Death in Venice (1971) - News Poster

News

Pain Pays the Income of Each Precious Thing: Stanley Kubrick's "Barry Lyndon"

  • MUBI
“For an intellectual product of any value to exert an immediate influence which shall also be deep and lasting, it must rest on an inner harmony, yes, an affinity, between the personal destiny of its author and that of his contemporaries in general.”—Thomas Mann, Death in Venice Barry Lyndon. I can’t believe there was a time when I didn’t know that name. Barry Lyndon means an artwork both grand and glum. Sadness inconsolable. A cello bends out a lurid sound, staining the air before a piano droopingly follows in the third movement of Vivaldi's “Cello Concerto in E Minor.” This piece, which dominates the second half of the film, steers the hallowed half of my head to bask in the film’s high melancholic temperature. Why should I so often remember it? What did I have to do with this film? I only received it with
See full article at MUBI »

Otd: Babs, Shirley, and "Cool" from West Side Story

On this very gay day (4/24) in history as it relates to showbiz...

1873 Silent film director Robert Wiene, best known for The Cabinet of Dr Caligari (1920) born in Breslau (Note: other online sources disagree with the IMDb on this birthdate but it's always fun to think about Caligari)

1927 Oscar winning cinematographer Pasqualino de Santis born in Italy. Classics include Romeo and Juliet, The Damned, Death in Venice, and L'Argent

1930 Richard Donner, superstar director/producer of the 1980s, behind films like The Goonies, Lethal Weapon, and the first two Supermans. Apparently retired after 16 Blocks (2006) with Bruce Willis

1931 The Public Enemy starring James Cagney and Jean Harlow was enjoying its opening weekend at movie theaters. It was a big hit, ending in the top ten of its year. Variety claimed it was "low brow material" attempting to be high brow by its craftsmanship. If only critics knew in the moment -- they almost
See full article at FilmExperience »

Daria Turns 20: 11 Things You Never Knew About the Iconic Show

Daria Turns 20: 11 Things You Never Knew About the Iconic Show
Ask a certain crowd of people what the defining MTV show of their childhood was, and it’s not Trl, or Real World or Jersey Shore. It’s Daria. Though Ms. Morgendorffer had been seen on Beavis and Butt-Head before, the March 3, 1997, premiere of Daria proved that the two shows couldn’t be more different. Let’s take a fond trip back to Lawndale for a closer look at the best animated misanthrope of the ‘90s.

1. B&B-h creator Mike Judge had no involvement in Daria

Judge agreed to release the character, but that’s where his involvement with the show ended.
See full article at PEOPLE.com »

A Look Back at John Hurt’s Greatest Film Roles

A Look Back at John Hurt’s Greatest Film Roles
No actor was more perfectly named than John Hurt. It’s not as if the characters he played were always in pain, though more often than not, they were. Yet he was graced with a seductively layered and tricky personality — you sensed that his characters were sly, furtive, and complicated, because he was all those things as well.

Hurt died, at age 77, of pancreatic cancer Jan. 27 at his home in Norfolk, England. These are my favorites of his films.

The Naked Civil Servant

The performance that put Hurt on the map was his channeling of Quentin Crisp in a 1975 British TV movie. Cloaked in white makeup, with a shock of orange hair and a bombs-away bitchery as unapologetic as Johnny Rotten’s sneer, Hurt’s Crisp is effete , delicate, and merciless. The beauty of the performance is that it’s not a plea for “tolerance” so much as for the insane glory of the individual.
See full article at Variety - Film News »

A Tribute to John Hurt: A Playful Master Who Made His Inner Hurt Ours

A Tribute to John Hurt: A Playful Master Who Made His Inner Hurt Ours
No actor was more perfectly named than John Hurt. It’s not as if the people he played were always in pain (though more often than not, they were). Yet he was graced with a seductively layered and tricky personality — you sensed that his characters were sly, furtive, and complicated because Hurt, who died Jan. 27 in England, was all those things as well. And the deepest layer was the hint of torment he carried around with him. It was like the speck of sand around which a pearl forms.

