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Nicholas and Alexandra (1971)

GP  |   |  Biography, Drama, History  |  13 December 1971 (USA)
7.3
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Ratings: 7.3/10 from 3,050 users  
Reviews: 51 user | 20 critic

Tsar Nicholas II, the inept monarch of Russia, insensitive to the needs of his people, is overthrown and exiled to Siberia with his family.

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(additional dialogue), (screenplay), 1 more credit »
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Won 2 Oscars. Another 1 win & 11 nominations. See more awards »

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The story of the last year and a half of Tsar Nicholas II and his family from the February Revolution of 1917 to their execution in July 1918.

Director: Gleb Panfilov
Stars: Aleksandr Galibin, Lynda Bellingham, Vladimir Grachyov
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Cast

Cast overview, first billed only:
...
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Roderic Noble ...
Ania Marson ...
...
Candace Glendenning ...
Marie
Fiona Fullerton ...
...
Irene Worth ...
...
...
...
Katherine Schofield ...
Tegleva
Jean-Claude Drouot ...
John Hallam ...
Nagorny
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Storyline

The tragic story of Nicholas II, the last Czar of Russia, set against the backdrop of the Russian Revolution. It is an inside look into the private lives of Nicholas and his wife Alexandra, their daughters, their only son and the painful secret about their son and heir apparent which bound the Imperial Couple to the mystical Rasputin, and the eventual execution of the entire family. Written by Gailene Va. Holley <gvah@lava.net>

Plot Summary | Plot Synopsis


Certificate:

GP | See all certifications »

Parents Guide:

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Details

Country:

Language:

| | |

Release Date:

13 December 1971 (USA)  »

Also Known As:

Nicholas y Alexandra  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints) (UK release)| (35 mm prints)

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Grace Kelly was offered the role of Alexandra but turned it down. See more »

Goofs

In 1914, after World War I started, the city of St. Petersburg became known as Petrograd since the name St. Petersburg was considered too German. (It continued to be called Petrograd until 1924, when it became known as Leningrad.) However, in the movie, even after the war started, the city was still called St. Petersburg. See more »

Quotes

[as war is announced in the Duma]
Alexander Kerensky: Set all differences aside. We are Russians, first of all. And until the day of victory dawns, we stand united in the defense of Holy Russia.
See more »

Connections

Version of Rasputin: The Mad Monk (1966) See more »

Soundtracks

Wiegenlied (Cradle Song) Op.49, No.4
(uncredited)
Music by Johannes Brahms
Words from Des Knaben Wunderhorn
Sung by Alexandra
See more »

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User Reviews

 
Fascinating look at Czarist Russia during the Revolution...
7 November 2009 | by (U.S.A.) – See all my reviews

This lavish version of NICHOLAS AND ALEXANDRA will especially appeal to anyone who is fascinated by their legendary story and the bitter fate which awaited the family of Nicholas Romanov. One of his daughters was Anastasia. Her story, too, has been told in films and books.

JANET SUZMAN is excellent as the woman who turns for comfort and hope to a madman, Rasputin, while her ineffective husband is unable to convince her that he is a charlatan. MICHAEL JAYSTON is effective as Nicholas, inhabiting the role so completely that you feel he is the man himself. TOM BAKER, who bears a striking resemblance to the real Rasputin, is also up to the demands of his role.

There's a vast canvas of historical background filmed in splendid Technicolor with obviously no expense spared in all the costuming and production design details. The only real drawback is a lack of pacing in several key dramatic scenes, especially toward the end when the family's execution turns into an endless wait for the assassins to enter the room. Many scenes could have been more tightly edited to reduce the running time of over three hours.

The supporting cast includes famous names like LAURENCE OLIVIER and MICHAEL REDGRAVE in what amount to bit roles. The daughters have little to do but the hemophiliac son, Alexis, is played with great sensitivity by RODERIC NOBLE.

The realization that she is responsible for carrying the genes that gave her son his condition, is what torments Alexandra and leads to her unwise decision to take counsel from Rasputin.

Dramatically, the film suffers from the slow pacing--but the story itself is so compelling that it makes up for this deficiency by providing scenes of epic grandeur and stunning cinematography.

It fully deserved its Oscars for Best Art Direction and Costume Design. It was nominated for several other Oscars but Janet Suzman lost to Jane Fonda of KLUTE and the Best Picture award went to THE FRENCH CONNECTION.


4 of 5 people found this review helpful.  Was this review helpful to you?

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