Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
Henry G. Sanders,
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Mille is a... See full summary »
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
Set in winter in the Old West. Charismatic but dumb John McCabe arrives in a young Pacific Northwest town to set up a whorehouse/tavern. The shrewd Mrs. Miller, a professional madam, arrives soon after construction begins. She offers to use her experience to help McCabe run his business, while sharing in the profits. The whorehouse thrives and McCabe and Mrs. Miller draw closer, despite their conflicting intelligences and philosophies. Soon, however, the mining deposits in the town attract the attention of a major corporation, which wants to buy out McCabe along with the rest. He refuses, and his decision has major repercussions for him, Mrs. Miller, and the town. Written by
John J. Magee <firstname.lastname@example.org>
As a Western this film is fascinating for what it does not contain. There are no sweeping vistas of the Great Plains, no Indians, no cacti, no cowboy hats. There is no sheriff, no broiling sun, and no corny music. And unlike most Westerns, which are plot driven, "McCabe & Mrs. Miller" is less about plot than about the tone or mood of the frontier setting.
The film takes place in the Pacific Northwest. The weather is cold, cloudy, and inclement. You can hear the wind howling through tall evergreens. And Leonard Cohen's soft, poetic music accentuates the appropriately dreary visuals. In bucking cinematic tradition, therefore, this film deserves respect, because it is at least unusual, and perhaps even closer in some ways to the ambiance of life on the American frontier than our stereotyped notions, as depicted in typical John Wayne movies.
Not that the plot is unimportant. Warren Beatty plays John McCabe, a two-bit gambler who imports several prostitutes to a tiny town, in hopes of making money. Julie Christie plays Mrs. Miller, a prostitute with a head for business. She hears about McCabe's scheme, and approaches McCabe with an offer he can't refuse. Soon, the two are in business together, but complications ensue when word gets around that McCabe may be a gunslinger who has killed someone important. Mrs. Miller is clearly a symbol of the women's liberation movement, and the film's ending is interesting, in that context.
"McCabe & Mrs. Miller" is a vintage Altman film, in that you can hear background chatter, in addition to the words of the main character. It's Altman's trademark of overlapping dialogue. The film's acting is fine. Both Beatty and Christie perform credibly in their roles.
The visuals have a turn-of-the-century look, with a soft, brownish hue. Costumes and production design are elaborate, and appear to be authentic. The film is very dark, so dark in some scenes that I could barely make out the outline of human figures. In those scenes, I think they went overboard with the ultra dim lighting.
Strictly atypical for the Western genre, "McCabe & Mrs. Miller" provides a pleasant change from cinematic stereotypes, and conveys a different perspective on life in the Old West. It's a quality production, one that has Robert Altman's directorial stamp all over it. In that sense, it's more like a cinematic painting than a story. And the painting communicates to the viewer that life on the American frontier was, at least in some places, cold and dreary, and had a quietly poetic quality to it.
29 of 33 people found this review helpful.
Was this review helpful to you?