Death in Venice (1971)
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period of artistic and personal stress. But he finds no peace there, for he soon develops a troubling attraction to an adolescent boy, Tadzio, on vacation with his family. The boy embodies an ideal of beauty that Aschenbach has long sought and he becomes infatuated. However, the onset of a deadly pestilence threatens them both physically and represents the corruption that compromises and threatens all ideals.- Written by Eric Wees <firstname.lastname@example.org>
Gustav Von Aschenbach, a composer utterly absorbed in his work, arrives in Venice as a result of a youthfully ardent thirst for distant scenes and there meets a young man by whose beauty he becomes obsessed. His pitiful pursuit of the object of his overpowering affection and its inevitable and tragic consequences is told here in Visconti's luminous work of of art.- Written by Anonymous
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