A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local ...
See full summary »
After incurring the wrath of the mob, a comic flees Detroit for Chicago taking the name "Mickey One" from a stolen Social Security card from a homeless bum he witnesses being beaten up and ... See full summary »
When an 11-year-old girl is brutally raped and murdered in a quiet French village, a police detective who has forgotten how to feel emotions--because of the death of his own family in some kind of accident--investigates the crime, which turns out to ask more questions than it answers.
Paul Groves (Peter Fonda), a television commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him and he seeks the help of his friend John ... See full summary »
A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local prostitute Maria. But his dreams of an unspoiled existence are interrupted when the local priest asks him to help stop the villagers killing each other by re-enacting scenes from the film for real because they don't understand movie fakery... Written by
Michael Brooke <email@example.com>
While editing the film in New Mexico, Dennis Hopper gave Alejandro Jodorowsky, hot off the success of El topo (1970), the chance to edit a cut of the film. He did, but Hopper submitted his own edited version to Universal as the final cut. See more »
You know, I had fantasies like that, about being beat up. Did you ever have a fantasy about women beating you up? Or don't cowboys have fantasies?
See more »
There is nearly a full fifteen minute gap in between the first title card, "A FILM BY DENNIS HOPPER" and the other title card, "THE LAST MOVIE". See more »
I watched this film twice. The second time I watched it I was simply trying to figure out why I liked it the first time---but like it I did. Usually I don't like this kind of film, because I think they're pretentious. (NORTHFORK, as an example.) I think if ten people watched this film, those ten people would take ten different journeys and wind up at ten different destinations--so I can only describe what I felt---and it really was, for me, strangely enough, only a feeling.
For me it boils down to this: I'm from Oklahoma. During the early years, growing up in the great American heartland, the moral compass is very clear for most people. But the feeling, as you grow older (and migrate away from your roots), that with each season something precious is slowly draining away, and that things you care deeply about become like sand dunes that change shape and form with every rising sun---and there seem to be a progressive sense of loss---loss of the north star, reference points, meaningful trails in your life, until one day you are forced to stop and ask yourself, "Where am I, and what the hell do I care about anymore?" That's when you go to the pound and adopt a dog. I'm sure that my response to the film had absolutely nothing to do with what the authors intended, but I liked the film very much, and can't help but feel that this film is vastly underrated and was never given a fair chance.
23 of 27 people found this review helpful.
Was this review helpful to you?