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IMDb > La morte cammina con i tacchi alti (1971)

La morte cammina con i tacchi alti (1971) More at IMDbPro »


Overview

User Rating:
6.3/10   180 votes
MOVIEmeter: ?
Up 22% in popularity this week. See rank & trends on IMDbPro.
Director:
Luciano Ercoli
Writers:
Ernesto Gastaldi (screenplay)
Ernesto Gastaldi (story)
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Contact:
View company contact information for Death Walks on High Heels on IMDbPro.
Release Date:
19 November 1971 (Italy) more
Plot:
A famed jewel thief named Rochard is slashed to death on a train. His daughter Nicole, a famous nightclub performer in Paris... more | add synopsis
Plot Keywords:
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User Comments:
A really fun giallo that is more than a little of a fishy tale more

Cast

  (Credited cast)
Frank Wolff ... Dr. Robert Matthews
Nieves Navarro ... Nicole Rochard (as Susan Scott)
Simón Andreu ... Michel Aumont (as Simon Andreu)
Carlo Gentili ... Inspector Baxter
George Rigaud ... Captain Lenny
José Manuel Martín ... Smith (as J. Manuel Martin)
Fabrizio Moresco ... Bergson
Luciano Rossi ... Hallory
Claudie Lange ... Vanessa Matthews
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Additional Details

Also Known As:
Death Walks on High Heels (International: English title)
La muerte camina con tacón alto (Spain)
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Runtime:
Italy:105 min | Spain:98 min
Country:
Italy | Spain
Color:
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono

Fun Stuff

Trivia:
70mm blow-up version released in Spain. more

FAQ

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7 out of 8 people found the following comment useful:-
A really fun giallo that is more than a little of a fishy tale, 20 February 2006
8/10
Author: christopher-underwood from Greenwich - London

A really fun giallo that is more than a little of a fishy tale. We get a strange seller of fish on the beach, always popping up, an extraordinary attempt at erotic fish eating and absolutely masses of red herrings. But aside from all that this is a most convoluted tale where nobody could predict the outcome, let alone the hilarious pair from Scotland Yard. Indeed more humour than usual in this slightly longer than usual sparkling giallo. Not filled with killings but when they come they are most effective and explicit, and the sexiness of the opening with the Crazy Horse setting continues throughout, mainly thanks to Nieves Navarro. Opening in Paris then, we move to London, some fine night shots near The Windmill, and finally to 'the countryside, which I had always assumed to be somewhere in the UK but, the clue is in the co-production status and is I learn in fact Spain. Highly recommended.

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