| Lone Fleming | ... | Betty Turner | |
| César Burner | ... | Roger Whelan | |
| María Elena Arpón | ... | Virginia White (as Helen Harp) | |
| José Thelman | ... | Pedro Candal (as Joseph Thelman) | |
| Rufino Inglés | ... | Insp. Oliveira | |
| Verónica Llimera | ... | Nina | |
| Simón Arriaga | ... | Morgue keeper | |
| Francisco Sanz | ... | Prof. Candal (librarian) | |
| Juan Cortés | ... | Coroner | |
| Andrés Isbert | |||
| Antonio Orengo | ... | Train engineer | |
| José Camoiras | |||
| María Silva | ... | Maria | |
| rest of cast listed alphabetically: | |||
| Britt Nichols | ... | Sacrificed maiden (uncredited) | |
| Pedro Sempson | ... | Train engineer (voice) (uncredited) | |
Directed by | |||
| Amando de Ossorio | |||
Writing credits(in alphabetical order) | ||
| Amando de Ossorio | ||
| Jesús Navarro Carrión | additional dialogue | |
Produced by | |||
| José Antonio Pérez Giner | .... | executive producer | |
| Salvadore Romero | .... | executive producer | |
Original Music by | |||
| Antón García Abril | |||
Cinematography by | |||
| Pablo Ripoll | |||
Film Editing by | |||
| José Antonio Rojo | |||
Production Design by | |||
| Jaime Duarte De Brito | |||
Set Decoration by | |||
| Juan García | |||
Costume Design by | |||
| Humberto Cornejo | |||
Makeup Department | |||
| José Luis Campos | .... | makeup artist | |
| Carmen Teran | .... | assistant makeup artist | |
Production Management | |||
| Manuel Amigo | .... | production manager | |
| Victor Dacosta | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Paulino González | .... | assistant director | |
Art Department | |||
| Rafael Ablanque | .... | assistant designer | |
| Jaime Duarte De Brito | .... | set designer | |
Sound Department | |||
| Luis Castro | .... | sound effects | |
| José María San Mateo | .... | sound recordist | |
Special Effects by | |||
| José Gómez Soria | .... | special effects | |
Camera and Electrical Department | |||
| Félix Mirón | .... | camera operator: second unit | |
| Luis Muñoz Alcolea | .... | assistant camera | |
| Julio Wizuete | .... | still photographer | |
Editorial Department | |||
| Concepción Piño | .... | assistant editor | |
Music Department | |||
| L. Fernández Soria | .... | music editor | |
Other crew | |||
| Ramón Escribano | .... | production assistant | |
| Ángela Escribano | .... | production secretary | |
| Dick Randall | .... | English adaptor | |
| José Sánchez | .... | production assistant | |
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| Black Belly of the Tarantula | A Bay of Blood | Venus in Furs | The Cat o' Nine Tails | Torso |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Spain section |
The story is about a renegade band of crusader-priests that turned from the Church and embraced the black arts. The opening sequence takes us back to the living Knights Templar and their cruel and graphic killing of a scantily-clad young female sacrifice. We then move up to the 20th century and the churchyard is nothing but a ruin, however, at night when females wandering about in the middle of nowhere chance upon the ruin, the knights wake from their crypts to feed on the blood of such passersby. Interesting story and one that has many problems of belief. These knights rise from the ground one moment, and in the next they are galloping on horses. Where did the horses come from? I couldn't find an answer....perhaps you can. The acting is passable, and I concede that grudgingly. But do not think I hold only contempt and despair for this film, because I really heartily recommend it. It is scary. It is very atmospheric. It is very intense at times. These dead knights are wonderfully made-up and really create frightening moments in the film as they walk toward their victims screaming. The knights were blinded after death and now when they rise from their earthy chambers they can only hear their way toward their victims. That is a very inventive concept. The director, Amando de Ossorio, knows what to do with lighting, set creations, and pacing the plot. There were three sequels to this film and that in itself shows it has SOME merit. The film also set the trend for mixing sex and gore. There is a good bit of both, more on the sex side, and what the female leads lack in acting ability they certainly make up for some of it in their...well how shall I put it....their physical presence.