A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth ... See full summary »
A teacher who is having an affair with one of his students takes her out on a boat. They see a knife killing on shore. Other gruesome murders start occurring shortly thereafter, and the ... See full summary »
The Case of the Scorpion's Tail begins with the mysterious death of a millionaire and spirals into the murder of his suddenly rich wife, which draws the attention of a dogged investigator, who follows a trail of blood to the bitter end.
Alberto de Mendoza
Inspector Tellini investigates serial crimes where victims are paralyzed while having their bellies ripped open with a sharp knife, much in the same way tarantulas are killed by the black ... See full summary »
A woman, a survivor of a failed murder attempt by a person dubbed "The Half-Moon Killer" by the police, and her husband must find the connecting thread between herself, six other women, and... See full summary »
Pier Paolo Capponi
Beautiful young model Jennifer Lansbury and her goofy friend Marilyn Ricci move into a swanky high-rise apartment after the previous tenant gets brutally murdered. Pretty soon Jennifer is ... See full summary »
Florinda Bolkan plays the daughter of a prominant English politician who keeps having recurring "nightmares" in which she makes love to a bisexual nympho who lives downstairs and conducts all-night LSD orgies. When the nocturnal wet dreams become murderous, the neighbor turns up dead, and Florinda is the main suspect. Did she actually commit the murder she dreamt about? Is she being framed by her philandering husband? Did Florinda actually make nightly visits downstairs aside from borrowing the occasional cup of sugar? How DID Florinda's letter opener end up stuck in the dead neighbor's chest anyway? The complex plot unfolds amidst red herrings, outlandish dream sequences, lesbian hanky panky, and ominous close-ups of Florinda Bolkan's guilt-ridden facial expressions every time someone mentions the murder. All this takes place in swinging late-1960's London. Written by
Mike Justice <Fergus21@hotmail.com>
The scene in which Carol encounters the disemboweled dogs in the clinic became quite controversial because of the startlingly realistic (and graphic) appearance of the fake prop dogs. Director Lucio Fulci was nearly sent to prison because it was believed that the dogs were real and Fulci had allowed animal cruelty on the film. However crew members were able to testify in court that the "dogs" were indeed fake and no animals had ever been harmed. Special effects artist Carlo Rambaldi even presented the dog props in court to convince the jury. This was the first time that an effects artist had to testify in court that their work was fake. See more »
When people are taking pictures of Julia Durer's body, her eyebrow moves. See more »
When people think of Lucio Fulci, it's always his gorier and largely incoherent efforts that spring to mind. Films like Zombie Flesh-Eaters and The Beyond, which are most definitely good films if you like that sort of thing (as I certainly do!); but they don't adequately portray the man's talent. If you want to see the 'great' Fulci films, you need to go back to his Giallo days with films like Don't Torture a Duckling and indeed this film; A Lizard in Woman's Skin. Fulci's first Giallo is a trippy thriller that excellently captures the laid back style of the swinging sixties and blends it magnificently with the thrilling pace that has gone on to epitomise the Italian thriller. The film follows a young woman (Florinda Bolkan) who dreams that she is having orgies with a hippy woman that lives downstairs. Events take a turn for the worse when the young woman dreams that she's killed the hippy, who then turns up dead; brutally murdered in her apartment, in exactly the way that the woman dreamt...
While this film isn't as brutal as some of the later Giallo efforts, Fulci succeeds in creating a foreboding atmosphere and manages to keep his audience on the edge of their seats. The plot line is rather strange, and Fulci makes best use of this through an excellent Ennio Morricone score, which firmly instills the trippy atmosphere in the viewers mind. The Giallo has come to be synonymous with brutal murders and lots of gore but, ironically, Fulci keeps his murders down a minimum and some of them even happen off screen. This is both a good and a bad thing as I, personally, like seeing brutal murders in Giallo's; but on the other hand it allows Fulci to keep the focus firmly on the central murder and he doesn't get sidetracked with lots of blood and gore, which does the film itself lots of favours. The mystery boils down to an excellent ending, in which the film is tied up nicely and we are treated to a great twist and some first rate detective work from the detective on the case. Highly recommended viewing and a must for Giallo fans!
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