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Duncan Bowles Sep 20, 2017
When preparing for an interview it can often be a double edged sword if you choose to look at other peoples’ work. Sometimes you read an interview and the answers can look frighteningly short, so panic might set in that perhaps that person isn’t very chatty, or doesn’t like doing them (though often publications just choose to use highlights), but I have to say that with Jeff Bridges, I’m glad I’d read Celia Walden’s talk with him for the Telegraph first.
I wouldn’t usually reference what I’d read in an introduction, but once you know you’re going to be sat in a room with Jeff Bridges, alone, for fifteen minutes, you need as much preparation as possible – he is, after all, a cinematic legend who needs no introduction. »
Jeff Bridges hasn’t done a lot of sequels. There’s Texasville, the follow-up to The Last Picture Show, and Tron: Legacy, and now he’s joining the Kingsman series for the sequel Kingsman: The Golden Circle. He’s never been against doing them. In a new interview with Uproxx, he explains that he expected to do Starman 2 but the movie continued as a TV series instead. And he had no idea The Big Lebowski was spinning off without him for the upcoming Going Places. He says...
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Jeff Bridges hasn’t done a lot of sequels. There’s Texasville, the follow-up to The Last Picture Show, and Tron: Legacy, and now he’s joining the Kingsman series for next month's sequel Kingsman: The Golden Circle. He’s never been against doing sequels. In a new interview with Uproxx, he explains that he expected to do Starman 2 but the movie continued as a TV series instead. And he had no idea The Big Lebowski was spinning off without him into the upcoming movie Going Places. However, he says of the idea of him ever reprising his role as that iconic title character: You know, there’s so many rumors about Lebowski, that they’re going to remake him, and so I hear those like everybody else. I get excited, but they all turn out to be...
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- Christopher Campbell
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Film Society of Lincoln Center
“’77” celebrates a seminal cinematic year in proper fashion, with a loaded first weekend that includes Friedkin, Cronenberg, Argento, Herzog and more.
A career-encompassing Jonathan Demme retrospective is now underway.
Concert films continue.
Scorsese, Mann, Wiseman and more in “Films that Inspired Good Time.”
- Nick Newman
by Eric Blume
This month, Filmstruck offers up the one-two-three early 1970s punch of director Peter Bogdanovich. Can you think of any other filmmaker who made three such incredible pictures within a three-year period, only to fade into a disastrous career afterwards?
1971’s The Last Picture Show holds up incredibly well, and ranks as one of the decade’s finest pictures. This film about various lonely souls who have no clue how to connect still resonates powerfully, partially because Bodganovich is unapologetically “adult” in his handling of these story strands. Nothing feels watered-down or soft, and all the characters have edges that make them specific and interesting. Ben Johnson and Cloris Leachman deservedly won supporting Oscars that year for their fine performances, but everyone in the cast delivers beautiful work. There’s a simplicity to the acting, in the best sense: everybody just “is”. Bodganovich has confidence with the material, »
- Eric Blume
The United States is “my country, right or wrong,” of course, and I consider myself a patriotic person, but I’ve never felt that patriotism meant blind fealty to the idea of America’s rightful dominance over global politics or culture, and certainly not to its alleged preferred status on God’s short list of favored nations, or that allegiance to said country was a license to justify or rationalize every instance of misguided, foolish, narrow-minded domestic or foreign policy.
In 2012, when this piece was first posted, it seemed like a good moment to throw the country’s history and contradictions into some sort of quick relief, and the most expedient way of doing that for me was to look at the way the United States (and the philosophies at its core) were reflected in the movies, and not just the ones which approached the country head-on as a subject. »
- Dennis Cozzalio
Film critic Charles Taylor’s first collection of essays, “Opening Wednesday at a Theater or Drive-in Near You: The Shadow Cinema of the American ’70s,” explores the rich history of ’70s-era American filmmaking through a unique lens, opting to highlight some of the period’s underseen and often underappreciated gems. As one of the most fruitful times in American filmmaking, Taylor understands why certain features — including offerings from such respected filmmakers as Jonathan Demme, Walter Hill, and Irvin Kershner — didn’t quite make it big at a crowded box office, but he’s also eager to give them their due.
Told with an eye towards the current state of cinema — a blockbuster-driven machine that Taylor calls “nonsensical” and contributing to “the destruction of the idea of content” — the book is a loving look at some forgotten gems and the power of moviemaking that can often be ignored. In our excerpt from the book, »
- Indiewire Staff
Burbank, CA (May 22, 2017) – Unlock the mystery and dive into small town secrets as Warner Bros. Home Entertainment releases Riverdale: The Complete First Season on DVD on August 15, 2017. Premiering with 2.4 million viewers, The CW’s top new show across all major demos* is created by Roberto Aguirre-Sacasa (Glee, Big Love), produced by Greg Berlanti (The Flash, Supergirl, DC’s Legends of Tomorrow, Blindspot), and stars Kj Apa (Shortland Street), Lili Reinhart (The Kings of Summer), Camila Mendes (Randy Doe), Cole Sprouse (The Suite Life of Zack and Cody), Marisol Nichols (Big Momma’s House 2), Madelaine Petsch (The Curse of Sleeping Beauty), Ashleigh Murray (Deidra & Laney Rob a Train), Mädchen Amick (Twin Peaks), and Luke Perry (Beverly Hills 90210). Roberto Aguirre-Sacasa is also an executive producer, along with Sarah Schechter (Arrow, Blindspot, DC’s Legends of Tomorrow), and Jon Goldwater (Publisher/CEO, Archie Comics). The release contains all 13 gripping episodes from the first season, »
- ComicMix Staff
Although it isn’t an exact mirror of what’s to be found in the pages of Archie Comics’ various periodicals, Arrowverse mastermind Greg Berlanti and the rest of the folks over at The CW once again found the winning formula for comic book adaptations on the small screen with the critically acclaimed Riverdale.