Hurt was born in 1940, but he was never some impeccable boring well-mannered “Masterpiece Theatre” thespian. Over and over, he gave performances that were daring and surprising and outrageous. Comb through his credits, and it’s hard to find anything that approaches the safe, bland note of costume-drama respectability. And yet, when you think of John Hurt, the first thing you probably
See full article at Variety - Film News »

Connections in Invisible Ink: A Look Back at Locarno 69

  • MUBI
The OrnithologistIt’s one thing to watch a film festival unfold and take the films as they come when they come, on their own individual merits. It’s another to look back at them as part of a bigger picture, tracing connections made in invisible ink that may not be apparent at the time. That’s one way to look at the competitive selection of Locarno in 2016. As usual, yes, Locarno did take risks very few other A-list festivals would, and it still gets away with stuff other events can’t. (Let’s pause here to remember that Filipino auteur du jour Lav Diaz only went on to the main Berlin line-up after winning the Golden Leopard two years ago.) If getting away with it means tripping over itself occasionally (and in my short time of attending Locarno there have been stumbles, believe me), I’m absolutely fine with it.
See full article at MUBI »

Mauro Bolognini’S Commedia All’Italiana ‘Arabella’ (1967) Starring Virna Lisi; New On UK Region 2 DVD From Simply Media

  • CinemaRetro
By Howard Hughes

New to DVD in the UK is ‘Arabella’, an Italian period comedy set in that hotbed of hilarity, pre-wwii fascist Italy. Virna Lisi stars in the title role – known variously in the film as Arabella Danesi and Arabella Angeli – who determines to save her grandmother from destitution by finding ingenious ways to pay off her elderly relative’s crippling tax bill.

The film is structured rather like those 1960s Italian portmanteau comedy-dramas, such as ‘Yesterday, Today, Tomorrow’, ‘The Witches’ or ‘Woman Times Seven’. Such films were intended as vehicles for one female star, be they Sophia, Silvana or Shirley, to demonstrate their versatility in a variety of roles. But instead of separate stories, with different characters, ‘Arabella’ has one continuous story arc, with Lisi’s sexy heroine adopting various costumes, personas and wigs to seduce and blackmail her way through a string of lovers, who are then
See full article at CinemaRetro »

Watch: 4-Minute Video Essay Explores The Ambiguity Of Art In Luchino Visconti’s Films

An auteur of many mediums — film, theater, and opera — Luchino Visconti was born into an aristocratic family and boasted a rather infamous roster of friends (Coco Chanel, Giacomo Puccini, and Jean Renoir to name a few) before he found his own spotlight in neorealist Italian cinema. And though his film repertoire is small, his style exudes knowledge and talent without question. Read More: The Essentials: The 8 Best Luchino Visconti Films In “Death in Venice,” his eleventh film based on the novella by Thomas Mann, Visconti explores not only the themes of underlying sexuality found in the original text, but the significance of ambiguity in art. His protagonists debate the importance of this, declaring that the artist cannot be ambiguous, but that art cannot help to be. In his new video essay, Pasquale Iannone uses footage from Visconti’s “White Nights,” another novella adaptation (this time from the archetypal novelist Fyodor Dostoevsky
See full article at The Playlist »

‘Carol’ Leads the Top 30 Lgbt Films of All-Time, According to BFI Poll

Todd Haynes‘ filmography is often overwhelming in its intellectual acumen and emotional devastation,” we noted upon the release of his latest film this past fall. “This is true of Carol, which is at once a return to the deconstruction of femininity, social mores, and mild anarchy of privilege, as well as an honest and heartbreaking story about falling in love and the trepidation therein.” Over 100 film experts, ranging from critics to writers to programmers, agree on the emotional power of the drama, as they’ve voted it the best Lgbt film of all-time.

Conducted by BFI ahead of the 30th BFI Flare: London Lgbt Film Festival, they note this is the “first major critical survey of Lgbt films.” Speaking about leading the poll, Haynes said, “I’m so proud to have Carol voted as the top Lgbt film of all time in this poll launched for the Fest’s 30th edition.
See full article at The Film Stage »

Me and Earl and the Dying Girl

Writer Jesse Andrews and director Alfonso Gomez-Rejon overturn the formula for the modern teen comedy: they lay on the quirky storytelling and goofy movie parodies, but also give us characters that are reasonably human and complex. We're soon invested in a warm and rewarding drama. Young actors Thomas Mann, Rj Cyler and Olivia Cooke deal with real problems, and the movie doesn't try to change the subject to sex in every scene. A charming show, very worthwhile. Me and Earl and the Dying Girl Blu-ray 20th Century Fox Home Entertainment 2015 / Color / 2:35 widescreen / 105 min. / Street Date October 6, 2015 / Starring Thomas Mann, Rj Cyler, Olivia Cooke, Nick Offerman, Connie Britton, Molly Shannon, Jon Bernthal, Katherine C. Hughes, Matt Bennett. Masam Holden. <Cinematography Chung-hoon Chung Film Editor David Trachtenberg Original Music Brian Eno, Nico Muhly Written by Jesse Andrews from his novel Produced by Jeremy Dawson, Dan Fogelman, Steven Rales Directed by Alfonso Gomez-Rejon
See full article at Trailers from Hell »

