| Kirk Douglas | ... | Will Denton | |
| Yul Brynner | ... | Jonathan Kongre | |
| Samantha Eggar | ... | Arabella | |
| Jean-Claude Drouot | ... | Virgilio | |
| Fernando Rey | ... | Captain Moriz | |
| Renato Salvatori | ... | Montefiore | |
| Massimo Ranieri | ... | Felipe | |
| Aldo Sambrell | ... | Tarcante | |
| Tito García | ... | Emilio | |
| Víctor Israel | ... | Das Mortes | |
| Antonio Rebollo | ... | Santos (as Tony Skios) | |
| Luis Barboo | ... | Calsa Larga | |
| Tony Cyrus | ... | Valgolyo | |
| Oscar Davis | ... | Amador | |
| Alejandro de Enciso | ... | Morabbito | |
| Martin Uviente | ... | Balduino | |
| John Clark | ... | Matt | |
| Maria Borge | ... | Emily Jane | |
| Juan Cazalilla | ... | Captain Lafayette |
Directed by | |||
| Kevin Billington | |||
Writing credits | ||
| Jules Verne | (novel "Le Phare du bout du monde") | |
| Tom Rowe | ||
| Rachel Billington | (additional dialogue) | |
Produced by | |||
| Kirk Douglas | .... | producer | |
| Alfredo Matas | .... | executive producer | |
| Alexander Salkind | .... | executive producer | |
| Ilya Salkind | .... | associate producer | |
Original Music by | |||
| Piero Piccioni | |||
Cinematography by | |||
| Henri Decaë | |||
| Cecilio Paniagua | |||
Film Editing by | |||
| Bert Bates | |||
Art Direction by | |||
| Enrique Alarcón | |||
Costume Design by | |||
| Deirdre Clancy | |||
Second Unit Director or Assistant Director | |||
| Juan Estelrich | .... | second unit director | |
| Julio Sempere | .... | first assistant director | |
Art Department | |||
| José Manuel Dorado | .... | assistant set decorator | |
Sound Department | |||
| Teddy Mason | .... | dubbing editor | |
| Enrique Molinero | .... | sound | |
| Jim Willis | .... | sound mixer | |
Special Effects by | |||
| Antonio Molina | .... | special effects | |
| Juan Ramón Molina | .... | special effects technician | |
| Richard M. Parker | .... | special effects | |
Camera and Electrical Department | |||
| Cecilio Paniagua | .... | director of photography: second unit | |
| Ramiro Sabell | .... | first assistant camera | |
Editorial Department | |||
| Ángel Serrano | .... | editor: Spanish version | |
Music Department | |||
| Sergio Marcotulli | .... | music engineer (uncredited) | |
| Sergio Marcotulli | .... | music mixer (uncredited) | |
| Piero Piccioni | .... | conductor (uncredited) | |
| Piero Piccioni | .... | orchestrator (uncredited) | |
Other crew | |||
| Berta Domínguez D. | .... | additional ideas | |
| Recent Posts (updated daily) | User |
|---|---|
| Will Denton / John McClane ?? | paule-rooney |
| Looks like up for a remake? | kutulu666 |
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| The Count of Monte Cristo | 100 Rifles | Spartacus | Planet of the Apes | King Arthur |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb USA section |
Once I overlooked the slow moving action (at times) and hokey plot and dialogue, I found this movie really entertaining in a circus and carnival (freaky pirates, treasure, monkey, violence, wild colors in a rough landscape with spaghetti western flashbacks) sort of way. Seemed to really push the envelope for that time period in terms of gay and trans-gender undertones - what with the pirate captain's attachment to his butler and to his androgynous second in command (the character who paraded around in a dress and feathers and appeared much more interested in Will than in Arabella). I didn't even sense that the pirate captain was attracted to Arabella in a sexual way. Anyway,that made the movie all the more interesting and unique - although likely far removed from what Jules Verne envisioned.