Lila Green is an insecure and aging showgirl for Madame Olga's stage shows. When her boyfriend, Rick, runs off with the shows money, Madame Olga and Ronny let Lila go. Lila goes to stay ... See full summary »
Franklin J. Schaffner
The Romanovs' Last Photograph tells the story of the Romanov sisters, Olga, Tatiana, Maria, and Anastasia, in the hours leading up to their execution in 1918. The girls share their hopes, ... See full summary »
Catherine Faris King
Marja Lewis Ryan,
A knight in the service of a duke goes to a coastal villiage where an earlier attempt to build a defensive castle has failed. He begins to rebuild the duke's authority in the face of the ... See full summary »
Franklin J. Schaffner
Davidde, Andrea and Fra Angelo were determined to change things in Sicily and provide bread for the children, jobs for the people. Their methods were robbery and murder. Now Andrea's in prison, the only one of the three left alive.
The tragic story of Nicholas II, the last Czar of Russia, set against the backdrop of the Russian Revolution. It is an inside look into the private lives of Nicholas and his wife Alexandra, their daughters, their only son and the painful secret about their son and heir apparent which bound the Imperial Couple to the mystical Rasputin, and the eventual execution of the entire family. Written by
Gailene Va. Holley <firstname.lastname@example.org>
In 1914, after World War I started, the city of St. Petersburg became known as Petrograd since the name St. Petersburg was considered too German. (It continued to be called Petrograd until 1924, when it became known as Leningrad.) However, in the movie, even after the war started, the city was still called St. Petersburg. See more »
I am old, sir. I have seen so many wars. They all seemed so important at the time, but now I don't even remember what they were called. Millions of dead men! I don't know why. Nobody knows. You could so easily stop this war, sir. All you have to do is get up, now, quietly, and go home to your family. You would be the greatest of all the Tsars.
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This truly beautiful movie with considerable artistic value should not be watched for its historical accuracy or its lack of geographical precision. It is mainly a story about a marriage of two weak but lovable people who somehow should not have been where fate put them. You could call Nicholas and Alexandra an anti-monarchistic manifesto.
The script really is first rate, it doesn't matter that all the characters are far more English than Russian, what counts is the way a tragic situation unfolds in front of the viewers. For many the last czar probably was a monster as he ordered the death of hundreds of thousands. Yet watching the movie you want to believe that he is the victim of circumstances, far removed from everyday life and a husband and father who cares deeply and, in spite of all his outrageous decisions and non-decisions, wants to be good". Strange as it seems, but the intimate scenes between him and his wife are the highlights of the movie, as they really bring out the affection between two people who are attracted to each other although they are only too familiar with each other's flaws. It makes the tragic ending of the movie all the more sad.
I had the chance to visit Nicholas' palace in Yalta a few years back. It is full of family snapshots, as the czar was an avid photographer (and also movie maker). It is striking how modern those pictures are, how relaxed and middle class" the imperial family, always in bathing suits or some elegant leisure wear, appears. In a strange way the Russian emperor comes through as being much less crusty than his contemporaries on the throne of Britain, Germany or Austria-Hungary. It gives you the idea that he was a modern man. Strangely, whenever he himself is in the photos, he is never in the center of the picture but always somewhere in a marginal position, seeming to be either bemused or slightly embarrassed. What a sad career!
An interesting side-effect of the movie is the fact that it shows that at the outset of World War I the crowned heads of Europe, many of them related to each other and on relatively intimate terms, could have prevented the bloodshed. They failed colossally and thus sealed the fate of a continent that still tries to find unity and a common denominator.
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