A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.
John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends.... See full summary »
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but her life changes after she gets raped by a fifteen-foot lobster... Written by
Michael Brooke <firstname.lastname@example.org>
The original ending was supposed to link Divine to the Manson murders, but when it was discovered that the Manson family was responsible, the ending was changed to what it is in the final film. The original ending would have fed the publicity gag that Divine was responsible for Sharon Tate's murder. See more »
[in church, trying to pray, notices Mink]
She coughs, as if to attract my attention towards her, and gave me a lewdly religious glare!
See more »
The films of John Waters aren't to all tastes, but if you like, say Pink Flamingos, then you'll love Multiple Maniacs.
Waters' film-making career can be divided roughly into four categories:
unseen first works (Roman Candles, Hag in a Black Leather Jacket, Eat
early filthy works (Multiple Maniacs, Pink Flamingos, Female Trouble)
more mainstream works (Polyester, Hairspray, Crybaby)
later missing-the-mark works (Serial Mom, Pecker, Cecil B. Demented)
In my opinion, there's no question that his early filthy works are the best and that Multiple Maniacs is perhaps the best of the three (or at least tying with Pink Flamingos).
Some of the reviewers here criticize the film for being badly acted or low budget. That's missing the point. Waters' films were never meant to couple the acting of Olivier with Industrial Light and Magic special effects. These are low budget gems that deliver equal amounts of shock and laughter.
Multiple Maniacs is one of Waters most perfect films in terms of the dialogue. The continual arguing between Lady Divine and Mr. David (the wonderful and elegant David Lochary) is almost operatic. The rest of the characters (most from John Waters early ensemble, the Dreamlanders) is absolutely outstanding. Mink Stole and Mary Vivian Pearce are pin-point perfect and Edith Massey is a gem in her screen debut. The late, great and much-missed Cookie Mueller gives the best performance of her career as the free wheeling daughter of Divine.
A black and white treasure from John Waters early career. Brilliant dialogue, hilarious scenes and a bravura climax make Multiple Maniacs a cinematic masterpiece.
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