Young Leo Lauzon is torn between two worlds - the squalid Montreal tenement that he inhabits with his severely dysfunctional (and largely insane) family, and the imaginative world that he ... See full summary »
Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. ... See full summary »
Canadian/Swiss/French production that tells the tale of Hannah, a tomboyish 13 year-old hitting puberty in 1963. An unhappy and uncomfortable family life leads Hannah to seek escapism in the world of cinema. Specifically, she repeatedly watches and appears enthralled by Anna Karina, the character from Jean-Luc Godard's "Vivre sa vie" (1962) about a Parisian woman's descent into prostitution. Her ... See full summary »
Quebec, the 1830s and 1840s. As she attends the bedside of Jérôme, her second husband, Élisabeth recalls her youth, her marriage to her first husband, Antoine, life in remote Kamouraska ... See full summary »
Mary-Jane asks, "Do all women fall in love with a boy, or just those without sons?" She's divorced with two daughters, Lucy and Loulou. Lucy has a party where Mary-Jane notices Julien, 14, ... See full summary »
Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life of his family which owns the town's general store and undertaking business. Written by
Steve Richer <firstname.lastname@example.org>
A critics poll held once a decade, since 1984, at the Toronto International Film Festival has named this movie the greatest Canadian film of all time 3 decades in a row. See more »
[Benoit and his uncle Antoine try to recover a casket that has fallen off their sleigh. Antoine is in a drunken state]
Don't let go!
I can't, Benoit. Sometimes you just can't.
Yes, you can! My arm's in a cast and I can do it. We're almost there. Don't give up. You can do it.
[Dejectedly, and in a drunken stupor]
What am I doing here, Benoit? I'm not happy. I'm not made for the country. I hate it here. I wanted to buy a hotel in the States. Your aunt wouldn't let me. She says no to everything. I'm...
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The actor who plays the Big Boss is billed as Georges Alexander in the original French language version, but as George Alexander in the dubbed English version. See more »
The first in the line of Canadian coming-of-age films that included Lies My Father Told Me, Who Has Seen the Wind, Les bons débarras and Léolo, Claude Jutra's 1971 masterpiece Mon Oncle Antoine has remarkably endured as one of the most admired of Canadian films. Set in the snow-covered landscape of Quebec in the 1940s, the film is notable for the tenderness and humor it brings to its story of the loss of innocence of a teenage boy and the awakening of Quebec to its dream of independence.
Benoit (Jacques Gagnon) is a 15-year old boy who has lost both of his parents and is being raised by his Uncle Antoine (Jean Duceppe) and his wife Aunt Cecile (Olivette Thibault). Antoine is the owner of a small general store in an asbestos-mining town who also serves as the village undertaker, and the film poignantly depicts the townsfolk in the rural village on the eve of their annual Christmas celebration. We learn from the outset that the mine owners are English-speaking and the French minorities are treated as second-class citizens, the clouds of contaminated smoke emanating from the mine signaling the unfairness of the system.
The film moves from comedy to drama and back again. Benoit discovers the village priest as he surreptitiously takes a nip of liquor, sneaks a look at a haughty neighbor, Alexandrine (Monique Mercure) as she tries on a corset, and innocently discovers his attraction to a teenage girl, Carmen (Lyne Champagne), who also works in the store. The turning point of the film, however, is the stunning sequence in which the young boy travels on horse and carriage with his Uncle into the winter countryside where they are to retrieve the body of a teenage boy who has succumbed to his illness.
This scene underscores Benoit's initial encounter with death, his awareness of his uncle's alcoholism, and the betrayal he feels when he discovers his Aunt's infidelity upon their return. Mon Oncle Antoine is a memorable and timeless classic and the freeze-frame when we recognize Benoit's transition from childhood innocence to a grudging maturity is as powerful as any including Francois Truffaut's The 400 Blows.
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