Villager Bold Cheung (Sammo Hung Kam-Bo), known for his willingness to do anything courageous, bold or daring, becomes a target by the evil rich Master Tam (Huang Ha), who committed ... See full summary »
Whitley Strieber goes with his family and some friends to his holiday home in the forest. They experience some weird occurances, are they UFO activity? Whitley is abducted and then faces a ... See full summary »
The 1960's counter culture limped into the 1970s dragging with it a legacy of social confusion, dependency on drugs and promiscuity. In STAGE FRIGHT, shot in Baltimore, the era is satirized... See full summary »
Wake in Fright is the story of John Grant, a bonded teacher who arrives in the rough outback mining town of Bundanyabba planning to stay overnight before catching the plane to Sydney. But his one night stretches to five and he plunges headlong toward his own destruction. When the alcohol-induced mist lifts, the educated John Grant is no more. Instead there is a self-loathing man in a desolate wasteland, dirty, red-eyed, sitting against a tree and looking at a rifle with one bullet left... Written by
The movie had been out of circulation for decades because the negative went missing, sparking an international search. After a ten-year quest veteran Australian producer Anthony Buckley finally tracked it down in mid-2004 in a Pittsburgh warehouse, inside a shipping container marked "For Destruction". See more »
As Grant leaves the hotel bar in Tiboonda, he takes one last swig of beer - leaving his glass half full. In the next shot, when the camera focuses on the interior of the bar, his glass is now empty. See more »
[John is declining an invitation from the stranger who gave him a ride in a jeep]
Come on, come and have a drink.
Look mate, I've given up drinking for a while.
What's wrong with you, you bastard? Why don't you come and drink with me? I've just brought you fifty miles in the heat and dust, and you won't drink with me? What's wrong with you?
What's the matter with you people, huh? Sponge on you, burn your house down, murder your wife, rape your child, that's all right. But you don't have a drink,...
[...] See more »
Yet another first-class film made in Australia by foreigners (a Canadian director working for a British studio), during the long period from World War II to the early 1970s when Australian cinema lay fallow. Like many other good ones - "The Overlanders" (1946), "They're a Weird Mob" (1966), "Age of Consent" (1969), "Walkabout" (1971) - although "Walkabout" is more seriously flawed than the others I've named - it doesn't feel like a foreign film; it feels as if the director made an honest attempt to be Australian, and succeeded. It's interesting that all these films are British. American films shot in Australia during the same period are, without qualification, American films; one scarcely even notices that "On the Beach" was shot in Melbourne rather than, say, Capetown or Tierra del Fuego, however many trams and banksias there may be.
The central character is clearly English; just as clearly, he doesn't like Australia. But I suspect that even in 1971 a greater proportion of Australians would have felt themselves to have been trapped in Hell if they'd been in his circumstances, than English. A greater proportion of Australians, then as now, live in cities, and the outback is further away from over 90% of Australians than anything is from anyone in England.
It's interesting that this fellow should be so RIGHT about everything (The Yabba IS a "bloody terrible" place, the hospitality he encounters DOES border on aggression, the game of two-up IS about as simple-minded and dull as it's possible for a game of chance to be), and yet be such an unsympathetic, unimaginative prig with scarcely more insight than he has backbone. He always needs a local to tell him what's going on and even then he doesn't get it. Yet we follow him with fascination and real concern all the same.
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