Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
In 1787, British ship Bounty leaves Portsmouth to bring a cargo of bread-fruit from Tahiti but the savage on-board conditions imposed by Captain Bligh trigger a mutiny led by officer Fletcher Christian.
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The tragic story of Nicholas II, the last Czar of Russia, set against the backdrop of the Russian Revolution. It is an inside look into the private lives of Nicholas and his wife Alexandra, their daughters, their only son and the painful secret about their son and heir apparent which bound the Imperial Couple to the mystical Rasputin, and the eventual execution of the entire family. Written by
Gailene Va. Holley <firstname.lastname@example.org>
The hairstyles the four girls wear when they are in the basement, is based on the official photographs of 1914. In reality, when the four grand duchesses were imprisoned, they had their heads shaved due to illness. By the time they were killed in July of 1918 their hair had grown to the napes of their necks. See more »
[as the Tsar signs his abdication papers]
Tsar Nicholas II:
It will be spring soon, at Livadia. That's where you'll send us I imagine. I've often thought I should like to be a country gentleman. I've always liked to watch things grow. It's lovely there. And warm. And they say the soil is very good. Much of the happiness I've known, I've had there.
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"By courtesy of the National Theatre of G.B." is written underneath Tom Baker and Laurence Olivier's names in the end credits. "By courtesy of the Royal Shakespeare Company" is written underneath Janet Suzman's name. See more »
Fascinating look at Czarist Russia during the Revolution...
This lavish version of NICHOLAS AND ALEXANDRA will especially appeal to anyone who is fascinated by their legendary story and the bitter fate which awaited the family of Nicholas Romanov. One of his daughters was Anastasia. Her story, too, has been told in films and books.
JANET SUZMAN is excellent as the woman who turns for comfort and hope to a madman, Rasputin, while her ineffective husband is unable to convince her that he is a charlatan. MICHAEL JAYSTON is effective as Nicholas, inhabiting the role so completely that you feel he is the man himself. TOM BAKER, who bears a striking resemblance to the real Rasputin, is also up to the demands of his role.
There's a vast canvas of historical background filmed in splendid Technicolor with obviously no expense spared in all the costuming and production design details. The only real drawback is a lack of pacing in several key dramatic scenes, especially toward the end when the family's execution turns into an endless wait for the assassins to enter the room. Many scenes could have been more tightly edited to reduce the running time of over three hours.
The supporting cast includes famous names like LAURENCE OLIVIER and MICHAEL REDGRAVE in what amount to bit roles. The daughters have little to do but the hemophiliac son, Alexis, is played with great sensitivity by RODERIC NOBLE.
The realization that she is responsible for carrying the genes that gave her son his condition, is what torments Alexandra and leads to her unwise decision to take counsel from Rasputin.
Dramatically, the film suffers from the slow pacing--but the story itself is so compelling that it makes up for this deficiency by providing scenes of epic grandeur and stunning cinematography.
It fully deserved its Oscars for Best Art Direction and Costume Design. It was nominated for several other Oscars but Janet Suzman lost to Jane Fonda of KLUTE and the Best Picture award went to THE FRENCH CONNECTION.
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