A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local ... See full summary »
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel ... See full summary »
Harry Collings returns home to his farm after drifting with his friend, Arch. His wife, who had given up on him, reluctantly allows him to stay, and soon believes that all will be well ... See full summary »
When the drifter Harry Madox reaches a small town in Texas, he gets a job as used car salesman with the dealer George Harshaw and settles down in a hotel room. During a fire, Harry observes... See full summary »
A homeless woman, improbably well-groomed and (as seen naked to the waist as she changes from one shabby sweater to another) well-toned, spends from dawn till night pushing her cart around ... See full summary »
A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local prostitute Maria. But his dreams of an unspoiled existence are interrupted when the local priest asks him to help stop the villagers killing each other by re-enacting scenes from the film for real because they don't understand movie fakery... Written by
Michael Brooke <email@example.com>
While editing the film in New Mexico, Dennis Hopper gave Alejandro Jodorowsky, hot off the success of El Topo (1970), the chance to edit a cut of the film. He did, but Hopper submitted his own edited version to Universal as the final cut. See more »
You know, I had fantasies like that, about being beat up. Did you ever have a fantasy about women beating you up? Or don't cowboys have fantasies?
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The movie runs for a full half-hour before the credits roll. See more »
I watched this film twice. The second time I watched it I was simply trying to figure out why I liked it the first time---but like it I did. Usually I don't like this kind of film, because I think they're pretentious. (NORTHFORK, as an example.) I think if ten people watched this film, those ten people would take ten different journeys and wind up at ten different destinations--so I can only describe what I felt---and it really was, for me, strangely enough, only a feeling.
For me it boils down to this: I'm from Oklahoma. During the early years, growing up in the great American heartland, the moral compass is very clear for most people. But the feeling, as you grow older (and migrate away from your roots), that with each season something precious is slowly draining away, and that things you care deeply about become like sand dunes that change shape and form with every rising sun---and there seem to be a progressive sense of loss---loss of the north star, reference points, meaningful trails in your life, until one day you are forced to stop and ask yourself, "Where am I, and what the hell do I care about anymore?" That's when you go to the pound and adopt a dog. I'm sure that my response to the film had absolutely nothing to do with what the authors intended, but I liked the film very much, and can't help but feel that this film is vastly underrated and was never given a fair chance.
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