6.5/10
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27 user 19 critic

The Last Run (1971)

A former getaway driver from Chicago (George C. Scott) has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job, involving driving a dangerous ... See full summary »

Directors:

, (uncredited)

Writer:

(original screenplay)
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Cast

Complete credited cast:
...
Harry Garmes
Tony Musante ...
Paul Rickard
...
Claudie Scherrer
...
Monique
...
Miguel (as Aldo Sanbrell)
Antonio Tarruella ...
Motorcycle Policeman
...
Hitch Hiker
Pat Zurica ...
1st Man (as Patrick J. Zurica)
Rocky Taylor ...
2nd Man
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Storyline

A former getaway driver from Chicago (George C. Scott) has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job, involving driving a dangerous crook and his girl-friend to France. However, the job turns out to be a double-cross and the trio are pursued back to Portugal where they make one last stand on the coast while the enemy assassins attempt to gun them down. Written by Jonathon Dabell <J.D.@pixie.ntu.ac.uk>

Plot Summary | Add Synopsis

Taglines:

It was his first job in 9 years. Drive a young killer from Spain to the south of France. No one told him about the extra passenger, the girl or the seven men trying to kill them all. See more »


Certificate:

GP | See all certifications »
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Details

Country:

Language:

| |

Release Date:

24 September 1971 (Japan)  »

Also Known As:

A Última Fuga  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The trailer for the film includes a rare, candid and lengthy interview with Scott, who talked about his career up to this point, as well as explaining his reaction to winning the Oscar for "Patton". This has been shown on TCM. See more »

Goofs

Tony Musante's hair goes from short to long several times during the film. This is because he keeps taking of the curly wig he is supposed to be wearing as a disguise. See more »

Quotes

Paul Rickard: I never called anything a her in my life. It, a car is an it.
Harry Garmes: With you, Rickard, everything is an it.
See more »

Connections

Featured in Portrait of an Actor (1971) See more »

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User Reviews

A splendid film for those with a taste for existentialism
9 August 2003 | by (Kingman, Arizona) – See all my reviews

Other viewers' comments, both negative and positive, have aptly classified this film's genre. Those with inclination toward existentialist thought (e.g., why are we here and what are the best options before embracing the void?) generally like it. I think the film great and wish it were available on DVD. Others find it vapid. Yet I think the theme similar to that found in Blade Runner or Pierrot le Fou - though different from, say, Kafka's Metamophosis, or The Trial, or from Camus' The Stranger, etc., in that this film's protagonist undergoes emotional development - along with another character who fears her fate and sees no other path to follow.

Our protagonist's past life as an underworld character is significant not in the cops-and-robbers sense, but rather as an earmark of his "loner" personality - like Camus' Stranger. He's a retired individualist - like Blade Runner's Deckard - who after a career on the "outside" is sucked against his will into a melee of action and intrigue. All he'd longed for was to finish out his days in peace - in Portugal - though one can wonder if his automotive hobby (his surrogate child) and petty daily ritual could really have sustained him - yet such is the trap some see themselves born into; perhaps an earlier, unexpected coup de grace isn't to be under-appreciated.


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