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The Last Movie (1971)

 -  Drama  -  21 October 1988 (Japan)
6.0
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Ratings: 6.0/10 from 731 users  
Reviews: 28 user | 20 critic

A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local ... See full summary »

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Title: The Last Movie (1971)

The Last Movie (1971) on IMDb 6/10

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Cast

Cast overview, first billed only:
...
Mrs. Anderson
Daniel Ades ...
Thomas Mercado
Richmond L. Aguilar ...
Gaffer (as Richmond Aguilar)
John Alderman ...
Jonathan
...
Mayor's Son
Donna Baccala ...
Miss Anderson
Charles Bail
Tom Baker ...
Member of Billy's Gang
...
Rose
Poupée Bocar ...
Nightclub Singer
Anna Lynn Brown ...
Dance Hall Girl
Rod Cameron ...
Bernard Casselman ...
Doctor
Earl Clark
Manuel Concha
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Storyline

A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local prostitute Maria. But his dreams of an unspoiled existence are interrupted when the local priest asks him to help stop the villagers killing each other by re-enacting scenes from the film for real because they don't understand movie fakery... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Plot Keywords:

prostitute | killing | village | peru | actor | See more »

Genres:

Drama

Certificate:

R | See all certifications »
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Details

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Release Date:

21 October 1988 (Japan)  »

Also Known As:

The Last Movie  »

Filming Locations:

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Box Office

Budget:

$1,000,000 (estimated)
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(Technicolor)
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Did You Know?

Trivia

Kris Kristofferson's film debut. See more »

Quotes

Kansas: You cold?
Maria: Um, my feet are cold.
Kansas: Yeah?
Maria: Yeah.
Kansas: (reaches under her skirt) Hey, hey, I know something that's hot and, uh, heh, heh. Yes, sir!
See more »

Crazy Credits

There is nearly a full fifteen minute gap in between the first title card, "A FILM BY DENNIS HOPPER" and the other title card, "THE LAST MOVIE". See more »

Connections

Featured in The Story of Film: An Odyssey: Episode #1.9 (2011) See more »

Soundtracks

Me and Bobby McGee
Written and Performed by Kris Kristofferson
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User Reviews

 
They Don't (Dare) Make 'em Like This Any More
12 January 2005 | by (London) – See all my reviews

It's difficult to see why people have such a hard time with this movie. Anyone who is interested in European art cinema of the '60's or even the novel since Joyce should have no trouble reading the film on at least some levels. Hopper's method here is to try and get inside the head, to put thought and memory on the screen, not just pictures.

Part of the problem may be the sheer complexity. There are probably enough ideas crammed in here for a dozen movies, and Hopper throws them all at us, often simultaneously. There's a story about American imperialism, there's a story about the artifice of film-making, there's a story about the way audiences view cinema, there's a Christ allegory wrapped up with a general sacrificial victim theme, a story about men and women, sex, money and power, there's Hopper's own story, the story of cinema itself, there's a satire of Hollywood conventions in general and the Western in particular, very notably there's a story about the Peruvian landscape, ravishingly shot by Laszlo Kovacs. There's even the story of Hopper's gofer lost in a society he doesn't understand if you want a simple narrative to hang on to. The film combines all these facets into a structure which can only be described as crystalline.

Devotees of "folding" should find plenty to occupy them here - there's the film about Hopper's character "Kansas", the film Sam Fuller is making, the villagers' "film", "The Last Movie" itself, an on-set home movie and probably several others besides.

Hopper gaily references (and steals from) everyone from Fellini and Godard to John Huston and Nicholas Ray, and of course goes bonkers in Peru well before Werner Herzog got around to it (and appropriates tribal culture in a strikingly similar way).

Definitely not a film to be missed by anyone interested in fractured narratives, postmodernism in film or the beautiful image. Vastly underrated and well worth its Venice prize, this is to "Easy Rider" what "Pulp Fiction" is to "Reservoir Dogs". Hopper as a director has never been better.


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