Paris...at the turn of the century. Inspector Vidocq investigates a series of unexplained murders at a Grand Guignol-type theatre...where the players have suddenly become real-life victims. Based on the story by Edgar Allan Poe.
After several women are murdered, the police are baffled who the suspect is. All evidence points to Dupin, but soon it becomes apparent that it is something that is stronger and more deadlier than man.
Roy Del Ruth
A disturbed telepathic man is unable to fully control his ability to transmit his dreams and visions into the minds of the people around him or even influence reality. A female therapist tries to help him but his mother gets in the way.
In Paris, in the beginning of the Twentieth Century, Cesar Charron owns a theater at the Rue Morgue where he performs the play "Murders in the Rue Morgue" with his wife Madeleine Charron, who has dreadful nightmares. When there are several murders by acid of people connected to Cesar, the prime suspect of Inspector Vidocq would be Cesar's former partner Rene Marot. But Marot murdered Madeleine's mother many years ago and committed suicide immediately after. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When the murderer flees the theatre after the death of Erik at the start, it is obviously a stuntman, rather than Herbert Lom, who jumps over the fence. See more »
Do you remember what we said in my dressing room the very night it happened? I asked you to set a date for our marriage, didn't I? Well... I'm still waiting.
Have you any idea, madame, what I look like? No, you find yourself a husband with a face worth looking at. A handsome young lord, like Charron.
I hate handsome men! I hate them, dear. All my leading men are handsome. Why else would a a man want to look into a mirror night after night? All tailor's dummies and empty hearts. All except you.
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Overlong but still entertaining variation of the story
When a string of vicious murders on former employees brings the attention of a traveling circus owner, he realizes they're being done in the style of a thought-deceased associate's suspected death and that he may be out for more than revenge with his rampage.
An overlong, needlessly epic retelling of the story that tends to meander on for a good twenty minutes more than necessary simply because there's far too much useless stuff at the very beginning with it's exaggerated pace that really keeps things from building up too quickly or really reveling in it's more grotesque moments. As it stands, though, there's still some good parts here as the masked phantom creates an imposing presence during his sequences, there's plenty of rather fun Grand Guiginol-style theater scenes of the troupe putting on violent, splatter-drenched performances that really gives the film a sense of fun and excitement early on, and several of the murders get particularly nasty, especially when they're combined with fantastic set-ups and execution to create a memorably nasty scene. Again, there's problems but it's not so bad.
Today's Rating/PG-13: Violence
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