Directed by | |||
| Roman Polanski | |||
Writing credits | ||
| William Shakespeare | (play) | |
| Roman Polanski | ||
| Kenneth Tynan | ||
Produced by | |||
| Andrew Braunsberg | .... | producer | |
| Timothy Burrill | .... | associate producer | |
| Hugh M. Hefner | .... | executive producer | |
| Victor Lownes | .... | assistant executive producer | |
Original Music by | |||
| The Third Ear Band | |||
Cinematography by | |||
| Gilbert Taylor | (as Gil Taylor) | ||
Film Editing by | |||
| Alastair McIntyre | |||
Casting by | |||
| Miriam Brickman | |||
Production Design by | |||
| Wilfred Shingleton | (as Wilfrid Shingleton) | ||
Art Direction by | |||
| Fred Carter | |||
Set Decoration by | |||
| Bryan Graves | |||
Costume Design by | |||
| Anthony Mendleson | |||
Makeup Department | |||
| Biddy Chrystal | .... | chief hair stylist | |
| Tom Smith | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Hercules Bellville | .... | second unit director | |
| Simon Relph | .... | first assistant director | |
| Michael Green | .... | third assistant director (uncredited) | |
| Nigel Wooll | .... | second assistant director (uncredited) | |
Art Department | |||
| Jack Stephens | .... | assistant art director | |
| Kenneth Tynan | .... | artistic advisor | |
Sound Department | |||
| Jonathan Bates | .... | dubbing editor | |
| Simon Kaye | .... | sound mixer | |
| Nolan Roberts | .... | dubbing mixer | |
| John Ireland | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Ted Samuels | .... | special effects | |
Visual Effects by | |||
| Gerald Larn | .... | matte painter (uncredited) | |
Stunts | |||
| Vic Armstrong | .... | stunts (uncredited) | |
| Ken Buckle | .... | stunts (uncredited) | |
| William Hobbs | .... | stunts (uncredited) | |
| Alf Joint | .... | stunts (uncredited) | |
| Russ Jones | .... | stunt double: broadsword (uncredited) | |
Camera and Electrical Department | |||
| Alec Mills | .... | camera operator | |
| Maurice Gillett | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Rebecca Breed | .... | wardrobe (as Jackie Breed) | |
| Philippe Pickford | .... | wardrobe (as Phil Pickford) | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Sally Gilpin | .... | choreographer | |
| William Hobbs | .... | fight director | |
| David W. Orton | .... | production advisor | |
| Jeremy Taylor | .... | horse master | |
| Richard Vetter | .... | process consultant | |
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| Macbeth | The Lord of the Rings: The Return of the King | Julius Caesar | Centurion | Beowulf |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
When the text is cut, folks like me hope to hear the rhythm preserved. Polanski and Tynan opted not to try to cut this way. However, what is remarkable about Polanski's film is that the images cut from the language are instead presented visually. Read the play just before watching the film, and you'll see what I mean. A great film for students who are studying, and reading, the play.
This is also one of the great efforts by RSC master fight choreographer William Hobbs, who followed this film with the comic fights of Richard Lester's "Three Musketeers" films. On the stage, Macbeth's next-to-last fight with Young Seyward is often a "warmup" for the big finale with Macduff. Here, it brings the audience back to what characters had to say about "the noble Macbeth" at the play's beginning, before his descent. Hobbs plays Young Seyward, and is established early on, training men to fight. Their astonishing confrontation leaves you wishing Macbeth didn't have to perish.
As another reviewer noted, the DVD and VHS box art is a testament to Columbia Home Video's botched handling: they put Banquo on the cover by accident. The shot is from Macbeth's vision of Banquo and his sons, actor Martin Shaw wears a crown...you can see how easily the mistake could be made, especially if the person designing the art hasn't bothered to watch the film. But never fear, the geniuses at Columbia made it up to Jon Finch. There's a terrific photo of him as Macbeth in the final fight with Macduff. You'll find it on the back of Columbia's edition of Nicol Williamson's "Hamlet." When you're in marketing, I guess all Shakespearean actors look alike...