The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but... See full summary »
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" ... See full summary »
A proud black man does time in jail where he is subjected to heinous experiments. Once released, he goes about extracting vengeance on those who put him in prison. This includes both ... See full summary »
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but her life changes after she gets raped by a fifteen-foot lobster... Written by
Michael Brooke <firstname.lastname@example.org>
The original ending was supposed to link Divine to the Manson murders, but when it was discovered that the Manson family was responsible, the ending was changed to what it is in the final film. The original ending would have fed the publicity gag that Divine was responsible for Sharon Tate's murder. See more »
Oh, think of it, Mink. We can perform extreme unction nationwide - Ronald Reagan and his family, the entire Baltimore Police Department, and BARBRA STREISAND!
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I love the grainy, inky black and white look of this movie, the bad cuts and scratches and even all the jumps in sound. It's just so gorgeous and couldn't be duplicated today...just a strange feeling is captured here, amplified because it's populated with so many hedonistic weirdos and perverts. Of course, these perks only exist because Waters and his crew were completely inept in the technical ways of cinema, but hey, I'll take what I can get.
Content wise...this has at least a flash or two of brilliance, which is impressive for a film that cost around "5000" bucks. The opening at the Calvacade of Perversions is great ("She is an auto-erotica copraphrasiac and a gerontophiliac!"), but modern audiences might not know what to make out of all the dated cultural references (too much Manson/Tate stuff)...then there's an incredibly tedious and overlong delusion with Divine narrating her version of Christ. Even more time is padded with endless scenes of characters sitting and/or lying in bed talking (and often forgetting their lines), plus topless jitterbugging from Cookie Mueller, people riding around in cars and Mink Stole ("the religious whore") and Divine walking down the street.
Despite all that, the closing sequences (starting with Lobstra) make up for it and are just priceless. Best use of the song "God Bless America" right here folks! And the film is still completely unique and original 30+ years later, so you really have to admire it on that front as well.
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