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Cold Eyes of Fear (1971)
"Gli occhi freddi della paura" (original title)

 -  Thriller  -  6 April 1971 (Italy)
5.3
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Ratings: 5.3/10 from 406 users  
Reviews: 16 user | 30 critic

Respectable lawyer Peter picks up Anna, an Italian woman of dubious virtue, from the club and takes her back to his Uncle's place. They soon discover they are not alone. A gunman Quill (Julian Mateos), is waiting for them.

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(screenplay), (story), 4 more credits »
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Title: Cold Eyes of Fear (1971)

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Cast

Complete credited cast:
...
Anna
Frank Wolff ...
Arthur Welt
...
Juez Flower
Julián Mateos ...
Quill
Karin Schubert ...
Nightclub Actress
Leonardo Scavino ...
Hawkins the butler (as Leon Lenoir)
Franco Marletta
Gianni Garko ...
Peter Flower
Edit

Storyline

Respectable lawyer Peter picks up Anna, an Italian woman of dubious virtue, from the club and takes her back to his Uncle's place. They soon discover they are not alone. A gunman Quill (Julian Mateos), is waiting for them.

Plot Summary | Add Synopsis

Genres:

Thriller

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

6 April 1971 (Italy)  »

Also Known As:

Desperate Moments  »

Box Office

Gross:

ESP 14,291,492 (Spain)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Connections

References Wait Until Dark (1967) See more »

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User Reviews

less than amazing giallo -- but a great soundtrack!
20 May 2001 | by (Brooklyn, NY) – See all my reviews

By no means the best giallo I've seen, this Enzo Castellari tale of ___ drags horribly and maintains little suspense. Set in Swinging London (but filmed primarily in Rome), the movie finds young lawyer Gianni Garko about to seduce prostitute Giovanna Ralli at his swank house. They stumble upon the butler's dead body, undoubtedly a victim of temperate ruffian Julián Mateos, who then terrorizes the couple with his gun and leather suit. Judge Fernando Rey, who keep a cat on his desk, calls nephew Garko to ask for legal assistance and sends constable Frank Wolff over with a missive. The sleazy couple assumes the cop to be a deus ex machine, but he proves to be in on the racket. After sending Rey a secret plea for help (in Latin no less), our hopeful gets haughty and gives the sneering tough guy a good pounding. While Ralli fails to seduce Mateos with a shower, Rey puzzles out the message and sends some genuine although ineffectual police. Some may wonder what will happen to the unlovable couple besieged by this complicated plot; others may not. Castellari fills Cold Eyes with similarly absurd post-nouvelle vague editing, and I suspect this was a strictly commissioned affair for the veteran writer, producer and actor who can claim over 40 films to his credit. His failure as director really displays itself in the overdone, montage-heavy finale. Despite its lack of flesh and gore, Cold Eyes is shockingly exploitative. Wolff murders a policeman in flashback during a gratuitously cruel story diversion, only to illustrate his already obviously violent side. The violence throughout comes off as unnecessarily brutal, as well as distinctly European in flavor. None of the male characters treat the unimpressive prostitute much like a human, her unsurprised response perhaps suggesting they're correct to do so. Easily the best part of the movie is Ennio Morricone's amazing score, would fit better in a well-paced environment. If you want to see a decent film with Rey, who doesn't actually appear in shot with any of the main cast and probably only showed up for a day's worth of filming, check out the same year's French Connection.


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