A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on ... See full summary »
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
Set in winter in the Old West. Charismatic but dumb John McCabe arrives in a young Pacific Northwest town to set up a whorehouse/tavern. The shrewd Mrs. Miller, a professional madam, arrives soon after construction begins. She offers to use her experience to help McCabe run his business, while sharing in the profits. The whorehouse thrives and McCabe and Mrs. Miller draw closer, despite their conflicting intelligences and philosophies. Soon, however, the mining deposits in the town attract the attention of a major corporation, which wants to buy out McCabe along with the rest. He refuses, and his decision has major repercussions for him, Mrs. Miller, and the town. Written by
John J. Magee <firstname.lastname@example.org>
Many of the people playing small parts, bit roles, and extras were allowed to create their own characters for the movie. See more »
When the young man in the tall hat is leaving, he hugs each of the girls in turn. In the shot from the front, he the one girl and Ida Coyle is stepping up for her hug. The shot changes to the view from the left, where the hug of the first girl is repeated and Ida Coyle again steps forward. See more »
[muttering to himself]
I told you... Think I'm stupid?... S'exactly what I said. Six, six of 'em...
See more »
The stranger, the winter lady & the sisters of mercy
Leonard Cohen's songs don't seem an ordinary choice for a western, but Robert Altman was no ordinary director, and his "McCabe & Mrs. Miller" was definitely not your traditional western. This film can be called a western because of its settings, but if anything, this is a "revisionist western" (à la Clint Eastwood's more recent "Unforgiven", a film that also subverted all the clichés and morales of this traditionally macho genre). And, more than anything, it's a love story.
John McCabe (Warren Beatty), charismatic but no so smart, sets up a whorehouse in the Old West. Constance Miller (Julie Christie), beautiful, strong and determined, soon arrives in town and offers to run the "business" and share the profits with McCabe. They start a tempestuous relationship while business thrives... but when a major corporation tries to buy McCabe & Mrs. Miller's enterprise, McCabe refuses to sell it. It's the beginning of his, her and the town's doom.
Even when exploring such a visual genre as the western (and visually the film is also very compelling, with great use of real snow and a beautifully shot "duel" on a bridge), Altman uses one of his most notorious trademarks: the overlapping dialogue, commonly used in ensembles but also wisely used in a more intimate, character-driven story like this. It works very well, although the 1 on 1 dialogues are deeply insightful themselves (the scene when Christie teaches a very young widow, played by Shelley Duvall, how she is supposed to behave in her new job, is brief, human, and dry). Beatty gives one of his most subtle, captivating performances, and Christie empowers Mrs. Miller with flesh and blood - she was definitely one of the most beautiful and intriguing actresses of her time, alongside Faye Dunaway and Jane Fonda, who set up a standard for beautiful, strong women who were much more than sheer eye candy. McCabe and Mrs. Miller's relationship is so fascinating that even the bang bang fans will be drawn into it and root for them to end together.
So, next time someone says Clint Eastwood reinvented the western with his masterpiece "Unforgiven", remember: 21 years before, Altman had experimented and succeeded on that with his "McCabe & Mrs. Miller". Because love stories are more than kisses and happy endings, and westerns go beyond blood and testosterone.
20 of 22 people found this review helpful.
Was this review helpful to you?