After the death of her daughter, Julia Lofting, a wealthy housewife, moves to London to re-start her life. All seems well until she is haunted by the sadness of losing her own child and the ghosts of other children.
Ellen Wheeler, a rich woman, is recovering from a nervous breakdown with the help of her husband and a good friend. One day, while staring out the window, she witnesses a murder. But does ... See full summary »
Brian G. Hutton
Alan Alda plays a classical piano player on the rise who befriends a famous player himself who's at death's door. Unknown to Alda, the guy is a satanist, who arranges to have their souls switch places at his death, so that he can be young again and continue to play piano (thus needing a skilled piano player like Alda to switch bodies with). Written by
Producer Quinn Martin paid over $250,000 for the rights. See more »
[after smashing a headlight with a wrench]
Oh, by the way, someone smashed one of the headlights. You shouldn't leave the Rolls out there in plain view. This neighborhood is full of rich teenaged bastards.
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This 1971 movie is definitely worth seeing, at least for a melancholically superb Jacqueline Bisset (at the same time, the other main character, Alan Alda, offers a lousy and histrionic performance). Even if it may seem obsolete, the movie still gives one chills down the spine at some moments, and the end is maybe a recognition of the fact that Evil is always more tempting than the Good. All in all, the old Faustian theme is well depicted in this movie, with some interesting arabesques (but why do the Satan worshipers speak a terrible French in their rituals - that I do not know, a superb score (naturally, since it is about the world of pianists and music) and some subtle meditations about the condition of the artist today and always. 7/10
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