A young coed (Nan Barlow) uses her winter vacation to research a paper on witchcraft in New England. Her professor recommends that she spend her time in a small village called Whitewood. He... See full summary »
John Llewellyn Moxey
This anthology tells three stories: a man buys a car that takes him back and forth through time; a tale of vampires; and a distraught mother asks for her drowned son to come back to life ... See full summary »
After discovering the connection between a corrupt city commissioner and Colombian killers, Kojak is framed for the murder of a call girl and is prosecuted by former police detective Crocker, now an assistant D.A.
The adventures of Mickey Spillane's tough-talking, brawling, skirt-chasing private detective Mike Hammer, who's always ready to use his fists on a "mug" or his charm on a "skirt" to get the case solved.
Carl Kolchak is a newspaper reporter with an abrasive personality that has gotten him fired ten times from various big-city papers. Now he's reduced to reporting for a relatively small-time paper in Las Vegas. It's here he gets the story of his life. But will the local sheriff, or the D.A., or even his own boss, let him print it? He has an ally in the FBI agent brought in to investigate this strange case. It seems someone is biting the necks of young girls and draining their blood. Can this killer with supernormal powers really be a 70-year-old Rumanian millionaire? Can he really be a vampire? And can an aging reporter do anything to stop him? Written by
The original script by Richard Matheson called for Carl Kolchak to be dressed in Bermuda shorts and wearing an Aloha shirt. Actor Darren McGavin said, "That doesn't sound like anyone I know," and elected to use a different wardrobe. While reading up on the character, McGavin noted that Kolchak had been fired from a New York newspaper years before, and thought, "That's it! He hasn't bought a new suit since!" So, Kolchak appeared in a circa 1950s suit. See more »
When the vampire is in the hospital stealing from the blood bank, a nurse is thrown against a wall, and knocked unconscious. But as the scuffle continues, the "unconscious" nurse, moves her legs - twice - to avoid being stepped on. See more »
The 1970s produced a large volume of made-for-TV movies, and, unlike today, they did not have to be about relevant social topics or preach political correctness. Back then, TV movies could actually be made with no intent other than to entertain--what a decade!
The Night Stalker is one of the very best of these made-for-TV films. Be warned, the production values are not as good as a feature film, but the story, the writing, the acting, and the director's mastery of creepiness make up for any other faults. From McGavin on down the line, the acting is terrific! In fact, Carl Kolchak may be McGavin's finest role. Richard Matheson's writing is up to his usual standards of excellence. Barry Atwater is a great bit of casting as the vampire. If there is one fault, and it has to be laid at the feet of the director, it is the inept use of a stunt man as a substitute for Atwater during the action scenes. In some scenes it is painfully obvious that it is not Atwater; it's a wonder the scenes weren't clipped. But this is the price that is paid for a TV movie with a short shooting schedule. As a whole, The Night Stalker is one of the very best vampire movies ever made. Don't let a few faults deter you from an otherwise classic bit of horror film-making. Remember, this is a TV movie; if you want lots of gore, don't waste your time.
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