In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period of artistic and personal stress. But he finds no peace there, for he soon develops a troubling attraction to an adolescent boy, Tadzio, on vacation with his family. The boy embodies an ideal of beauty that Aschenbach has long sought and he becomes infatuated. However, the onset of a deadly pestilence threatens them both physically and represents the corruption that compromises and threatens all ideals. Written by
Eric Wees <firstname.lastname@example.org>
The celebrated story of a man obsessed with ideal beauty.
Did You Know?
In the dining room, Aschenbach orders "soup and fish" which is also a slang term for his formal evening suit. See more
As Aschenbach watches the departing Tadzio just after he twirls on the canopy posts, two young boys are walking hand in hand toward the camera. In the next shot, only one of the boys is seen walking in front of Aschenbach. See more
Gustav von Aschenbach
Madame, will you permit an entire stranger, to serve you with a word of advice and warning, which self-interests prevents others from saying. Go away! Go away, immediately. Don't delay. Please, I beg you.
/Merry Widow Waltz (uncredited)
Written by Franz Lehár
Scene before dinner; von Aschenbach sees Tadzio for the first time See more