This movie is a stark portrayal of life among a group of heroin addicts who hang out in "Needle Park" in New York City. Played against this setting is a low-key love story between Bobby, a ... See full summary »
Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives... See full summary »
New York trapper Tom Dobb becomes an unwilling participant in the American Revolution after his son Ned is drafted into the Army by the villainous Sergeant Major Peasy. Tom attempts to find... See full summary »
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
This movie is a stark portrayal of life among a group of heroin addicts who hang out in "Needle Park" in New York City. Played against this setting is a low-key love story between Bobby, a young addict and small-time hustler, and Helen, a homeless girl who finds in her relationship with Bobby the stability she craves. She becomes addicted too, and life goes downhill for them both as their addiction deepens, eventually leading to a series of betrayals. But, in spite of it all, the relationship between Bobby and Helen endures. Written by
E. Schofield <email@example.com>
Jerry Schatzberg turned down the script when he was offered it by the production company. He was then re-approached when Al Pacino took an interest in the project. He agreed then to direct on the condition that Pacino could star, however ironically it then became difficult to find a studio that would back the project with a newcomer like Pacino. See more »
[45:50] Boom microphone (and camera) visible in the upper right hand corner near the end of the stick ball game. See more »
Director Jerry Schatzberg's style looks remarkably like Ingmar Bergman's in works like "Scenes From a Marriage." Using no music background only real life sounds, abrupt scene cutting and cross-cutting, highly realistic style, and copious closeups, the Bergman influence is apparent.
Schatzberg fashioned a piece that has a timeless look and feel. While Verdi Square (Needle Park) may not be quite as rich with denizens today and that W. 72nd subway exit not as peopled with thick crowds, it's still bustling mid-Manhattan--like no other place on earth.
And no better actor to play the street savvy slicker than Al Pacino in only his second film appearance. He, Kitty Winn and a host of sharp protogees from the Strasberg seminars breathe life into the scenario.
It remains one of Mr. Pacino's best efforts, and a film that paved the way for a new realism in gritty subject material.
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