The story of a prostitute, with a pure heart (PAKEEZAH), and grand dreams...

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Cast

Cast overview, first billed only:
Ashok Kumar ...
Shahabuddin
...
Nargis / Sahibjaan
Raaj Kumar ...
Salim Ahmed Khan
Veena ...
Nawabjaan
D.K. Sapru ...
Hakim Saab (as Sapru)
Kamal Kapoor ...
Nawab Zafar Ali Khan
Vijay Laxmi
Jagdish Kanwal
Nadira ...
Madame Gauhar Jaan
Pratima Devi ...
Salim's Badi Amma
Altaf
Praveen Paul ...
(as Parveen Paul)
Lotan
Chanda ...
(as Chanda Bai)
Meenakshi
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Storyline

A girl, whose mother dies of sorrow from her husband's family's rejection, grows up singing and dancing like her mother. She works as a dancing girl and is courted by a prince, but can think only of a man she has never met, who left her a message on the train. She dreams of him and cannot dance, becomes frightened and runs into the night Written by William Kennedy <william.kennedy@spl.org>

Plot Summary | Add Synopsis

Genres:

Musical | Romance | Drama

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Details

Country:

Language:

Release Date:

4 February 1972 (India)  »

Also Known As:

Pure Heart  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(DVD)

Sound Mix:

(RCA Sound System)

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Kamal Amrohi was told that he and his crew would receive a special award for _Pakeezah (1971)_ - for a consideration. He flatly refused to "buy an award." See more »

Quotes

Salim Ahmed Khan: [in a note to Sahibjaan] Aapke paon dekhe, bahut haseen hai. / Inhe zameen par mat utariyega, maile ho jayenge.
[Saw your feet; they are very beautiful. / Don't place them on the ground, they will get dirty]
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Connections

Referenced in Banarasi Babu (1973) See more »

Soundtracks

Aaj hum apni duaon ka assar deikhayn gay
Sung by Lata
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User Reviews

 
A sumptuous example of Indian film-making at its best!
30 December 1998 | by (London, UK) – See all my reviews

Perhaps the most polished and accomplished of all Indian films - Pakeezah does not fall into any of the traps commonly associated with Bollywood film (ie tackiness, farce, wholesale and unsuccessful imitation of western film themes/genres). Pakeezah is indigenous to the Sub-Continent and authentic, almost Madam Butterfly-like in plot. Characters are well-developed, direction, although sometimes unrefined by today's standards, perceptive and convincing. The Urdu-speaking milieux at the time of Pakeezah were masters of understatement and how the dialogue conveys the subtleties of the age! The acting (particularly the 'looks' and the dynamic between characters) are a delight to behold although the nuances may be lost on contemporary viewers or those not acquainted with the mores and customs of Muslim India.

Coupled, with a captivating screenplay is a beautiful musical score, enhanced by the protagonist displaying eminent command of classical Indian dance (kathak). As is the case with most romantic tragedies, the heroine must die, but she does not take her leave of the audience without the viewer feeling he/she has been party to a truly memorable cinema experience. Pakeezah is surely the pinnacle of what Indian cinema has produced and is unlikely to be paralleled.


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