Avoiding to settle in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with a ...
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Unassuming and single thirty-three year old Tillie Shlain is at that phase of her life of being known as a soon to be spinster if she doesn't marry soon. She isn't looking forward to ... See full summary »
After devoting his life to publish philosophy, history and psychoanalysis, the editor Mario Zavadikner, discontented with the social and intellectual reality, decides to shoot himself at ... See full summary »
A disillusioned aging decent man and once proud WWII veteran is dealing with midlife crisis as well as a tough moral dilemma. If he wants his small near-bankrupt clothing company to survive, he has two days to let go of his shaken morals.
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age... See full summary »
José is a young journalist who gets fired over refusing to write an article about an American film crew, overdramatizing the situation in Argentina. When he goes looking for his old girlfriend, he runs into the crew again.
Sergio Poves Campos,
Avoiding to settle in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with a pregnant teenager and begins to understand the true meaning of life as he helps the girl give birth to her child. Written by
Walter Matthau in the role only he could make so excitingly different...you'll start talking about it from the opening scene. Jack Lemmon directs. He takes his talent 'behind' the camera for the first time to add a new, fresh dimension to his brilliant career.
Kotch collects old bowling pins to throw into his fireplace to keep warm; in reality, the thick plastic coatings would create smoke and noxious fumes. See more »
Joseph P. Kotcher:
[about his wife and baby son in the car]
She covered all the windows every time she changed him. I don't know why, I don't know what harm it would do people seeing his little pink pecker at 25 miles an hour, but she covered the windows every time.
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I had never seen Kotch, but had always wanted to because of the presence of Walter Matthau and because of Jack Lemmon as director. It finally showed up on TCM the other night and, after years of waiting, I sadly have to agree with the lone previous viewer who found it wretched. I hate to be, once again, the turd in the punchbowl of hosannas here, but there are no characters in this movie, only cardboard cutouts. Matthau (who I love) is simply not credible here as a man who needs to be put away; his off-the-wall performance never makes us believe he is anywhere close to senile. The opening scene, with its aforementioned treacly 70's score, is predictive of the dreck to come. The movie is never played for human drama but only for cheap laughs, and those are few and far between. In the end I did what I rarely do, i.e. said to myself "why I am torturing myself," shut it off, and put on a good Laurel and Hardy movie.
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