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McCabe & Mrs. Miller (1971)

 -  Drama | Western  -  24 June 1971 (USA)
7.7
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Ratings: 7.7/10 from 13,516 users  
Reviews: 116 user | 76 critic

A gambler and a prostitute become business partners in a remote Old West mining town, and their enterprise thrives until a large corporation arrives on the scene.

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Title: McCabe & Mrs. Miller (1971)

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Nominated for 1 Oscar. Another 1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Sheehan
...
The Lawyer
...
Smalley
...
Mr. Elliott
...
Bart Coyle
...
Ida Coyle
...
Cowboy
...
Sears
Antony Holland ...
Hollander
Hugh Millais ...
Butler
Manfred Schulz ...
Kid
Jace Van Der Veen ...
Breed (as Jace Vander Veen)
Jackie Crossland ...
Lily
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Storyline

Set in winter in the Old West. Charismatic but dumb John McCabe arrives in a young Pacific Northwest town to set up a whorehouse/tavern. The shrewd Mrs. Miller, a professional madam, arrives soon after construction begins. She offers to use her experience to help McCabe run his business, while sharing in the profits. The whorehouse thrives and McCabe and Mrs. Miller draw closer, despite their conflicting intelligences and philosophies. Soon, however, the mining deposits in the town attract the attention of a major corporation, which wants to buy out McCabe along with the rest. He refuses, and his decision has major repercussions for him, Mrs. Miller, and the town. Written by John J. Magee <magee@helix.mgh.harvard.edu>

Plot Summary | Add Synopsis

Taglines:

Purveyors of Paradise. See more »

Genres:

Drama | Western

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

24 June 1971 (USA)  »

Also Known As:

The Presbyterian Church Wager  »

Filming Locations:

 »

Box Office

Gross:

SEK 867,412 (Sweden)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Keith Carradine's film debut. See more »

Goofs

The steam engine was deployable very shortly after the fire was discovered, which would have been possible only if the engine had already been lit. See more »

Quotes

[first lines]
John McCabe: [muttering to himself] I told you... Think I'm stupid?... S'exactly what I said. Six, six of 'em...
See more »

Connections

Featured in The Story of Film: An Odyssey: Episode #1.9 (2011) See more »

Soundtracks

The Stranger Song
Written and Performed by Leonard Cohen
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Frequently Asked Questions

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User Reviews

 
The most 'modern' of westerns
13 February 2007 | by (Derry, Ireland) – See all my reviews

Few westerns have succeeded so strangely yet so completely in evoking a sense of place and time than Robert Altman's "McCabe and Mrs Miller". In fact, it's not really a western at all; certainly not like any western I've ever seen. It's setting is the Pacific Northwest; cold, rainswept and often covered in snow. There are gunslingers but they are more like the professional hit men of gangster movies. When Altman isn't filming through the haze of a rain-drenched exterior he is filming through the haze of a dimly lit interior where darkness is more prevalent than light. Above all, it doesn't have a conventional western hero. McCabe is like a tragi-comic Everyman out of his depth and his territory in this largely alien environment yet canny enough to apply his savvy into transforming the landscape into something tangible, real and materialistically American.

In this respect it is a very modern film in spite of its setting. The fact that Altman doesn't care very much about convention or even about narrative, (it's story is perfunctory; Altman is more interested in 'observing'), makes it so. But then "MASH" wasn't a conventional war movie either just as "Nashville" wasn't really about the country music business.

As for McCabe himself, Beatty plays him with the same laconic, stammering mannerisms he applies to all his roles, (and which he seems either blessed or cursed with in real life), and which actually makes him a perfect Altman hero, (or anti-hero, if you prefer). Mrs Miller, on the other hand, seems coolly distracted from what's going on around her. Julie Christie plays up her Englishness adding another element to the alienation of her character, a stranger in a strange land indeed, while in the foreground the songs of Leonard Cohen seem to hover like warm blankets, cosily familiar and comforting even at their bleakest. They could have been written for the film.


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