A Jewish man and a Jewish woman meet and while attracted to each other, find that their worlds are very different. She is the archtypical Jewish American Princess, very emotionally involved... See full summary »
Lawyer Amy finds herself courted by two very different men: her client, a roguish street musician named Will, and her old boyfriend John Michael. A curious triangle develops as Amy gets pregnant by Will and both men vie for her affections.
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A group of misfits decide to leave for a place that they can all be free. Their mode of transportation is a PBY flying boat. The only problem is that the PBY needs a lot of work and they ... See full summary »
Beginning with the title song, "It's a Mod Mod World" by the Gretschmen, "Mondo Mod" explores West Hollywood, California's famous Sunset Strip in 1966. We journey from discotheques to dirt ... See full summary »
Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age... See full summary »
A runaway truck containing the corpse of a slain gang leader rolls into a California nightclub owned by Johnny Cain, a hard bitten former free-lance adventurer. The gang threatens to kill ... See full summary »
Young stockbroker (Benjamin as the glib affectation of a caring husband, a role in which he became stereotyped) has a penchant for peeping, much to the chagrin of his long suffering wife (Shimkus) which eventually drives a wedge between them, and much at the behest of her meddling sister (Ashley). Often criticised for its titillation aspects, this is one of those microcosms of life stories that's funny, raunchy, sad and touching all in a compact hour-and-a-half. The abrupt, overly-simplistic conclusion might attract some ire, but it's not a 'who-dunnit', so by no means a deal breaker.
Not the deep, emotive analysis it probably could've been, but nevertheless entertaining and memorable for a number of reasons. The theme song, while distant and now long-forgotten is a great little pseudo-country tune by Linda Ronstadt, and still among her best. Adam West in a semi-serious post "Batman" role is a casting coup that can't be easily ignored, although his tonal inflexions do occasionally conjure memories of "to the batpole!".
But the real deal is Tiffany Bolling's "girl in the rain" character, which in my opinion, immortalises this picture. Even despite the brevity of her screen-time, her sun-showered radiance floods the frame. She's raw and devastating; the epitome of seduction. The boiling saucepan metaphor adds a humorous texture, but more significantly, the movie turns on this one scene, making it, and Bolling's character, pivotal. Bolling forged a mediocre career in B-movies in the seventies, but this virtually mute cameo, will undoubtedly be her cinema legacy.
Those expecting an intellectual thesis on domesticity and the manacles of modern marriage will be disappointed - this is not the Everest and nor does it purport to be; those just after a movie they can appreciate for its many layers should be kept entertained.
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