| Lone Fleming | ... | Betty Turner | |
| César Burner | ... | Roger Whelan | |
| María Elena Arpón | ... | Virginia White (as Helen Harp) | |
| José Thelman | ... | Pedro Candal (as Joseph Thelman) | |
| Rufino Inglés | ... | Insp. Oliveira | |
| Verónica Llimera | ... | Nina | |
| Simón Arriaga | ... | Morgue keeper | |
| Francisco Sanz | ... | Prof. Candal (librarian) | |
| Juan Cortés | ... | Coroner | |
| Andrés Isbert | |||
| Antonio Orengo | ... | Train engineer | |
| José Camoiras | |||
| María Silva | ... | Maria | |
| rest of cast listed alphabetically: | |||
| Britt Nichols | ... | Sacrificed maiden (uncredited) | |
| Pedro Sempson | ... | Train engineer (voice) (uncredited) | |
Directed by | |||
| Amando de Ossorio | |||
Writing credits(in alphabetical order) | ||
| Amando de Ossorio | ||
| Jesús Navarro Carrión | additional dialogue | |
Produced by | |||
| José Antonio Pérez Giner | .... | executive producer | |
| Salvadore Romero | .... | executive producer | |
Original Music by | |||
| Antón García Abril | |||
Cinematography by | |||
| Pablo Ripoll | |||
Film Editing by | |||
| José Antonio Rojo | |||
Production Design by | |||
| Jaime Duarte De Brito | |||
Set Decoration by | |||
| Juan García | |||
Costume Design by | |||
| Humberto Cornejo | |||
Makeup Department | |||
| José Luis Campos | .... | makeup artist | |
| Carmen Teran | .... | assistant makeup artist | |
Production Management | |||
| Manuel Amigo | .... | production manager | |
| Victor Dacosta | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Paulino González | .... | assistant director | |
Art Department | |||
| Rafael Ablanque | .... | assistant designer | |
| Jaime Duarte De Brito | .... | set designer | |
Sound Department | |||
| Luis Castro | .... | sound effects | |
| José María San Mateo | .... | sound recordist | |
Special Effects by | |||
| José Gómez Soria | .... | special effects | |
Camera and Electrical Department | |||
| Félix Mirón | .... | camera operator: second unit | |
| Luis Muñoz Alcolea | .... | assistant camera | |
| Julio Wizuete | .... | still photographer | |
Editorial Department | |||
| Concepción Piño | .... | assistant editor | |
Music Department | |||
| L. Fernández Soria | .... | music editor | |
Other crew | |||
| Ramón Escribano | .... | production assistant | |
| Ángela Escribano | .... | production secretary | |
| Dick Randall | .... | English adaptor | |
| José Sánchez | .... | production assistant | |
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| Black Belly of the Tarantula | Twitch of the Death Nerve | Venus in Furs | The Cat o' Nine Tails | Torso |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Spain section |
Yet another example of the perception of a film being superior to the reality of actually sitting and watching it. There is no argument from me that the Blind Dead (The Templar Knights) are fantastic creations and director/writer Amando de Ossorio is to be revered for their birth. The scenes of the Templars stalking their victims and chasing them on horseback are striking and haunting and now occupy a special place in the pantheon of fantastique cinema. Unfortunately, "Tombs of the Blind Dead" is also a slow, boring, illogical mess. The performances are terrible, the "suspense" scenes are hit-and-miss, and the day-for-night photography, though effective in parts, is not believable. The film's bloody climax is a good one and the final freeze frame has some power, but it's sad to see such a wonderful concept handicapped by mediocre scripting and appalling acting. Still, there are defining moments of horror within the frames of this Spanish potboiler.