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Murders in the Rue Morgue (1971)

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Ratings: 5.2/10 from 630 users  
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Paris...at the turn of the century. Inspector Vidocq investigates a series of unexplained murders at a Grand Guignol-type theatre...where the players have suddenly become real-life victims. Based on the story by Edgar Allan Poe.

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Title: Murders in the Rue Morgue (1971)

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Cast

Cast overview, first billed only:
...
Cesar Charron
...
Rene Marot
...
Madeleine Charron
...
Inspector Vidocq
...
Genevre
...
Pierre Triboulet
...
Mrs. Charron
Peter Arne ...
Aubert
Rosalind Elliot ...
Gabrielle
Marshall Jones ...
Luigi Orsini
María Martín ...
Madam Adolphe
Ruth Plattes ...
Orsini's Assistant
Rafael Hernández ...
Member of Repertory Company
Pamela McInnes ...
Member of Repertory Company
Sally Longley ...
Member of Repertory Company
Edit

Storyline

In Paris, in the beginning of the Twentieth Century, Cesar Charron owns a theater at the Rue Morgue where he performs the play "Murders in the Rue Morgue" with his wife Madeleine Charron, who has dreadful nightmares. When there are several murders by acid of people connected to Cesar, the prime suspect of Inspector Vidocq would be Cesar's former partner Rene Marot. But Marot murdered Madeleine's mother many years ago and committed suicide immediately after. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

LOVE and MURDER are the two consuming passions of the Rue Morgue!


Motion Picture Rating (MPAA)

Rated PG-13 for some violence | See all certifications »
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Details

Country:

Language:

Release Date:

September 1971 (USA)  »

Also Known As:

Edgar Allan Poe's Murders in the Rue Morgue  »

Box Office

Budget:

$700,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Nearly all of Lilli Palmer's role was removed in post-production. See more »

Goofs

The use of a stunt-double for Lom is also obvious in the fight-scene with Robards in which Robards punches Lom and sends him crashing into a table. See more »

Quotes

Rene Marot: Confess. Let me hear the truth, Cesar. Confess.
Cesar Charron: Yes, I killed her. I killed her.
See more »

Connections

Version of The Murders in the Rue Morgue (1986) See more »

Soundtracks

La Marseillaise
(uncredited)
Written by Claude Joseph Rouget de Lisle
Sung in the theatre
See more »

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User Reviews

Odd but entertaining Poe tale...sort of
13 October 2003 | by (United States) – See all my reviews

Gordon Hessler's MURDERS IN THE RUE MORGUE is not, as the title would suggest, really an adaptation of Edgar Allan Poe's short story. In fact, it has next to nothing to do with Poe's tale, basically using it as little more than a starting off point. This is odd, as MURDERS is one of Poe's few stories that actually lends itself to being expanded into a feature film. It's a Sherlock Holmes-esque mystery, the bulk of which is about the method of solving the murders as opposed to the murders themselves.

Hessler's MURDERS plays much more like a remake of PHANTOM OF THE OPERA than anything Poe ever wrote. And, although many of Poe's themes are present (e.g. murder, paranoia, vengeance), the movie lacks the sense of irony and macabre which drove Roger Corman's Poe adaptations, or even Hessler's own CRY OF THE BANSHEE.

Jason Robards is oddly cast as the director and lead actor of a theatre troupe whose specialty is a production of Poe's story. His actors and people with whom he has relationships are being murdered by a mysterious masked man (Herbert Lom). The police are at a loss, and Robards does what he can to help them out...or so it would seem. Somehow mixed in with this is a vindictive dwarf (the wonderful Michael Dunn), who seems to have his own beef with Robards.

As with Hessler's other movies, it's somewhat convoluted and hard to follow, but it does come to an interesting conclusion. His writers (on previous Poe films as well) seem to be attempting to emulate Richard Matheson's technique of taking Poe's work and expanding it, rearranging it, or even changing it, but keeping it's flavor rich and alive throughout. They don't quite manage that here, but the movie still works on it's own terms.

MURDERS is a decent thriller, with good performances, moody photography and a lush music score. It has the same grindhouse quality as Hessler's previous Poe "adaptations", but the director boasts a much more noticeable sense of style this time around. While it's never as creepy as CRY OF THE BANSHEE or bizarre as SCREAM AND SCREAM AGAIN, it manages a fair degree of suspense and intensity, and is at the very least fun and fast paced.


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