7.2/10
256
9 user 5 critic

Long Ago, Tomorrow (1971)

The Raging Moon (original title)
Bruce Pritchard is paralysed mysteriously after his Brothers wedding. Rejected by his family, he is placed in a nursing home. Angry and depressed, he finds hope with a nurse. Can Bruce find a life outside the home?

Director:

Writers:

(screenplay), (play)
Reviews
Nominated for 2 Golden Globes. Another 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Bruce Pritchard
Nanette Newman ...
Jill Matthews
...
Sarah Charles
...
Uncle Bob
Gerald Sim ...
Rev. Carbett
Michael Flanders ...
Clarence Marlow
Margery Mason ...
Matron
...
Bill Charles
Geoffrey Whitehead ...
Harold Pritchard
Chris Chittell ...
Terry (as Christopher Chittell)
Jack Woolgar ...
Bruce's Father
...
Dr. Matthews
Constance Chapman ...
Mrs. Matthews
Michael Lees ...
Geoffrey
Geoffrey Bayldon ...
Mr. Latbury
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Storyline

Bruce Pritchard is paralysed in a soccer game and is confined to a wheelchair in a convalescence home. But this doesn't slow his lust for life. Then he meets Jill and has to think about the effects of disability. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

GP | See all certifications »
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Details

Country:

Language:

Release Date:

16 April 1971 (Ireland)  »

Also Known As:

Long Ago, Tomorrow  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)
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Did You Know?

Trivia

The title comes from a phrase in a Dylan Thomas poem See more »

Connections

Remake of Boy Meets Girl: The Raging Moon (1967) See more »

Soundtracks

Many Loving Things
Music by Stanley Myers
Lyrics by Roger Cook and Roger Greenaway
Performed by Roger Cook
See more »

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User Reviews

My brief review of the film
18 February 2006 | by (Perth, Australia) – See all my reviews

Ultimately this is just another love story with all the typical plot elements, but the physical disabilities of the protagonists add an interesting twist, and the material is handled well by the cast, the director, and in fact, all concerned. The pacing of the film is deliberately slow, as are some of the pans, which effectively sets up the mood of the film. Blues are used well in the film also, and there is some careful framing to show the characters against different trappings. The music serves to establish the mood as well, and the film is hardly ever maudlin - the sentimental factor is balanced well, except in the final twenty minutes. Lastly, Nannette Newman and Malcolm McDowell both deserve to be praised for their acting here. Each of them has their own share of solid drama to handle, and they both do a good job, but McDowell in particular, who perfectly captures the resentment and depression that his character feels. Overall, it is just another romantic drama, but it is still a film well done.


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