This anthology tells three stories: a man buys a car that takes him back and forth through time; a tale of vampires; and a distraught mother asks for her drowned son to come back to life ... See full summary »
Three tales of terror: in "The Graveyard Rats" lovers murder the woman's older husband and encounter horror when they attempt to rob his grave; "Bobby" is the story of a woman who summons ... See full summary »
Geraint Wyn Davies,
Carl Kolchak is a newspaper reporter with an abrasive personality that has gotten him fired ten times from various big-city papers. Now he's reduced to reporting for a relatively small-time paper in Las Vegas. It's here he gets the story of his life. But will the local sheriff, or the D.A., or even his own boss, let him print it? He has an ally in the FBI agent brought in to investigate this strange case. It seems someone is biting the necks of young girls and draining their blood. Can this killer with supernormal powers really be a 70-year-old Rumanian millionaire? Can he really be a vampire? And can an aging reporter do anything to stop him? Written by
At the time of its original airing, it was the most widely viewed TV movie, with a 33.2 rating and a 54 share. See more »
When the vampire is running away from the hospital, you can see a stunt man come to the aid of the motorcycle driver who lays down his bike. The stuntman is the same one who was fighting with Janos Skorzeny (the vampire) and was thrown out of the window. See more »
[sarcastically, when Vincenzo criticizes his story]
How about a special featurette, with a border of roses? An interview with the two girl victims, in Heaven, with a cellestial choir in the background.
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Long a staple of late night television schedules, `The Night Stalker', is a memorable slice of seventies horror. Darren McGavin is fantastic as Carl Kolchak, an eccentric, down at heel reporter covering a series of murders which are not what they seem. He is backed by a fine cast of familiar faces who help reinforce genre veteran Matheson's quality script and the atmospheric direction of John Llewellyn Moxley, which hides the made for television origins of this movie.
If this has a weak spot, it lies in the bad guy', who is basically all teeth and snarls. Lacking character (and plainly odd) it's surprising that he wasn't spotted long before he arrived in Las Vegas (incidentally, the location adds a certain charm to the story).
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