In the 13th century there existed a legion of evil knights known as the Templars, who quested for eternal life by drinking human blood and committing sacrifices. Executed for their unholy ... See full summary »
A team consisting of a physicist, his wife, a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove/disprove survival after death. ... See full summary »
A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth ... See full summary »
In the 13th century there existed a legion of evil knights known as the Templars, who quested for eternal life by drinking human blood and committing sacrifices. Executed for their unholy deeds, the Templars bodies were left out for the crows to peck out their eyes. Now, in modern day Portugal, a group of people stumble on the Templars abandoned monastery, reviving their rotting corpses to terrorize the land. Written by
Jeremy Lunt <firstname.lastname@example.org>
The blind dead are never referred to as "Templar Knights" or "Caballeros Templarios" in the original Spanish language version. They are referred to as "los Guerreros de Oriente" ("The Warriors from the Orient"). See more »
During the films intro titles, the camera is looking around the "abandoned" ruins of the Templars monastery. In one shot, a van with a ladder strapped to its roof-rack can be seen going across a bridge in the background, at the top of the picture. See more »
Yet another example of the perception of a film being superior to the reality of actually sitting and watching it. There is no argument from me that the Blind Dead (The Templar Knights) are fantastic creations and director/writer Amando de Ossorio is to be revered for their birth. The scenes of the Templars stalking their victims and chasing them on horseback are striking and haunting and now occupy a special place in the pantheon of fantastique cinema. Unfortunately, "Tombs of the Blind Dead" is also a slow, boring, illogical mess. The performances are terrible, the "suspense" scenes are hit-and-miss, and the day-for-night photography, though effective in parts, is not believable. The film's bloody climax is a good one and the final freeze frame has some power, but it's sad to see such a wonderful concept handicapped by mediocre scripting and appalling acting. Still, there are defining moments of horror within the frames of this Spanish potboiler.
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