Watch: New Trailer For Luchino Visconti's 'Rocco And His Brothers' Shows Before & After Of Restoration Work

Luchino Visconti may be known in some cinephile circles as the director of “Death in Venice” and "The Leopard," but he also directed the moving, operatic “Rocco and his Brothers,” a sort of post-script to Italian neorealism that cast its eye on a family of immigrants striving to prosper and assimilate in a new city. Martin Scorsese’s Film Foundation, well known for its tireless preservation of neorealist films (in addition to a host of others), has recently restored Visconti’s masterful film with the help of Cineteca di Bologna. The newly restored version — complete with two scenes that were previously censored for content — screened at Cannes this past spring and will play at this year’s Tiff as part of the fest’s Cinematheque lineup. Read More: Watch: Trailers For Martin Scorsese's 39 Foreign Films To See Before You Die It’s hard to dispute that the new image looks great.
See full article at The Playlist »

The week in TV: Life in Squares, Partners in Crime; Parks and Recreation; Taskmaster; Atlantic

Death in Venice meets Game of Thrones in BBC2’s fine new drama about Virginia Woolf and friends

Life in Squares (BBC2) | iPlayer

Partners in Crime (BBC1) | iPlayer

We’re growing used, I hope, to much galumphing Monday-night sex in filthy alleys and pale-skinned bedsits

Related: TV drama set to spark a tourist rush on the trail of the Bloomsbury Group

Continue reading...
See full article at The Guardian - TV News »

Criterion Collection: Don’t Look Now | Blu-Ray Review

Criterion brings British auteur Nicolas Roeg’s most famous title to the fold, 1973’s enigmatic Don’t Look Now, a title that has influenced generations of filmmakers since its successful reception, and marks the director’s fifth title to be included in the illustrious collection. A refracted dreamscape of symbols and motifs, the film is a brooding jigsaw puzzle that doesn’t insist on answering all your questions, and happens to feature an unforgettable finale that’s lost none of its affect (despite providing iconic fodder for famed parodies, ranging from memorable bits in “Spaced” to “Absolutely Fabulous”).

After the drowning of their preadolescent daughter, Christine, in the backyard of their estate, John and Laura Baxter (Donald Sutherland and Julie Christie) take off for Venice, where John accepts a job to restore some mosaics in one of the city’s many dilapidated churches. However, once there, the couple is introduced
See full article at IONCINEMA.com »

'Don't Look Now' (Criterion Collection) Blu-ray Review

The first time I saw Nicolas Roeg's Don't Look Now was October 2008, as I was watching a slew of films in an effort to put together a list of my top ten scariest films. In the end, I came up with six, Don't Look Now wasn't one of them. I mention this because I initially watched this movie under the impression it was tremendously frightening. I had never seen it before, but everything I read about it spoke to how terrifying it was. I didn't find it frightening in the least, not then and not now. However, revisiting it with this new Criterion Blu-ray release gave me a chance to watch it with different eyes and I found myself appreciating it a bit more. Granted, I still can't bring myself to say I'm an overall fan of the picture, but watching it without the expectation it will be something it isn't,
See full article at Rope Of Silicon »

'Nightcrawler', 'Laggies', 'Force Majeure', 'Don't Look Now' and More on DVD & Blu-ray This Week

Nightcrawler I've already written about the Nightcrawler Blu-ray (read that here) and the film not only made my top ten of 2014, but Jake Gyllenhaal and Rene Russo recently won 2014 RopeofSilicon Awards (a very high honor). Suffice to say, this is a film I've grown to really love since first seeing it and heartily recommend you check it out.

Don't Look Now (Criterion Collection) I was able to watch about 30 minutes of this new Blu-ray last night as it only arrived recently and I haven't had enough time to get through it, but I can tell you I've only seen Don't Look Now once before and I wasn't a huge fan of it the first time around. However, knowing how many fans the film has I wanted to give it a second chance and what better way than a feature rich Criterion edition. Just below are all the features it includes
See full article at Rope Of Silicon »

Greenaway talks new film Walking To Paris

  • ScreenDaily
Greenaway talks new film Walking To Paris
British director will premiere Eisenstein in Guanajuato at the Berlinale next month.

