A girl, whose mother dies of sorrow from her husband's family's rejection, grows up singing and dancing like her mother. She works as a dancing girl and is courted by a prince, but can think only of a man she has never met, who left her a message on the train. She dreams of him and cannot dance, becomes frightened and runs into the night Written by
William Kennedy <firstname.lastname@example.org>
In 1958, Ashok Kumar had signed on to play the role of Salim, who was to be a businessman. When filming was resumed in 1968, Dharmendra, Rajendra Kumar and Sunil Dutt were considered for the role. When Raaj Kumar accepted the role, it was modified from a businessman to a forest ranger to match Kumar's rugged build. Ashok Kumar was still on, though now he was to play Hakim Saab; but he instead played Shahabuddin, while Hakim Saab was played by D.K. Sapru. See more »
The concubine Sahibjaan (Meena Kumari) is the toast of the town, but she secretly dreams of a life away from the brothel, with a man she never met, but who wrote an ode to her feet while she lay sleeping in a train compartment (I kid you not!).
Now here's an epic that has everything an epic needs to have: fantastic sets, great romance, fine songs, beautiful sunsets, elephant-stampedes and plenty of foot-fetishism (okay, that last one isn't strictly necessary, but it's a nice bonus).
Pakheezah is a glorious, sumptuous, cruel and twisted fairy-tale.
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