Aside from boasting live action versions of Archie Andrews (Kj Apa), Betty Cooper (Lili Reinhart), Veronica Lodge (Camila Mendes) and Cheryl Blossom (Madelaine Petsch) that each looked like they leapt from a comic book, Jughead Jones (Cole Sprouse) was slightly reimagined yet felt as though he became the voice of young intellectual misfits, allowing the product to have an authentic feel.
But even with a stellar cast, the writing has to be there in order to make an unfolding series work. In addition to the high school drama aspects that remain a tried and true formula for prime time television, »
- Eric Joseph
1940 / B&W / 1:85 / Street Date April 25, 2017
Cinematography: Stephen Burum
Film Editor: Barry Malkin
Produced by Francis Ford Coppola
Directed by Francis Ford Coppola
Rumble Fish, Francis Ford Coppola’s Young Adult tone poem, unspools in a black and white never-never land of sullen teens, pool tables and pompadours. It may take a moment for the audience to suss out that we’re not in the Eisenhower era with Chuck Berry, Marilyn Monroe and the Cold War but squarely in Reagan’s domain of MTV, Madonna and the Cold War.
Set in a destitute Oklahoma town with the ghost of The Last Picture Show whistling through its empty streets, Matt Dillon plays Rusty, an inveterate gang-banger growing up in the shadow of his older brother played by Mickey Rourke, a reformed juvenile »
- Charlie Largent
The new colour-free version of Mad Max: Fury Road is leading a renewed charge in black-and-white filmmaking
Take a look at the latest Mad Max movie and you will notice that it isn’t, in fact, a new Mad Max at all. That’s still Tom Hardy strapped to the front of a speeding jalopy, while shaven-headed kamikaze drivers zigzag around one another bellowing their war cries. And they’re still in hot pursuit of Charlize Theron, as she ploughs her juggernaut across the post-apocalyptic desert. But the fireballs and flame-throwing guitars look subtly different now; subdued, even classical. It’s the faces and the landscapes, both equally craggy, that have a surprising new texture and prominence in George Miller’s colourless version of Mad Max: Fury Road (subtitled “black and chrome edition”), which reaches cinemas this month, two years after the success of the eye-popping original. It had been »
- Ryan Gilbey
“It’s the most wonderful time/Of the year…” – Andy Williams
Well, yes and no. There is, after all, still about a week and a half to go before we can put the long national, annual nightmare of the tax season behind us. But it’s also film festival season, which for me specifically means the onset of the 2017 TCM Classic Film Festival, the eighth iteration of what has become a perennial moviegoing event. More and more people flock to Hollywood Boulevard each year from all reaches of the country, and from other countries, to revel in the history of Hollywood and international filmmaking, celebrate their favorite stars (including, this year, beloved TCM host Robert Osborne, who died earlier this year and whose presence has been missed at the festival for the past two sessions) and enjoy a long-weekend-sized bout of nostalgia for the movie culture being referred to when »
- Dennis Cozzalio
Two-time Academy Award winner Robert De Niro (Best Supporting Actor, The Godfather: Part II, 1974; Best Actor, Raging Bull, 1980) stars as an aging insult comic trying to reinvent himself for acclaimed filmmaker Taylor Hackford (Ray) in the comedy-drama The Comedian. De Niro’s eight-years-in-the-making passion project also stars Leslie Mann (Knocked Up), Danny DeVito (“Always Sunny in Philadelphia”), Edie Falco (“The Sopranos”), Charles Grodin (Dave), Academy Award winner Cloris Leachman (Best Supporting Actress, The Last Picture Show, 1971), Patti LuPone (“Penny Dreadful”), and Academy Award nominee Harvey Keitel (Best Supporting Actor, Bugsy, 1991), with a cast that includes Lucy DeVito (Leaves of Grass) and Billy Crystal (When Harry Met Sally…). In addition, the film features a veritable who’s who of stand-up comedians, »
- Tom Stockman
Chicago – Rarely does a filmmaker have a long or influential enough career to revisit a story and characters that they’ve explored in a previous film. Oscar winner Danny Boyle has both qualifications, as he again takes on – 20 years after its 1996 release – his classic film “Trainspotting, which is elegantly titled “T2 Trainspotting.”
