| Videos (see all 2) |
| Florinda Bolkan | ... | Carol Hammond | |
| Stanley Baker | ... | Inspector Corvin | |
| Jean Sorel | ... | Frank Hammond | |
| Silvia Monti | ... | Deborah | |
| Alberto de Mendoza | ... | Sgt. Brandon | |
| Penny Brown | ... | Jenny (hippie girl) | |
| Mike Kennedy | ... | Hubert (hippie guy) | |
| Ely Galleani | ... | Joan Hammond (as Edy Gall) | |
| George Rigaud | ... | Dr. Kerr | |
| Ezio Marano | ... | Lowell (scientific squad) | |
| Franco Balducci | ... | McKenna | |
| Luigi Antonio Guerra | ... | Policeman | |
| Erzsi Paál | ... | Mrs. Gordon (as Ersi Pond) | |
| Gaetano Imbró | ... | Policeman | |
| Leo Genn | ... | Edmond Brighton | |
| Anita Strindberg | ... | Julia Durer | |
| rest of cast listed alphabetically: | |||
| Tony Adams | ... | Policeman (uncredited) | |
| Jean Degrave | ... | St. Paul's Clinic Director (uncredited) | |
| Basil Dignam | ... | The Commisoner (uncredited) | |
| Ursel Eberz | ... | Policewoman Beth (uncredited) | |
| Piero Nistri | ... | L'amante di mrs Gordon (uncredited) | |
Directed by | |||
| Lucio Fulci | |||
Writing credits(in alphabetical order) | ||
| Lucio Fulci | screenplay | |
| Lucio Fulci | story | |
| Roberto Gianviti | screenplay | |
| Roberto Gianviti | story | |
| José Luis Martínez Mollá | screenplay | |
| André Tranché | screenplay | |
Produced by | |||
| Edmondo Amati | .... | producer | |
| Renato Jaboni | .... | executive producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Luigi Kuveiller | |||
Film Editing by | |||
| Giorgio Serrallonga | (as Jorge Serralonga) | ||
Art Direction by | |||
| Román Calatayud | |||
Set Decoration by | |||
| Roberto Granieri | |||
Costume Design by | |||
| Maurizio Chiari | |||
Makeup Department | |||
| Franco Di Girolamo | .... | head makeup artist | |
| Gloria Fava | .... | assistant makeup artist | |
| Rosa Luciani | .... | hair stylist | |
Production Management | |||
| Luis Méndez | .... | production manager | |
| Agostino Pane | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Giorgio Gentili | .... | assistant director | |
Art Department | |||
| Nedo Azzini | .... | set designer | |
| Claudio De Santis | .... | assistant set designer | |
Sound Department | |||
| Ken Barker | .... | sound re-recording mixer | |
| Salvatore Billitteri | .... | post-synchronization supervisor | |
| Massimo Iabone | .... | sound (as Massimo Jaboni) | |
| Graham V. Hartstone | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Eugenio Ascani | .... | special effects | |
| Carlo Rambaldi | .... | special effects | |
Camera and Electrical Department | |||
| Antonio Annunziata | .... | first assistant camera | |
| Enrico Bellacci | .... | chief electrician | |
| Giovanni Bonivento | .... | second assistant camera (as Gianni Bonivento) | |
| Santiago Gómez | .... | third assistant camera | |
| Spartaco Pizzi | .... | key grip | |
| Ubaldo Terzano | .... | camera operator | |
Costume and Wardrobe Department | |||
| Giorgio Desideri | .... | assistant costume designer (as Giorgio Desidero) | |
Editorial Department | |||
| Rita Antonelli | .... | assistant editor | |
| Lea Piras | .... | assistant editor | |
| Vincenzo Tomassi | .... | supervising editor | |
Music Department | |||
| Bruno Nicolai | .... | conductor | |
Other crew | |||
| Enrique Bellot | .... | production secretary | |
| Roberto Carpentieri | .... | production secretary | |
| Roberto Giandalia | .... | script supervisor | |
| Gianfranco Bellini | .... | voice dubbing: George Rigaud (uncredited) | |
| Pino Colizzi | .... | voice dubbing: Jean Sorel (uncredited) | |
| Pino Locchi | .... | voice dubbing: Stanley Baker (uncredited) | |
| Rita Savagnone | .... | voice dubbing: Florinda Bolkan (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb Italy section |
I've said it before, and I'll say it again: Lucio Fulci made better giallos than Dario Argento. I'm sorry, but this early classic is truly stunning. From the opening scene in the train, to the final twist at the end, it will leave your arm hairs standing at attention.
It's gory, it's thrilling, it's creepy and it's moody. It absolutely captures the early 70's psychedelic 'thing' without being cheesy. It's basically a psychological study of a woman who seems deeply troubled but, then again, may just be delusional. Until the end, we really have no idea which is the case, but when we find out, we're surprised. The plot is genius.
"A Lizard in a Woman's Skin" is a true must-see for giallo fans. It's a recommended-see for horror fans. It's a probably-should-see for gore fans. And it's a better-be-on-your-shelf for Fulci fans. Classic movie fans and critics? Stay away. This is a film that you were not born to GET and you shouldn't attempt to.
By the way, my favorite Ennio Morricone soundtrack second only to "The Good, The Bad, and The Ugly." 9 out of 10, kids.