A young knight sets out to join King Richard's crusaders. Along the way, he encounters The Black Prince who captures children and sells them as slaves to the Muslims. It is Robert Narra's ... See full summary »
The tragic story of Nicholas II, the last Czar of Russia, set against the backdrop of the Russian Revolution. It is an inside look into the private lives of Nicholas and his wife Alexandra, their daughters, their only son and the painful secret about their son and heir apparent which bound the Imperial Couple to the mystical Rasputin, and the eventual execution of the entire family. Written by
Gailene Va. Holley <firstname.lastname@example.org>
The film could not be shown on television in the UK for many years because of a copyright problem. See more »
In the ceremonial departure from Tsarskoe Selo on the way to the Dowager Empress Marie's birthday, when Nicholas and Alexandra stop at the door from the private quarters the court chamberlain is visible on the right side of the screen holding only his staff of office and wearing a plain black frock coat with gold lace. A minute later, as he precedes the imperial couple down the red carpet through the public spaces of the palace, he is carrying what appears to be a hat in his left hand (empty in the previous scene) and is wearing what appears to be the sash of the Order of St. Stanislaus. See more »
In the last ten years I've spent... three months in Russia. I'm out of fashion. No one's wearing me this year, hmmm? I talk and no one listens, and I write and no one reads. Think what we'll be like in 10 or 15 years. Emigres go off their heads in the end, you know.
Mad old cranks with no money, no country, always worrying about the laundry, complaining when the mail's late, being ill in charity hospitals, and buried with paupers.
See more »
"By courtesy of the National Theatre of G.B." is written underneath Tom Baker and Laurence Olivier's names in the end credits. "By courtesy of the Royal Shakespeare Company" is written underneath Janet Suzman's name. See more »
2.Nicholas and Alexandra (01:26)
3.The Royal Children (01:23)
4.The Palace (01:00)
5.Sunshine Days (03:21)
7.The Romanov Tercentenary (00:52)
8.Lenin in Exile (01:21)
9.The Princessess (02:20)
10.The Breakthrough (02:35)
11.The Declaration of War (02:55)
13.The Journey to the Front (01:02)
14.Military March (02:40)
15.Rasputin's Death (01:28)
16.The People Revolt (01:19)
17.Alexandra Alone (01:11)
19.Dancing in the Snow (01:11)
20.Departure from Tobolsk (01:30)
Soundtrack written by Richard Rodney Bennett. See more »
Fascinating look at Czarist Russia during the Revolution...
This lavish version of NICHOLAS AND ALEXANDRA will especially appeal to anyone who is fascinated by their legendary story and the bitter fate which awaited the family of Nicholas Romanov. One of his daughters was Anastasia. Her story, too, has been told in films and books.
JANET SUZMAN is excellent as the woman who turns for comfort and hope to a madman, Rasputin, while her ineffective husband is unable to convince her that he is a charlatan. MICHAEL JAYSTON is effective as Nicholas, inhabiting the role so completely that you feel he is the man himself. TOM BAKER, who bears a striking resemblance to the real Rasputin, is also up to the demands of his role.
There's a vast canvas of historical background filmed in splendid Technicolor with obviously no expense spared in all the costuming and production design details. The only real drawback is a lack of pacing in several key dramatic scenes, especially toward the end when the family's execution turns into an endless wait for the assassins to enter the room. Many scenes could have been more tightly edited to reduce the running time of over three hours.
The supporting cast includes famous names like LAURENCE OLIVIER and MICHAEL REDGRAVE in what amount to bit roles. The daughters have little to do but the hemophiliac son, Alexis, is played with great sensitivity by RODERIC NOBLE.
The realization that she is responsible for carrying the genes that gave her son his condition, is what torments Alexandra and leads to her unwise decision to take counsel from Rasputin.
Dramatically, the film suffers from the slow pacing--but the story itself is so compelling that it makes up for this deficiency by providing scenes of epic grandeur and stunning cinematography.
It fully deserved its Oscars for Best Art Direction and Costume Design. It was nominated for several other Oscars but Janet Suzman lost to Jane Fonda of KLUTE and the Best Picture award went to THE FRENCH CONNECTION.
4 of 5 people found this review helpful.
Was this review helpful to you?