The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but... See full summary »
A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" ... See full summary »
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
Renowned cult film director John Waters narrates this quirky exploration of the Salton Sea, the massive Southern California lake that was created by accident a century ago, became a popular... See full summary »
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but her life changes after she gets raped by a fifteen-foot lobster... Written by
Michael Brooke <email@example.com>
The original ending was supposed to link Divine to the Manson murders, but when it was discovered that the Manson family was responsible, the ending was changed to what it is in the final film. The original ending would have fed the publicity gag that Divine was responsible for Sharon Tate's murder. See more »
She's a dyke! Look at those tattoos.
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The films of John Waters aren't to all tastes, but if you like, say Pink Flamingos, then you'll love Multiple Maniacs.
Waters' film-making career can be divided roughly into four categories:
unseen first works (Roman Candles, Hag in a Black Leather Jacket, Eat
early filthy works (Multiple Maniacs, Pink Flamingos, Female Trouble)
more mainstream works (Polyester, Hairspray, Crybaby)
later missing-the-mark works (Serial Mom, Pecker, Cecil B. Demented)
In my opinion, there's no question that his early filthy works are the best and that Multiple Maniacs is perhaps the best of the three (or at least tying with Pink Flamingos).
Some of the reviewers here criticize the film for being badly acted or low budget. That's missing the point. Waters' films were never meant to couple the acting of Olivier with Industrial Light and Magic special effects. These are low budget gems that deliver equal amounts of shock and laughter.
Multiple Maniacs is one of Waters most perfect films in terms of the dialogue. The continual arguing between Lady Divine and Mr. David (the wonderful and elegant David Lochary) is almost operatic. The rest of the characters (most from John Waters early ensemble, the Dreamlanders) is absolutely outstanding. Mink Stole and Mary Vivian Pearce are pin-point perfect and Edith Massey is a gem in her screen debut. The late, great and much-missed Cookie Mueller gives the best performance of her career as the free wheeling daughter of Divine.
A black and white treasure from John Waters early career. Brilliant dialogue, hilarious scenes and a bravura climax make Multiple Maniacs a cinematic masterpiece.
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