A young American woman (Sydne Rome) traveling through Italy finds herself in a strange Mediterranean villa where nothing seems right. Her visit becomes an absurd, decadent, oversexed ... See full summary »
Roman Polanski's version of Shakespeare's tragedy about a Scottish lord who murders the king and ascends the throne. His wife then begins hallucinating as a result of her guilt complex and the dead king's son conspires to attack Macbeth and expose him for the murderer he is. Written by
Jason Ihle <firstname.lastname@example.org>
When the text is cut, folks like me hope to hear the rhythm preserved. Polanski and Tynan opted not to try to cut this way. However, what is remarkable about Polanski's film is that the images cut from the language are instead presented visually. Read the play just before watching the film, and you'll see what I mean. A great film for students who are studying, and reading, the play.
This is also one of the great efforts by RSC master fight choreographer William Hobbs, who followed this film with the comic fights of Richard Lester's "Three Musketeers" films. On the stage, Macbeth's next-to-last fight with Young Seyward is often a "warmup" for the big finale with Macduff. Here, it brings the audience back to what characters had to say about "the noble Macbeth" at the play's beginning, before his descent. Hobbs plays Young Seyward, and is established early on, training men to fight. Their astonishing confrontation leaves you wishing Macbeth didn't have to perish.
As another reviewer noted, the DVD and VHS box art is a testament to Columbia Home Video's botched handling: they put Banquo on the cover by accident. The shot is from Macbeth's vision of Banquo and his sons, actor Martin Shaw wears a crown...you can see how easily the mistake could be made, especially if the person designing the art hasn't bothered to watch the film. But never fear, the geniuses at Columbia made it up to Jon Finch. There's a terrific photo of him as Macbeth in the final fight with Macduff. You'll find it on the back of Columbia's edition of Nicol Williamson's "Hamlet." When you're in marketing, I guess all Shakespearean actors look alike...
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