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Murders in the Rue Morgue (1971)

PG-13  |   |  Crime, Horror, Mystery  |  September 1971 (USA)
5.2
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Ratings: 5.2/10 from 698 users  
Reviews: 15 user | 16 critic

Paris...at the turn of the century. Inspector Vidocq investigates a series of unexplained murders at a Grand Guignol-type theatre...where the players have suddenly become real-life victims. Based on the story by Edgar Allan Poe.

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Cast

Cast overview, first billed only:
...
Cesar Charron
...
Rene Marot
...
Madeleine Charron
...
Inspector Vidocq
...
Genevre
...
Pierre Triboulet
...
Mrs. Charron
Peter Arne ...
Aubert
Rosalind Elliot ...
Gabrielle
Marshall Jones ...
Luigi Orsini
María Martín ...
Madam Adolphe
Ruth Plattes ...
Orsini's Assistant
Rafael Hernández ...
Member of Repertory Company
Pamela McInnes ...
Member of Repertory Company
Sally Longley ...
Member of Repertory Company
Edit

Storyline

In Paris, in the beginning of the Twentieth Century, Cesar Charron owns a theater at the Rue Morgue where he performs the play "Murders in the Rue Morgue" with his wife Madeleine Charron, who has dreadful nightmares. When there are several murders by acid of people connected to Cesar, the prime suspect of Inspector Vidocq would be Cesar's former partner Rene Marot. But Marot murdered Madeleine's mother many years ago and committed suicide immediately after. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

LOVE and MURDER are the two consuming passions of the Rue Morgue!


Motion Picture Rating (MPAA)

Rated PG-13 for some violence | See all certifications »
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Details

Country:

Language:

Release Date:

September 1971 (USA)  »

Also Known As:

Edgar Allan Poe's Murders in the Rue Morgue  »

Box Office

Budget:

$700,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Film debut of Brooke Adams. See more »

Goofs

The use of a stunt-double for Lom is also obvious in the fight-scene with Robards in which Robards punches Lom and sends him crashing into a table. See more »

Quotes

Rene Marot: Confess. Let me hear the truth, Cesar. Confess.
Cesar Charron: Yes, I killed her. I killed her.
See more »


Soundtracks

La Marseillaise
(uncredited)
Written by Claude Joseph Rouget de Lisle
Sung in the theatre
See more »

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User Reviews

Too Lifeless to Really Work
26 January 2014 | by (Louisville, KY) – See all my reviews

Murders in the Rue Morgue (1971)

** (out of 4)

British version puts a twist on the story (and previous versions) of Edgar Allan Poe. In this version, a stage troupe is putting on a version of Murders in the Rue Morgue when real murders start to happen. The lead actor (Jason Robards) and Inspector Vidocq (Herbert Lom) try and track down who is responsible. This version of the Poe story has been ripped to pieces over the years but having skipped it for thirty-plus years I was well aware that several liberties were taken. I can't say I blame director Gordon Hessler for wanting to change things around considering there had been several versions of the story already done. The biggest problem is that with the changes nothing too exciting is done and nothing here is as entertaining as what Poe wrote. I think the biggest thing going against the picture is the fact that it's rather dull and only comes to life during the opening sequence and the final one. Everything in between is rather lifeless and really drags to the point where you just simply don't care who's doing the killing. The version I viewed was the 97-minute director's cut, which restores some eleven-minutes that AIP had originally cut out. I don't know the whole history of the film so I can't say which version is better but I have to think that a lot of the material here was just filler. You'd think that having actors like Robards and Lom would have been a positive but it's really not. Yes, it's fun seeing them in a film like this but at the same time both are clearly just here to cash a paycheck. Robards seems extremely uninterested in anything going on and the same can be said about Lom who seems to be rushing through every scene just to get it over with. There are a few good things about the film including its colorful look as well as the atmosphere but this here just isn't enough to recommend it to others.


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