| Photos (See all 13 | slideshow) |
| Jason Robards | ... | Cesar Charron | |
| Herbert Lom | ... | Rene Marot | |
| Christine Kaufmann | ... | Madeleine Charron | |
| Adolfo Celi | ... | Inspector Vidocq | |
| Maria Perschy | ... | Genevre | |
| Michael Dunn | ... | Pierre Triboulet | |
| Lilli Palmer | ... | Mrs. Charron | |
| Peter Arne | ... | Aubert | |
| Rosalind Elliot | ... | Gabrielle | |
| Marshall Jones | ... | Luigi Orsini | |
| María Martín | ... | Madam Adolphe | |
| Ruth Plattes | ... | Orsini's Assistant | |
| Rafael Hernández | ... | Member of Repertory Company | |
| Pamela McInnes | ... | Member of Repertory Company | |
| Sally Longley | ... | Member of Repertory Company | |
| Luis Rivera | ... | Member of Repertory Company | |
| Dean Selmier | ... | Member of Repertory Company | |
| Virginia Stach | ... | Member of Repertory Company | |
| Werner Umberg | ... | Member of Repertory Company | |
| Xan das Bolas | ... | Orsini's Assistant | |
| rest of cast listed alphabetically: | |||
| Brooke Adams | ... | Nurse (uncredited) | |
| José Calvo | ... | Hunchback (uncredited) | |
| Inma de Santis | ... | Young Madeleine (uncredited) | |
| Víctor Israel | ... | Cowardly Coachman (uncredited) | |
Directed by | |||
| Gordon Hessler | |||
Writing credits | ||
| Edgar Allan Poe | (story) | |
| Christopher Wicking | & | |
| Henry Slesar | ||
Produced by | |||
| Samuel Z. Arkoff | .... | executive producer | |
| Louis M. Heyward | .... | producer | |
| James H. Nicholson | .... | executive producer | |
| Clifford Parkes | .... | associate producer | |
Original Music by | |||
| Waldo de los Ríos | |||
Cinematography by | |||
| Manuel Berenguer | |||
Film Editing by | |||
| Max Benedict | |||
Production Design by | |||
| José Luis Galicia | |||
Costume Design by | |||
| Tony Pueo | |||
Makeup Department | |||
| Francisco Ramón Ferrer | .... | makeup artist (as Francisco Ferrer) | |
| Carmen Martín | .... | makeup artist | |
| Carmen Sánchez | .... | hair stylist | |
| Jack H. Young | .... | special makeup artist | |
Production Management | |||
| Luis Hernanz | .... | production manager | |
| Roberto Roberts | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Kuki López Rodero | .... | assistant director (as Juan Carlos Lopez Rodero) | |
Sound Department | |||
| Wally Milner | .... | sound recordist | |
| Enrique Molinero | .... | sound recordist | |
| Anne Parsons | .... | sound editor | |
| Oliver Waterlow | .... | assistant sound editor | |
Camera and Electrical Department | |||
| Salvador Gil | .... | camera operator | |
| John Young | .... | still photographer | |
Editorial Department | |||
| Nehama Milner | .... | assistant editor | |
Music Department | |||
| Waldo de los Ríos | .... | conductor | |
Other crew | |||
| Rosa Biadiú | .... | continuity | |
| Denise O'Dell | .... | production secretary | |
| Angel Sanchez | .... | production accountant | |
| Dennison Thornton | .... | publicist | |
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| Stir of Echoes | Before the Devil Knows You're Dead | Inland Empire | The Prestige | The House That Dripped Blood |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section |
Players at a Paris theatre (run by Jason Robards) become victims of a masked murderer (Herbert Lom). I saw a brand new print of this so the colors were rich and strong...that's about it for compliments. The movie was very obviously filmed in Spain and has erratic performances (even by pros Robards and Lom). Leading lady Christine Kaufmann is a really terrible actress and keeps having the same stupid dream again and again and again and again etc etc. The film is slow-moving, repititious, has lousy make-up (Lom seems to be wearing the exact same face he had in "Phantom of the Opera" in 1964) and the most boring murders ever put on screen...no gore and very little blood. Stick with the 1932 Lugosi version.