Edit
Storyline
Roman Polanski's version of Shakespeare's tragedy about a Scottish lord who murders the king and ascends the throne. His wife then begins hallucinating as a result of her guilt complex and the dead king's son conspires to attack MacBeth and expose him for the murderer he is. Written by
Jason Ihle <jrihl@conncoll.edu>
Plot Summary
|
Add Synopsis
Edit
Did You Know?
Trivia
The lyrics to the song that Fleance sings at Macbeth's banquet for Duncan at Inverness are taken from the poem "Merciles Beautè" by Geoffrey Chaucer.
See more »
Goofs
When Macbeth dines after Banquo's death, time freezes for 5-10 seconds as Macbeth sees Banquo's ghost sitting at the table. This is achieved by the other actors freezing in place until Macbeth drops his chalice. During the time freeze, a man sitting at the table and facing the camera blinks his eyes.
See more »
Quotes
Macbeth:
Tomorrow, and tomorrow, and tomorrow creeps in this petty pace from day to day to the last syllable of recorded time; and all our yesterdays have lighted fools the way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player who struts and frets his hour upon the stage and is heard no more. It is a tale told by an idiot, full of sound and fury, signifying nothing.
See more »
Connections
Featured in
William Shakespeare (2000)
See more »
Roman Polanski's blood-soaked version of Shakespeare's Scottish play was the video version of choice when we were studying this at school, in spite of it having a nude Lady Macbeth and witches (and Keith Chegwin in the cast - he's Banquo's son).
Jon Finch has the lead and he is exceptionally good. Even a dagger which really appears to float before him (an effect not needed) doesn't spoil things. Odd that he never really got good movie roles after this. His Lady M is Francesca Annis, a spider of a schemer, also putting in a good performance.
Less adequate are Martin Shaw as Banquo, Stephan Chase as Malcolm, and Sydney Bromley as the Porter, although Terence Bayler gives good value as Macduff.
Perhaps this Macbeth is the first one to be truly cinematic, something that even Orson Welles couldn't achieve with Scots accents and Scandinavian settings. It remains memorable long after seeing and, in its excesses, opens up the text for a new generation, and finally, sees the repellent murdering usurper get what he deserves.
(Incidentally for perspective, the book 'Macbeth - man and myth' by Nick Aitchison looks at the real historic facts in accessible coffee-table book style).