, documentary-style look at a faction of society that most people prefer to ignore of simply lock up is a brutal and powerful piece of cinema.

It is a film devoid of simple black and white categorizations. Bobby and Helen, deeply in love and deeply addicted to smack, are not bad people; rather they are people in a very bad situation--screwed up, screwed over, strung out, and doing whatever they can to survive. We watch as they go from "just chipping" to crippling, $80-a-day dependency. They steal, deal, hook, and shoot the profits into a scarred vein. A tone of bleak, tragic inevitability infuses their lives and the film. We care about them, but all we can do is watch; there are no offers of help, no outstretched hands. In an extremely telling moment, Helen says she wants to move out of Needle Park, to which Bobby simply responds, "It's where I live."

Panic has such a natural, improvisational feel that those existing on a diet of super-glossy cash-cow cinema may be put off. It is only slightly more polished than Andy Warhol's Trash, which it resembles by turns--from the camera that loses focus and trembles ever so slightly to the close-ups of needles sliding into veins. The gritty city is perfectly captured, with a tremendous atmosphere of desperation and misfortune. As Bobby, Al Pacino is marvelous (as usual), but I was really impressed by Kitty Winn in the role of Helen. I'd only seen her in The Exorcist, where she was mostly relegated to the background. Here, her portrayal is gut-wrenching, courageous, and unforgettable. I can say without a doubt, Needle Park is a must-see. It may not be pretty, but it's life.