| Jacques Gagnon | ... | Benoit | |
| Lyne Champagne | ... | Carmen | |
| Jean Duceppe | ... | Uncle Antoine | |
| Olivette Thibault | ... | Aunt Cecile | |
| Claude Jutra | ... | Fernand, Clerk | |
| Lionel Villeneuve | ... | Jos Poulin | |
| Hélène Loiselle | ... | Madame Poulin | |
| Mario Dubuc | ... | Poulin's son | |
| Lise Brunelle | ... | Poulin's daughter | |
| Alain Legendre | ... | Poulin's son | |
| Robin Marcoux | ... | Poulin's son | |
| Serge Evers | ... | Poulin's son | |
| Monique Mercure | ... | Alexandrine | |
| Georges Alexander | ... | The Big Boss | |
| Rene Salvatore Catta | ... | The Vicar | |
| Jean Dubost | ... | The Foreman | |
| Benoît Marcoux | ... | Carmen's Father | |
| Dominique Joly | ... | Maurice | |
| Lise Talbot | ... | The Fiancée | |
| Michel Talbot | ... | The Fiancé | |
| Siméon Dallaire | ... | A Customer | |
| Sidney Harris | ... | The Helper | |
| Roger Garand | ... | Euclide |
Directed by | |||
| Claude Jutra | |||
Writing credits(in alphabetical order) | ||
| Claude Jutra | adaptation | |
| Clément Perron | story, adaptation and screenplay | |
Produced by | |||
| Marc Beaudet | .... | producer | |
Original Music by | |||
| Jean Cousineau | |||
Cinematography by | |||
| Michel Brault | |||
Film Editing by | |||
| Claire Boyer | |||
| Claude Jutra | |||
Set Decoration by | |||
| Denis Boucher | |||
| Lawrence O'Brien | |||
Makeup Department | |||
| Rene Demers | .... | makeup artist | |
| Suzanne Garand | .... | makeup artist | |
Art Department | |||
| Denis Boucher | .... | props | |
| Lawrence O'Brien | .... | props | |
Sound Department | |||
| Arnold Gelbart | .... | sound editor | |
| Claude Hazanavicius | .... | sound | |
| Jacques Jarry | .... | sound editor | |
| Roger Lamoureux | .... | sound re-recordist | |
Visual Effects by | |||
| Wally Howard | .... | optical effects | |
Camera and Electrical Department | |||
| André-Luc Dupont | .... | assistant camera | |
| Michel Kieffer | .... | assistant camera | |
| Roger Martin | .... | electrician | |
| Guy Rémillard | .... | electrician | |
Music Department | |||
| Jean Carignan | .... | musician: violin (as Ti-Jean Carignan) | |
| Michel Descombes | .... | music recordist | |
Other crew | |||
| Leo Evans | .... | location manager | |
| Guy Lamontagne | .... | title designer | |
| Francesca Pozzy | .... | script girl | |
| Jean Savard | .... | location manager | |
| Recent Posts (updated daily) | User |
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| Aspect ratio | k_st_m |
| Added to Roger Ebert's great movie's list | crash_114 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
"Mon Oncle Antoine" is a coming of age film set in a very rural and grim portion of French-speaking Canada. It gives you some insight into the dreadful bleakness of this sort of setting and the film consists of a couple days in the lives of two families--one soon about to experience a tragedy and the other consisting of an aunt and uncle who run a combination general store and funeral parlor.
At the Toronto International Film Festival, every decade a panel of critics have voted on what they consider to the best Canadian film of all time. Well, "Mon Oncle Antoice" has won this distinction for three straight decades--winning over such brilliant films as "Barbarian Invasions" and "Jesus of Montreal"! Well, after seeing "Mon Oncle Antoine" I can't help but think that there is sometimes a HUGE gulf between what the critics and the public love, as I have no idea whatsoever why this film has received this distinction, as it's a very ordinary film. If I didn't know better, I'd think that Canadian films are terrible--but this isn't true. The other two films I listed above are exceptional--and "Barbarian Invasions" won the Oscar for Best Foreign Language Film--and richly deserved it. But as for "Mon Oncle Antoine", the film seemed exceptionally slow paced and, at times, a bit pointless and unrelentingly grim.
Before you just assume I hate foreign films or have no tolerance for art films, I should mention that I have reviewed close to a couple thousand such films. It's just that this one simply did not appeal to me and it just seems very overrated. Just my two-cents worth.