Comedy about how New Yorkers are coping with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia and ethnic-racial conflict during a typical summer of the 1970s.
Documentary film-maker Bob Sanders and his wife Carol attend a group therapy session that serves as the backdrop for the opening scenes of the film. Returning to their Los Angeles home, the... See full summary »
At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially his ... See full summary »
Hector is a star basketball player for the College basketball team he plays for, the Leopards. His girlfriend, Olive, doesn't know whether to stay with him or leave him. And his friend, ... See full summary »
After incurring the wrath of the mob, a comic flees Detroit for Chicago taking the name "Mickey One" from a stolen Social Security card from a homeless bum he witnesses being beaten up and ... See full summary »
Hapless driving instructor and former Gunnery Sergeant Rafferty, living in squalor near Hollywood, California, doesn't put up too much of a fight when two ladies hitch a ride and attempt to... See full summary »
Bill, a wealthy businessman, confronts his junkie daughter's drug-dealing boyfriend; in the ensuing argument, Bill kills him. Panic-stricken, he wanders the streets and eventually stops at ... See full summary »
John G. Avildsen
During his summer vacation on Nantucket Island in 1942, a youth eagerly awaiting his first sexual encounter finds himself developing an innocent love for a young woman awaiting news on her soldier husband's fate in WWII.
A girl brings home her latest boyfriend to meet her parents. This is done against the background of random shootings that had just begun in NYC at the time the play was written. How the family's failings are magnified by the social confusion of the times is the crux of the plot. Written by
John Vogel <email@example.com>
It was after this that I began to wonder. If they're that unformidable, why bother to fight back? It's very dangerous. It's dangerous to challenge a system unless you're completely at peace with the thought that you're not going to miss it when it collapses.
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It doesn't get any darker than this, folks. Jules Feiffer shows off his penchant for absurdity and his mastery of the monologue (Lou Jacobi, Donald Sutherland and director Alan Arkin each get one powerhouse scene where it's basically all them with the other characters reacting). The cast is excellent and their handling of Feiffer's language is amazing. Elliot Gould's performance is particularly effective, and Vincent Gardenia as his father-in-law is hysterical.
I saw this film and then read the play it was based on, and both give off the same claustrophobic air of desperation while still being side-splittingly funny. It is definitely worth hunting down. In the words of Father Dupas, it is "all right."
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