A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
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Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
During a future ice age, dying humanity occupies its remaining time by playing a board game called "Quintet." For one small group, this obsession is not enough; they play the game with living pieces ... and only the winner survives.
Set in winter in the Old West. Charismatic but dumb John McCabe arrives in a young Pacific Northwest town to set up a whorehouse/tavern. The shrewd Mrs. Miller, a professional madam, arrives soon after construction begins. She offers to use her experience to help McCabe run his business, while sharing in the profits. The whorehouse thrives and McCabe and Mrs. Miller draw closer, despite their conflicting intelligences and philosophies. Soon, however, the mining deposits in the town attract the attention of a major corporation, which wants to buy out McCabe along with the rest. He refuses, and his decision has major repercussions for him, Mrs. Miller, and the town. Written by
John J. Magee <firstname.lastname@example.org>
During post-production on this film, 'Robert Altman' was having a difficult time finding a proper musical score, until he attended a party where the album "Songs of Leonard Cohen" was playing and noticed that several songs from the album seemed to fit in with the overall mood and themes of the movie. Cohen, who had been a fan of Altman's previous film, Brewster McCloud (1970), allowed him to use three songs from the album - "The Stranger Song", "Sisters of Mercy" and "Winter Lady" - although Altman was dismayed when Cohen later admitted that he didn't like the movie. A year later, Altman received a phone call from Cohen, who told him that he changed his mind after re-watching the movie with an audience and now loved it. See more »
At 1:41:38 into the film, when McCabe is hiding in the door of the hardware store, a leg and a foot of a crew-member are visible reflected in the window on the left. After the cutaway it is even clearer when the person moves. See more »
[muttering to himself]
I told you... Think I'm stupid?... S'exactly what I said. Six, six of 'em...
See more »
Few westerns have succeeded so strangely yet so completely in evoking a sense of place and time than Robert Altman's "McCabe and Mrs Miller". In fact, it's not really a western at all; certainly not like any western I've ever seen. It's setting is the Pacific Northwest; cold, rainswept and often covered in snow. There are gunslingers but they are more like the professional hit men of gangster movies. When Altman isn't filming through the haze of a rain-drenched exterior he is filming through the haze of a dimly lit interior where darkness is more prevalent than light. Above all, it doesn't have a conventional western hero. McCabe is like a tragi-comic Everyman out of his depth and his territory in this largely alien environment yet canny enough to apply his savvy into transforming the landscape into something tangible, real and materialistically American.
In this respect it is a very modern film in spite of its setting. The fact that Altman doesn't care very much about convention or even about narrative, (it's story is perfunctory; Altman is more interested in 'observing'), makes it so. But then "MASH" wasn't a conventional war movie either just as "Nashville" wasn't really about the country music business.
As for McCabe himself, Beatty plays him with the same laconic, stammering mannerisms he applies to all his roles, (and which he seems either blessed or cursed with in real life), and which actually makes him a perfect Altman hero, (or anti-hero, if you prefer). Mrs Miller, on the other hand, seems coolly distracted from what's going on around her. Julie Christie plays up her Englishness adding another element to the alienation of her character, a stranger in a strange land indeed, while in the foreground the songs of Leonard Cohen seem to hover like warm blankets, cosily familiar and comforting even at their bleakest. They could have been written for the film.
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