A young knight sets out to join King Richard's crusaders. Along the way, he encounters The Black Prince who captures children and sells them as slaves to the Muslims. It is Robert Narra's ... See full summary »
Lila Green is an insecure and aging showgirl for Madame Olga's stage shows. When her boyfriend, Rick, runs off with the shows money, Madame Olga and Ronny let Lila go. Lila goes to stay ... See full summary »
Franklin J. Schaffner
The Romanovs' Last Photograph tells the story of the Romanov sisters, Olga, Tatiana, Maria, and Anastasia, in the hours leading up to their execution in 1918. The girls share their hopes, ... See full summary »
Catherine Faris King
Davidde, Andrea and Fra Angelo were determined to change things in Sicily and provide bread for the children, jobs for the people. Their methods were robbery and murder. Now Andrea's in prison, the only one of the three left alive.
The tragic story of Nicholas II, the last Czar of Russia, set against the backdrop of the Russian Revolution. It is an inside look into the private lives of Nicholas and his wife Alexandra, their daughters, their only son and the painful secret about their son and heir apparent which bound the Imperial Couple to the mystical Rasputin, and the eventual execution of the entire family. Written by
Gailene Va. Holley <email@example.com>
There are many historical inaccuracies in this film, but neither the film makers nor Robert K. Massie, whose book this title is based upon, can be held responsible for the inaccuracies in regard to characters and events. When Robert K. Massie initially researched materials for his book, the Soviet government was still in power in Russia and would only authorize viewing of those "facts" that had been assumed by people and "approved" by the then ruling government to be examined by researchers of the Romanov family. It was not until the Soviet government fell in 1991 that documents that had been secreted away and which were hidden from the public could be fully examined and researched. See more »
Rasputin continuously mispronounces Matushka (little mother) when addressing Alexandra. The accent is on the first syllable. See more »
Tsar Nicholas II:
All my life. My whole life I've done what you want. I gave mother up. You hated her, so we don't see her anymore. I gave my friends up. Do you know I haven't a single friend? I've got my family. Four girls, one sick boy... and you. I ask myself, before I eat, sleep, or change my clothes, is this what Sunny wants? And it never is. There's always more! Sweet jesus how much do you want of me?
See more »
Fascinating look at Czarist Russia during the Revolution...
This lavish version of NICHOLAS AND ALEXANDRA will especially appeal to anyone who is fascinated by their legendary story and the bitter fate which awaited the family of Nicholas Romanov. One of his daughters was Anastasia. Her story, too, has been told in films and books.
JANET SUZMAN is excellent as the woman who turns for comfort and hope to a madman, Rasputin, while her ineffective husband is unable to convince her that he is a charlatan. MICHAEL JAYSTON is effective as Nicholas, inhabiting the role so completely that you feel he is the man himself. TOM BAKER, who bears a striking resemblance to the real Rasputin, is also up to the demands of his role.
There's a vast canvas of historical background filmed in splendid Technicolor with obviously no expense spared in all the costuming and production design details. The only real drawback is a lack of pacing in several key dramatic scenes, especially toward the end when the family's execution turns into an endless wait for the assassins to enter the room. Many scenes could have been more tightly edited to reduce the running time of over three hours.
The supporting cast includes famous names like LAURENCE OLIVIER and MICHAEL REDGRAVE in what amount to bit roles. The daughters have little to do but the hemophiliac son, Alexis, is played with great sensitivity by RODERIC NOBLE.
The realization that she is responsible for carrying the genes that gave her son his condition, is what torments Alexandra and leads to her unwise decision to take counsel from Rasputin.
Dramatically, the film suffers from the slow pacing--but the story itself is so compelling that it makes up for this deficiency by providing scenes of epic grandeur and stunning cinematography.
It fully deserved its Oscars for Best Art Direction and Costume Design. It was nominated for several other Oscars but Janet Suzman lost to Jane Fonda of KLUTE and the Best Picture award went to THE FRENCH CONNECTION.
3 of 4 people found this review helpful.
Was this review helpful to you?