Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
During a future ice age, dying humanity occupies its remaining time by playing a board game called "Quintet." For one small group, this obsession is not enough; they play the game with living pieces ... and only the winner survives.
Set in winter in the Old West. Charismatic but dumb John McCabe arrives in a young Pacific Northwest town to set up a whorehouse/tavern. The shrewd Mrs. Miller, a professional madam, arrives soon after construction begins. She offers to use her experience to help McCabe run his business, while sharing in the profits. The whorehouse thrives and McCabe and Mrs. Miller draw closer, despite their conflicting intelligences and philosophies. Soon, however, the mining deposits in the town attract the attention of a major corporation, which wants to buy out McCabe along with the rest. He refuses, and his decision has major repercussions for him, Mrs. Miller, and the town. Written by
John J. Magee <firstname.lastname@example.org>
At the beginning of the film, there is a shot of McCabe lighting a cigarette before crossing the bridge. According to Robert Altman, Stanley Kubrick loved that shot and called him up asking him: "How did you know you had it?" See more »
When the young man in the tall hat is leaving, he hugs each of the girls in turn. In the shot from the front, he the one girl and Ida Coyle is stepping up for her hug. The shot changes to the view from the left, where the hug of the first girl is repeated and Ida Coyle again steps forward. See more »
[muttering to himself]
I told you... Think I'm stupid?... S'exactly what I said. Six, six of 'em...
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I was led to this movie in 1972 via the Academy nomination of Julie Christie for her remarkable performance and the small trailer used to highlight her. This was enough to get my attention.
Since then I have recommended it to any movie lover- whether a "student of film" or not. I am constantly surprised at the numbers of people who haven't seen this masterpiece. I've lived with it's haunting scenes for a quarter of a century and, as with anything of depth, constantly find new charms in my old love.
From the evocative lyrics of the opening score to it's sudden chilling and deadly encounters, this movie lives in your mind long after the final blizzard cloaks the frame.
If one is a contrarian I would guess the only thing to do after seeing this for perhaps the fiftieth time is to begin looking for that moment where someone, anyone has put a foot wrong in this production. From gaffers to grips, actors to designers, continuity to props it is so pure as to be a documentary in it's granular clarity- there may be a wrong note in there somewhere but until then do yourself a favor and give yourself up to as rich a cinematic experience as you are ever likely to find.
There are few movies I love- I love this movie.
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