The boys of the original “Trainspotting” have reunited for the outing, portrayed by Ewan McGregor, Robert Carlyle, Ewen Bremner and Jonny Lee Miller. Middle age angst is the theme, as each of the characters are going through some life changes, but the spirit of their larcenous souls are still intact. The first film launched the uber-careers of Ewan McGregor and director Danny Boyle, and the re-exploration of the energetic style and quick-cutting scene work are back in the new story as well.
Photo credit: Sony Pictures Releasing »
- email@example.com (Adam Fendelman)
The 2017 Oscar Nominees: Everything you need to know about the Best Supporting Actor RaceThe 2017 Oscar Nominees: Everything you need to know about the Best Supporting Actor RaceAdriana Floridia2/21/2017 9:07:00 Am
The Best Supporting Actor Oscar is pretty much Mahershala Ali's to lose.
Despite that, this year's line-up of Best Supporting Actor nominees is incredibly strong, and anyone would be a worthy winner. However, Ali has won almost every award leading up to the Oscars, except for the Golden Globe which surprisingly went to Nocturnal Animals' Aaron Taylor Johnson (who wasn't even nominated for the Oscar). Moonlight is a major awards contender that right now looks like it's being outshone by La La Land. If Moonlight is guaranteed an Oscar in any category, it's this one.
We're breaking down the nominees for Best Supporting Actor below!
Previous Nominations: First time nominee
- Adriana Floridia
It finally happened!
This is the moment I've been waiting for all season. (And it's only been four episodes...)
The affair is over. Ms. Grundy packed up her bags and hightailed it out of town on Riverdale Season 1 Episode 4. Let's savor this development for a second.
First and foremost, I don't hate the character. She had an interesting backstory for all the lies. And Sarah Habel, who portrayed Ms. Grundy, did a fine job making her seem timid yet manipulative.
This has more to do with the teacher-student affair storyline. I've seen this trope done to death before in teen dramas. I didn't want them to dive too much into this plot.
Luckily it only lasted four episodes. And we also got an extra mystery thrown in to explain this younger Ms. Grundy.
Betty: Ms. Grundy showed up in Riverdale a year ago, out of thin air. There is no record of her before that. »
- Justin Carreiro
Need to catch up? Check out our previous Riverdale recap here.
This week on Riverdale, the gang enjoys an old-school night at the drive-in… while an important piece of the Jason Blossom puzzle packs up and leaves town.
Betty is still stewing over the revelation last week that Dilton spotted Miss Grundy’s car at the river on the Fourth of July. She remembers that Archie was “taking” “lessons” (ahem) from Grundy at the time, and starts to suspect them of having an affair. She confronts Archie about it in the Pop’s parking lot, and he blurts out, “Did Jughead tell you? »
Mostly everyone in town has been falling under the alluring spell of Ms. Grundy. But that looks to be changing on Riverdale Season 1 Episode 4.
While Mr. Andrews is the latest to crush on the music teacher, Betty and Veronica have their sights set on doing their own investigation. Will they find anything shocking? Will Mr. Andrews make his move? And how will Jughead's mission go in saving the drive-in?
Check out the photos below for "Chapter Four: The Last Picture Show", which airs Thursday, February 16 on The CW.
And don't forget, you can watch Riverdale online via TV Fanatic to get caught up on all the drama!
1. Flower Delivery - Riverdale Season 1 Episode 4 Archie and Mr. Andrews deliver a pretty bouquet to a special someone. Is this a completely innocent gesture or will it cause trouble down the line? Seeing how things on Riverdale have unfolded so far, this sweet bouquet smells like drama. »
- Justin Carreiro
The battle lines are drawn: It's La La Land, a musical fantasy about white lovers in Hollywood, versus Moonlight, a searing drama about black youth surviving on the streets of Miami. That contest is symptomatic of how serious Oscar is – or isn't – about diversity. After two years in which not a single black actor showed up among the acting nominees, this year's crop includes seven actors of color: Mahershala Ali, Viola Davis, Naomie Harris, Ruth Negga, Dev Patel, Octavia Spencer and Denzel Washington.
"Wow, what a difference a year makes, »
Turner Classic Movies has announced it will open the 2017 TCM Classic Film Festival with a 50th anniversary screening of “In the Heat of the Night.” The fest will also celebrate Debbie Reynolds and Carrie Fisher by screening “Singin’ in the Rain” and “Postcards From the Edge” and hosting conversations with family members Todd Fisher and Billie Lourd at both screenings.
Other honorees who will participate in the tribute are “In the Heat of the Night” actors Sidney Poitier and Lee Grant, producer Walter Mirisch and composer Quincy Jones. Mel Brooks, Buck Henry and “Saturday Night Fever” star Donna Pescow and director John Badham are set to make appearances during the festival as well.
The festival, themed “Make Em’ Laugh: Comedy in the Movies,” will take place for the eight consecutive year at the Hollywood Roosevelt Hotel from April 6-9 and will also honor actor-director Peter Bogdanovich with screenings of “The Last Picture Show, »
- Dani Levy
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