Prolific British auteur Peter Greenaway, whose new film Eisenstein in Guanajuato is set to premiere in competition at the Berlinale next month, is about to start work on new feature Walking To Paris.

The biopic of sculptor Constantin Brancusi is being made with Dutch producer and former Rotterdam festival stalwart Kees Kasander.

The film will focus on the 18 months when a 27-year-old Brancusi walked through Romania, Hungary, Austria, Germany, Switzerland and France.

Speaking to Screen about the feature, Greenaway said: “Along the way, living off the land as his years of being a shepherd boy had taught him, he had adventures - comic, violent, sexual and romantic - and certainly formative of his future sculpture, constantly building sculptures out of found materials – wood, stone, sand, snow and ice - leaving a trail of abandoned experimental temporary sculptures across the landscapes of Europe.”

The film is
See full article at ScreenDaily »

Fellini's 'Satyricon', Roeg's 'Don't Look Now', Ozu's 'Autumn' & More Come to Criterion in February 2015

If you're reading this you're likely a fan of the Criterion Collection, which also means as much as you may be interested to know what new titles are coming to the collection in February 2015, if you aren't yet aware, Barnes & Noble is currently having their 50% of Criterion sale right now, click here for more on that. However, if you're already hip to the sale, let's have a look at the new titles that were just announced. The month will begin on February 3 with a new film from Jean-Luc Godard, his 1980 feature Every Man for Himself starring Jacques Dutronc, Nathalie Baye and Isabelle Huppert. It's a film Godard refers to as a second debut and is described as an examination of sexual relationships, in which three protagonists interact in different combinations. The release includes a new high-definition digital restoration, a short video titled Le scenario created by Godard to secure financing for the film,
See full article at Rope Of Silicon »

24 great comedy shows that deserve more love

We asked Den Of Geek’s writers to recommend brilliant comedy shows that deserve to have more of a fuss made about them. Here they are...

Banging a drum about stuff we love is more or less our remit on Den Of Geek - hence what many readers have started referring to as the ‘inexplicably regular' appearance of Statham, squirrels and Harold Bishop from Neighbours on these pages.

To that end then, we asked our writers which comedy shows (past and present, UK or otherwise, on TV, radio, or online…) deserved more praise, and here are the ones they chose. You might already like them too, or you might discover something new to dig out and enjoy. That’s the fun of it.

Please note that this list isn’t ranked in any order, nor is it exhaustive. It’s compiled from the opinions of a group of different people,
See full article at Den of Geek »

Venice Primer – For Me, At Least

The first thing I was surprised to discover about the Venice Film Festival, old news to old pros, is that it doesn’t take place in Venice proper. So there is no taking gondolas from one venue to another, which is a very good thing. In the map below Venice is the island at the top and the Lido is highlighted in the oval.

The Lido is also the name for the long beach that faces the Adriatic Sea. If you’ve ever seen Luchino Visconti‘s Death In Venice then the Lido is the stretch of endless cabanas outside of Gustav von Aschenbach’s (Dirk Bogarde) magnificent hotel, where Aschenbach pines for a young Polish boy. Incidentally, the magnificent Grand Hotel des Bains, which had fallen into disrepair and had to be fixed up and reopened to be used by Visconti in 1971, was converted into condominiums which never sold
See full article at IMDb Blog - All the Latest »

Kasander, Greenaway unveil projects

  • ScreenDaily
Kasander, Greenaway unveil projects
Exclusive: Dutch producer to resume his long-standing relationship with Peter Greenaway.

Dutch producer Kees Kasander is to resume his long-standing relationship with British director Peter Greenaway – and they already have several new projects together in the pipeline.

Greenaway’s current production - Eisenstein in Guanajuato (sold by Rezo) - is the first film he has made without Kasander for many years. With Kasander unavailable, it was produced instead by fellow Dutch producers Femke Wolting and Bruno Felix of Submarine alongside Cristina Velasco.

Now, Kasander and Greenaway are back in business together and already looking a long way ahead with 15 projects together.

The next film they are making together is Walking To Paris, a biopic about artist Constantin Brancusi. When he was a young man, Brancusi walked all the way from Romania to Paris. Stealth are in talks to handle international sales. The aim is to start shooting in the autumn.

Kasander is producing
See full article at ScreenDaily »
loading
An error has occured. Please try again.

See also

Showtimes | External Sites