A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local ... See full summary »
Harry Collings returns home to his farm after drifting with his friend, Arch. His wife, who had given up on him, reluctantly allows him to stay, and soon believes that all will be well ... See full summary »
When the drifter Harry Madox reaches a small town in Texas, he gets a job as used car salesman with the dealer George Harshaw and settles down in a hotel room. During a fire, Harry observes... See full summary »
A soldier (Dennis Hopper) returns from Vietnam on special assignment, accompanying the body of his friend by train to California for burial. During the trip, he falls in love with a gentle ... See full summary »
A black-clad Johnny Cash appears in and narrates this version of the story of Jesus' life, death, and resurrection, which was shot on location in Israel. Cash performs a number of original ... See full summary »
June Carter Cash
A homeless woman, improbably well-groomed and (as seen naked to the waist as she changes from one shabby sweater to another) well-toned, spends from dawn till night pushing her cart around ... See full summary »
A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local prostitute Maria. But his dreams of an unspoiled existence are interrupted when the local priest asks him to help stop the villagers killing each other by re-enacting scenes from the film for real because they don't understand movie fakery... Written by
Michael Brooke <email@example.com>
Dennis Hopper's now notorious second feature fulfilled the promise of 'Easy Rider' by doing to his career what those Southern rednecks did to his character at the end of the earlier film: blasting it to an early grave. Given the disposition of its maker and the attitudes of his era it's not surprising the film took shape the way it did, but unlike the more unified mess of his debut feature (in retrospect a happy accident) this sophomore effort is merely chaotic: an ill-conceived, sloppily executed, helplessly edited riot of unintended laughs.
There's a germ of an idea here about the essential artifice of movie-making (in which the film itself finally disintegrates into random outtakes), but the director painted himself into a creative cul-de-sac by envisioning a project that had to fail in order to succeed. And fail it did, famously so, putting all of Hopper's drug-induced limitations on public display. Seen today, it's a fascinating example of professional self-destruction, and a laughable catalogue of hippie flotsam scraped from the bottom of the '60s barrel.
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