When crew members suggested to Roman Polanski that perhaps the film was too unrealistically gory for its own good, Polanski reportedly replied, "I know violence. You should've seen my house last summer."
During the set up of the gruesome death scene of Lady MacDuff's children, director Roman Polanski was instructing a four-year-old blonde girl on how to play dead, while smearing fake blood all over her body. Polanski playfully asked the girl what her name was, to which she replied "Sharon."
In her memoirs, Marianne Faithfull recalls screen testing for the role of Lady Macbeth at the request of Roman Polanski. However, when her heroin use became obvious to Polanski during the test, she lost the role.
Roman Polanski wanted to include a violent bear-baiting sequence but it posed all kinds of problems. The first bear they tried to use was too timid and kept running away from the dogs, while the second was uncontrollably vicious and pawed a crew member. He eventually opted for an intrepid stuntman in a bear suit, but understandably the man would only agree to a single dog being set loose on him, fearing his armored padding wouldn't be up to the job. Polanski secretly instructed the handlers to loose three dogs, sending the stuntman cowering in fear, screaming at the director to call them off.
Director Roman Polanski's wife, actress Sharon Tate, was murdered by members of Charles Manson's "family" three years before the making of the film. It is believed that due to this traumatic event, Polanski developed the story to be a more violent representation of Shakespeare's play. For instance, the scene in which Macbeth murders King Duncan was not in the original play and was instead implied.
When Roman Polanski was casting the film, his co-screenwriter Kenneth Tynan suggested Nicol Williamson for the title role. Tynan was a great admirer of Williamson, but Polanski turned him down because he thought Williamson lacked sex appeal. Williamson later played Macbeth in London and on Broadway and for the B.B.C.
Laurence Olivier had planned " Macbeth " as his fourth Shakespearean adaptation. It was supposed to go ahead in 1958 with his wife Vivien Leigh as Lady Macbeth. The deaths of producers Alexander Korda and then Mike Todd put paid to his plans to raise the necessary finance.
During the promotion work for " Diamonds are Forever ", Sean Connery told journalists that he had written a Macbeth screenplay, but was waiting to see how Polanski's version fared, before he went ahead with his.
Victor Lownes, the head of Playboy's European operation, persuaded Hugh Hefner to put up the $1.5m budget as he knew it would bring respectability to the Playboy organisation. When Polanski forced the budget up by an extra $600k, Lownes became furious with him and the two, who were inseparable friends, fell out for many years.